The twelve relatively brief pieces making up The Sounding Door, a trio work by Guy-Frank Pellerin, Matthias Boss and Marcello Magliocchi, represent a variety of inspired chamber improvisation grounded in the textural multiplicity afforded by similarly pitched but timbrally different instruments.
Although each participant is a multi-instrumentalist—Pellerin plays three different types of saxophone as well as bone flute and clarinet; Boss contributes violin, flute and voice; and Magliocchi plays guitar, percussion and a sound-producing sculpture created by M. Andrea Dami—the tracks are never crowded but instead leave space for each individual instrument to develop its voice in tandem with the others.
Most of the pieces focus on the interplay of Pellerin’s reeds and flute with Boss’s violin. The juxtaposition of the violin with the soprano and sopranino saxophones creates a musical tension built on the simultaneous convergence of pitches and divergence of timbre, which often serve to emphasize the brightness of the violin. By contrast, the track Incertitude Rêvée puts the violin against the clarinet’s lower register, the latter taking on the unlikely function of a pseudo-cello in an updated continuo. Un Bicchiere di Spumante features plucked violin and baritone saxophone against a shimmering background of cymbals and other metallic percussion—quite possibly a case of the sculpture audibly asserting itself in the mix.