Muhal Richard Abrams Interview

English: Muhal Richard Abrams, moers festival 2009

Source: NewMusicBox.

To Abrams, there are no boundaries. Any label we put on something—fixed composition vs. spontaneous improvisation, group vs. individual, even old music vs. new music—is artificial and limits possibilities. From his vantage point, all dualities are contained within each other. All improvisations are compositions and all compositions begin as improvisations. A solo performance can inhabit multiple personalities and an orchestra can be the embodiment of a pluralistic individualism. As for old and new, “None of it’s real because the situation that is characterized as old often times is revisited and found to be useful for some future purpose. And something new can be visited and found that is reminiscent of something that’s old.”

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