From The Guardian:
If all it were remembered for was its engagement with musical history, then The Freedom Principle – an astounding new exhibition at the Museum of Contemporary Art in Chicago – would already stand as a landmark. In telling the story of the Association for the Advancement of Creative Musicians, a radical organisation of jazz artists founded in 1965, it does a better job than any show I have ever seen at analysing music and conveying its cultural importance. But The Freedom Principle, curated by Naomi Beckwith and Dieter Roelstraete, does even more than that. It shows how the themes of black cultural nationalism in the 1960s – an art engaged with political struggle, and unafraid to speak in a collective voice – continued a modernist artistic tradition of merging art into daily life. And it pushes into the present day, discovering the legacy of an important but under-appreciated musical tradition in contemporary art worldwide, from American sculptors to Albanian video artists. It fuses the history of music and the history of art into a single, more complete narrative, and makes it look easy.