AMN Reviews: Meerenai Shim – Pheromone [Aerocade Music]

a0156861643_16Pheromone, the third solo recording by San Francisco-area new music flutist Meerenai Shim, is a fine collection of new electroacoustic works, all but one of which were commissioned for this recording. The six compositions encompass their composers’ individual approaches to integrating the flute with electronics of various types, and reflect Shim’s own genre-challenging, eclectic engagement with new music.

The opening track, composer Eli Fieldsteel’s Fractus III Aerophoneme for flute and live electronics, is the one piece not written specifically for Shim. Nevertheless, from its stark first notes, whose breathy timbre and microtonality are somehow reminiscent of the shakuhachi, she makes it her own through a forceful, momentum-gathering interpretation enhanced by the electronics’ computer-generated sonic shadows. Here as in other pieces, Shim shows an affinity for lyrical playing that recalls folksong in its phrasing and hinted-at modality.

Other highlights include Huge Blank Canvas Neck Tattoo, Gregory C. Brown’s work for alto flute and Ableton Live loops. Here the interaction between Shim’s live and sampled lines builds up a cumulative, rhythmically-informed structure that at times takes on the appearance of a kind of virtual chamber ensemble. Douglas Laustsen’s 60.8% for bass flute and electronics was written during the lead-up to the 2014 elections in Greece. Explicitly referring to events outside of itself, the work is concerned with Greek travails and resilience in recent and historical form: The title represents the highest unemployment rate for Greek youth during the country’s recent economic crises, while the musical substance was inspired by rebetiko, a kind of Greek urban folk song of hardship and resistance that flourished during the first third of the last century. Shim’s performance evokes the grain of the human voice, while the modal, microtonally-informed melody and asymmetrical rhythms point to the rebetiko’s deep heritage in Ottoman sources.

The recording also includes two pieces for piano (played by Australian pianist Jacob Abela), flute and electronics: Emma O’Halloran’s aurally sumptuous Penciled Wings and Isaac Schankler’s Pheromone, in which overlaid flute and piano chase their own echoes in a decelerating game of aural tag. The closing track, the brief Etude for contrabass flute and T183+ calculator by Matthew Joseph Payne, is a good-natured, propulsive piece that allows Shim to riff like a bass guitar in a stylized funk-rock band.

http://aerocademusic.com

Daniel Barbiero

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Gapplegate Music Reviews

Source: Gapplegate Music Reviews.

Blaise Siwula, Luciano Troja, John Murchison, Beneath the Ritual
“Zingaro” Mitzlaff Viegas Rosso 4tet, Day One
Shelton / Lonberg-Holm / Rosaly, Resounder
Nicolas Pouzet, Julien Palomo, Elation, A Tribute to the Masters

This Week in New York

Source: I Care If You Listen.

INVENTIONS | ENSEMBLE SIGNAL
This Pop-Up shines a spotlight on percussionist Doug Perkins, solo and in duet with cellist Lauren Radnofsky.
Tuesday, November 24 at 6:00 PM
Free
Miller Theatre, 2960 Broadway, New York, NY

COMPOSERS PLAY COMPOSERS MARATHON – BAND THEME | MULTIBAND
Composers Concordance’s 5th annual festival, MultiBand, continues with music by Cristian Amigo, Doug Balliett, Dennis Bathory-Kitsz, Lynn Bechtold, Luis Andrei Cobo, Glenn Cornett, Dan Cooper, Joe Deninzon, Douglas DaSilva, Jed Distler, Vasko Dukovski, Joe Gallant, Melissa Grey, Franz Hackl, Frankie (SANDLØT) Haggerty, Arthur Kampela, David Morneau, Gene Pritsker, Charlie Rauh, Richard Sussman, Bill Schimmel, Robert Voisey, and Ann Warren.
Sunday, November 29 at 5:00 PM
Tickets $15, $10 students/seniors
Spectrum, 121 Ludlow Street, 2nd Floor, New York, NY

JACK Quartet in NY Reviewed

Source: The New York Times.

“The Wind in High Places” is a string quartet by John Luther Adams that uses only open strings and natural harmonics. Written in 2011 in memory of a friend and hiking companion, it evokes the glassy stillness of the Alaskan wilderness that for decades was Mr. Adams’s home and inspiration. I had heard, and admired, the work on a recording that the JACK Quartet released this year. But when I saw the same ensemble perform it live at Roulette in Brooklyn on Friday, another dimension revealed itself.

All About Jazz Reviews

Jonny Greenwood

Source: All About Jazz.

Wadada Leo Smith & John Lindberg
Celestial Weather (TUM Records)

Slobber Pup
Pole Axe (RareNoiseRecords)

Ivo Perelman/Matthew Shipp
Complementary Colors (Leo Records)

Jonny Greenwood
Shye Ben Tzur, Jonny Greenwood and the Rajasthan Express: Junun (Nonesuch Records)

Rich Halley 4
Eleven (Pine Eagle Records)

Sonic Communion
Sonic Communion (The Bridge Sessions)

Food
This Is Not a Miracle (ECM Records)

Rodrigo Amado
This Is Our Language (Not Two Records)