Source: New World Recordss.
Robert Carl: The Geography of Loss
Imagine, if you will, a busy, furiously humming beehive, and, within it, a calm, meditative bee. The image comes from only one work on this disc, and yet it seems curiously apropos to so much of Robert Carl’s (b. 1954) music. There is a still center in his music, even at its modernist rowdiest. In his music dissonance and rhythmic complexity do not connote anxiety, fear, violence, but rather the overflow of the exuberant noise that springs up from the ground of life. His music embraces extremes of simplicity and complexity, which in his vision interpenetrate each other.
Chris Brown: Six Primes
Chris Brown, piano
Chris Brown (b. 1953) composes music for traditional instruments, acoustic instruments with interactive electronics, improvisers, and computer networks. With Six Primes (2014), for retuned piano in 13-limit just intonation – drawing on the Rhythmicana ideas of Henry Cowell, the pure keyboard focus of Conlon Nancarrow, the affection for just intonation of Lou Harrison, and the unadulterated clarity of math…
Works for Violin & Electronics
Mari Kimura, violin
Mari Kimura’s career is a measure of how violin virtuosity has changed over the last few centuries, and particularly in the last fifty years. By the middle of the 20th century, violinists and composers began to feel that the violin’s traditional technical arsenal required updating, lest the instrument continue to sound like the 16th-century technology it is, trapped in a quickly changing, increasingly high-tech mod…