Elliott Sharp on Elliott Sharp

English: Elliott Sharp live at Saalfelden 2009...

Source: Soundfly.

For many years, I’ve been challenged and inspired by the work of Elliott Sharp, who has etched a place as one of America’s most dynamic modern composers. He’s hard to pin down both musically and literally, since he regularly travels the world for performance, recording, commissions, and likely a bit of leisure, too. Some of the artists that he has worked with include Debbie Harry (Blondie), Kronos Quartet, guitarist Vernon Reid, poet Allen Ginsberg, actor Steve Buscemi, violin virtuoso Hilary Hahn, pianist Cecil Taylor, as well as Nusrat Fateh Ali Khan, Hubert Sumlin, Jack DeJohnette, Sonny Sharrock, Christian Marclay, and Bachir Attar.

How does he accomplish so much? Is he really human or is he a superhero of music? So I asked him. Straight up. How does one become Elliott Sharp? What follows is a strange, wonderful journey into the world of a mad musician, composer, instrument builder and closet scientist. This is E# unfettered.

AMN Reviews: Stefan Christoff & Sam Shalabi – Flying Street الشارع الطيّار (Howl! Arts)

R-7237075-1436840312-6544.jpegTwo of Montréal´s most mindful, pianist Stefan Christoff and oudist (for this occasion) Sam Shalabi, meet on Flying Street, in what proves to be a demonstration of true mutual sensitivity. The “mother instruments” of their respective traditions, each freighted with history and conceits, reach out with confidence toward one another. Fingers paint mehndi tattoos on the others hands, palms and forearms, becoming increasingly arabesque as they intertwine on “Elephantine”.

Shalabi scales the façades lining “Flying Street”, while Christoff is already very, very blue by the time the former joins him on “Blue Soon”, an elaborate, night-gathering metric that curls itself into a poem.

The paradigm for inquiry is a psychological one – understanding the mind, in tandem, the mind of the other, when successful to such a degree that you can taste the sublime and dissolve the self into a superself. “Revolution in Orbit”, at fifteen minutes double the length of each preceding piece, is downright photovoltaic, rooster-tailing sparks as Christoff and Shalabi gather electricity in the radiant energy of pure propulsion.

http://howlarts.net/flyingstreet

Stephen Fruitman

New York saxophonist Ingrid Laubrock plays Chicago Tonight

Source: Chicago Reader.

Chicago is usually considered to be the cultural magnet that brings some of the world’s most adventurous musicians to neighboring midwestern cities. But sometimes Chicago is piggybacking off of its neighbors. Every October Ann Arbor, Michigan, becomes a draw for progressive jazz and improvised music when the annual Edgefest occurs at the Kerrytown Concert House—the five-day extravaganza began on Tuesday and winds down tomorrow. We’re getting plenty of runoff, whether it’s the performance by Tomas Fujiwara’s trio that took place this past Wednesday or tomorrow’s concert by Tim Berne‘s new quartet Decay. On Monday saxophonist Ingrid Laubrock and drummer Andrew Drury will perform at Experimental Sound Studio as part of the weekly Option series—the latter’s quartet Content Provider, with Laubrock, fellow saxophonist Briggan Krauss, and guitarist Brandon Seabrook, played Edgefest on Thursday.

The Bridge Shows Coming to Chicago in November

The Bridge is coming to the Windy City in a week with not one but two French American ensembles.

The Turbine! [The Bridge #3]
Harrison Bankhead – double bass
Benjamin Duboc – double bass
Hamid Drake – drums, frame drum*
Ramon Lopez – drums, tabla

On the dates ending with a “*”, Jason Adasiewicz sits in for Hamid Drake
11/1 The Promontory* w/ Rob Mazurek (cornet)
11/2 The Arts Incubator*
11/2 The Whistler* w/ Dave Rempis (alto sax) and Jason Stein (bass clarinet)
11/4 Logan Arts Center* w/ Ernest Khabeer Dawkins (saxes)
11/5 The Black Cinema House at the Rebuild Foundation*
11/7 Museum of Contemporary Arts* w/ Fred Jackson (saxes)
11/8 Diasporal Rhythms
11/8 Milwaukee, WI: Woodland Pattern*
11/9 Option Series at Experimental Sound Studio (Ramon Lopez Solo)
11/9 Elastic Arts Foundation
11/10 The Whistler w/ Douglas R. Ewart (woodwinds), Ed Wilkerson (saxes) & Jim Baker (keys)
11/11 Comfort Station (bass duo)
11/12 Doug Fogelson Studio
11/13 Detroit, MI: Detroit Institute of Arts
11/15 Ann Arbor, MI: Kerrytown Concert House
11/16 Pittsburgh, PA: The Thunderbird Café
11/17 New York, NY: The Zürcher Gallery w/ Steve Swell (trombone)
11/18 Philadelphia, PA: Philadelphia Art Alliance w/ Marshall Allen (reeds)

Antichamber Music [The Bridge #10]
Improvisations for an Imaginary Quartet
Claudia Solal – voice
Katherine Young – bassoon
Tomeka Reid – cello
Benoît Delbecq – piano

11/12: Elastic Arts Foundation w/ Joshua Abrams (double bass)
11/13 Pianoforte Foundation
11/14 Constellation
+ “de-Lucia” project w/ Sandra Binion & Lou Mallozzi
11/15 Roosevelt University – Mikowsky Hall
11/17 Chicago French Alliance w/ Joshua Abrams (double bass)