Trumpeter, composer, and improviser Nate Wooley has performed regularly as a sideman with many of the leading musicians on the New York new music scene including icons such as Anthony Braxton and John Zorn. He has also collaborated with many of the brightest of his generation such as Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson. Embracing noise and drone aesthetics, Wooley’s unique approach to the trumpet is a combination of standard techniques, vocalization, extreme extended techniques and amplification. But Nate Wooley is not just another iconoclast; he is a curator, a writer, an editor and an explorer of all things sonic and musical. Check out his online quarterly journal Sound American or his Database of Recorded American Music .
Argonautica is an ambitious work that takes its name from the ancient Greek epic poem which depicts the adventure of Jason and the Argonauts in their quest for the Golden Fleece. The piece is in three parts with an introduction and scored for three pairs of instruments – trumpets, pianos and drums. This allows for various duos and trios to work together or separately as they explore the material. Wooley conceived the piece as a tribute to his mentor Ron Miles whom performs on this recording. Argonuatica opens with a “solo” from the trumpets. Here Wooley and Miles demonstrate their individual approaches to the instrument with Miles’s lyrical cornet to Wooley’s rougher more extended trumpet voice. This seeming opposition remains with all of the pairs of instruments – the acoustic piano of Cory Smythe paired with the Fender-Rhodes and electronics of Jozef Dumoulin and the free jazz drumming of Devin Gray with the more spirited precision of Rudy Royston. The pairs move from contrast to opposition to complement as the material is explored. There are written or scored elements that are precisely performed, followed by more open sections used by the performers to develop the material as they navigate to the next scored element giving this forty three minute piece a very organic feel. There is a continuous build up from sparse to dense, from slower to faster as various duos and trios emerge until the piece ends in a shattering climax.
Wooley cites the oblique influence of things like ambient tape music, dodecaphony, jazz-rock and the minimalist rock of Terry Riley. With Argonautica he raises the question “… is this what jazz-rock can be in the twenty-first century?” However, do not take this to mean that Argonautica is “fusion” or sounds like any of these influences. To quote Wooley: “It’s easy sometimes to confuse being inspired by something with adhering to its principles.”
Argonautica is a solid piece of contemporary creative music performed by exceptional musicians. It is beautifully recorded and mixed. In addition to the MP3 and CD versions there is also a high-resolution audio mix available (would love to hear that). If you are not already a Nate Wooley fan then this recording is very likely to make you one.
For more information: http://firehouse12records.com
Chris De Chiara