International Contemporary Ensemble Plays Mario Davidovsky in New York

From AS/COA:

International Contemporary Ensemble: Mario Davidovsky
Friday, 3/13/15, 7 PM
Americas Society, 680 Park Avenue at 68th St. (6 train to 68th St-Hunter College)
Event website: http://www.as-coa.org/events/international-contemporary-ensemble-mario-davidovsky

Admission: FREE for Americas Society Members; $20 for non-members. $10 tickets will be available for purchase at the door for students with ID.

International Contemporary Ensemble (ICE) returns to Music of the Americas at Americas Society in a performance celebrating the chamber music of Argentine composer Mario Davidovsky, including the world premiere of Divertimento for 8: Ambiguous Symmetries, commissioned by Americas Society.

Program
Chacona (1971) Miranda Cuckson, Michael Nicolas, Cory Smythe
Romancero (1983) Tony Arnold, soprano
Synchronisms no. 9 (1988) David Bowlin, violin
Divertimento no. 8 “Ambiguous Symmetries” (2015) World premiere, Americas Society commission

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AMN Reviews: Michel Banabila and Oene van Geel – Music for Viola and Electronics (2014; Bandcamp)

a1014343211_2Michel Banabila has been active for over thirty years, though his name has become more widespread in the last five or so. His approach is deep in the realm of electronic ambient music, and has been featured in television, film and theater. Thus, it is not surprising that Music for Viola and Electronics, a collaboration with violist Oene van Geel, is reminiscent of a soundtrack.  But background music it is not.

Banabila lays down atmospherics over which van Geel slowly improvises. But this release gets particularly interesting when the duo electronically process viola recordings, to create soundscapes that would not be possible in a traditional setting. Banabila adds percussive sounds to van Geel’s rapid sawing to good effect, especially in Dondergod, one of the album’s more esoteric tracks.  On the third track, Echoes from Hadhramaut, they are joined by Bruno Ferro Xavier da Silva on bass, adding a rumbling voice to the mix. Nothing but Blue Sky is a quieter, introspective piece, with van Geel double-tracked to evoke Indian textures.

Informed by free jazz, post-modern classical music, and Brian Eno, but beholden to none, these two Dutchmen have produced a minor gem of an album.  Very European in feel, Music for Viola and Electronics explores dark, wintry landscapes, and stark isolation.

http://banabila.bandcamp.com/album/music-for-viola-and-electronics-2

Grant Hart Solo // Anagram Ensemble: Ticket That Exploded CD release

From New York’s Cake Shop:

March 21, 2015, 8PM Doors
The Cake Shop
125 Ludlow St, NY NY
http://www.cake-shop.com

Grant Hart & The Anagram Ensemble
Celebrate CD release of James Ilgenfritz’s
“The Ticket That Exploded”

James Ilgenfritz’s William S. Burroughs –inspired opera “The Ticket That Exploded” is released on Grant Hart’s Con D’or Records.

Grant Hart Solo

James Ilgenfritz & The Anagram Ensemble

Composer and bassist James Ilgenfritz composed the opera The Ticket That Exploded in 2011, based on the 1962 novel of the same name by America’s preeminent avant-garde literary iconoclast, William S. Burroughs. Featuring a 20-person ensemble comprised of many of New York’s premiere vocalists and instrumentalists, the opera mixes free jazz, sonic experimentalism, contemporary chamber music, and raucous post-punk industrial mayhem, using the same radical cut-up techniques Burroughs pioneered in his writings.

On March 21, singer/songwriter Grant Hart (Hüsker Dü, Nova Mob) brings his iconic solo performance to The Cake Shop. The occasion will serve as a CD release celebration for James Ilgenfritz’s opera The Ticket That Exploded, adapted from text by William S. Burroughs, and released on March by Grant Hart’s label Con D’Or.

The Anagram Ensemble
Steve Dalachinsky, Nick Hallett, Anne Rhodes, Megan Schubert: voices
Martha Cargo, Sam Kulik, Justin Wood: winds/brass
Andrew Drury, John O’Brien, Kevin Norton: percussion
Ty Citerman, James Ilgenfritz: guitar/bass
David Bloom: conductor

Free Jazz Blog Reviews

English: Trevor Watts on alto saxophone, perfo...
Trevor Watts 

From Free Jazz:

Hypercolor – Hypercolor (Tzadik, 2015) ***½
Jonas Kullhammar – Gentlemen (Moserobie, 2014) ****½
Broken Trap Ensemble – Upés (Astral Spirits, 2014) ****
Zs – Xe (Northern Spy Records, 2015) ***½
Trevor Watts‘ Moire Music Drum Orchestra: Live in Latin America Vol. 1 (FMR, 2013) ****½
Trevor Watts – Veracity (FMR, 2014) ****½
Trevor Watts Celebration Band: Live in Macedonia (FMR, 2013) **½
Luther Thomas – In Denmark (ILK, 2014) *****
Blaise Siwula and Dom Minasi – The Sunshine Don’t Mind My Singing(Nacht, 2014) ****