From NYTimes.com:
Annie Gosfield at the Stone (Friday through Sunday) Annie Gosfield completes her residency at the Stone this weekend, with two concerts each evening featuring notated and improvised music. Highlights include Ms. Gosfield’s trio performing, on Friday, a work composed in the factories of Nuremberg, Germany, that mixes the noise of machines and industrial environments and a solo set on Sunday by Ms. Gosfield that includes pieces for sampler, piano, detuned radios, baseballs and a cement mixer. At 8 and 10 p.m., Avenue C and Second Street, East Village, thestonenyc.com; $15 per set, $10 for students. (Schweitzer)
Seattle Symphony (Tuesday) The second concert of the Spring for Music series features this ensemble and the dynamic conductor Ludovic Morlot, who has galvanized the group and excited Seattle audiences since arriving as music director in 2011. The program offers Varèse’s “Déserts,” Debussy’s “La Mer” and, of special interest, the New York premiere of John Luther Adams’s “Become Ocean,” which last month won the Pulitzer Prize for Music. (The piece was commissioned and given its premiere last year by the Seattle Symphony.) At 7:30 p.m., Isaac Stern Auditorium, Carnegie Hall, 212-247-7800, carnegiehall.org; $12.50 to $25. (Tommasini)
Winnipeg Symphony Orchestra (Thursday) Led by its music director, Alexander Mickelthwate, this ensemble offers an immersion in living composers from Canada, including R. Murray Schafer’s Symphony No. 1; Derek Charke’s “13 Inuit Throat Song Games,” featuring the vocalist Tanya Tagaq; and Vincent Ho’s “The Shaman,” a concerto for percussion and orchestra with the redoubtable Evelyn Glennie as soloist. At 7:30 p.m., Isaac Stern Auditorium, Carnegie Hall, 212-247-7800, carnegiehall.org; $12.50 to $25. (Woolfe)
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