The four pieces on Norwegian percussionist Ingar Zach’s Le stanze exploit the many-faceted sounds at the meeting place of an expanded percussion set, electronics and silence. The release begins austerely enough, with long emptinesses broken by the occasional scrape, rub or thump reverberating in an enveloping silence. The aptly titled second track, Il battito del vichingo (the Viking’s beat), enlists resonant, hollow metal for a rapid, regular rhythm that eventually stops short to leave an exposed, static chord. This in turn gives way to rattles and strikes on shimmering metal. Closing out the collection, the surge and decay of L’inno dell’oscuritá (The Hymn of Obscurity) opens out to the harsh abrasive electronics of È solitudine (It Is Solitude).