Recorded in a London, UK storage facility over the course of two days in winter and summer 2012, this stimulating set of eight live improvisations is a soundtrack of things confronted in their raw state.
Colin Webster draws a kind of elemental expressionism from tenor and baritone saxophones, making all the parts of the instruments audible as he figuratively disassembles and reassembles them as he plays. Through key clicks, overblown notes, air sounds and multiphonics Webster conveys a vivid picture of the player transmitting ideas directly through the instrument’s material. Complementing him is Graham Dunning’s turntable, feeding in Dunning’s field recordings via dubplate supplemented by a spectrum of pops, crackles and the mechanical groan of motors running down under pressure and then returning to speed.
Although fully improvised, the tracks all embody an inherent sense of composition that makes good use of variations in density and timbre through layering and sonic contrast.