From LA’s REDCAT:
A More Convenient Season
Saturday, January 25 – Sunday, January 26, 2014
Internationally acclaimed composer Yotam Haber’s soaring, impassioned three-movement work for orchestra, chorus, four soloists, electronic sound and video commemorates watershed events of the Civil Rights Movement.
Chase/Colpitts/Krieger: Percussion, Justly Tuned
Tuesday, February 4, 2014
Brian Chase, John Colpitts and Ulrich Krieger—three innovators working the edges of rock and experimental composition—stir up pulsating soundscapes, at once intense and meditative, in a three-part program focused on just-intonation percussion instruments.
Reinier van Houdt
Friday, March 21, 2014
A pianist of astonishing technique, the Dutch musical daredevil plays the points where interpretation touches improvisation in this terrifically absorbing program of works by Fluxus-affiliated legend Walter Marchetti, Luc Ferrari, and the eccentric Texas genius Jerry Hunt.
Vinny Golia Large Ensemble
Wednesday, April 9, 2014
With only a fraction of their huge repertoire performed live more than once, each concert by the Large Ensemble is a can’t-miss occasion. The west coast powerhouse orchestra performs founder and L.A. composer Vinny Golia’s contemporary chamber music with crackerjack improvisation.
Anne LeBaron: Portrait Concerts
Saturday, April 12 – Sunday, April 13, 2014
One of the most intriguing talents in American postmodern composition surveys four decades of adventurous musicmaking augmented by electronics and video, and a sneak preview of Psyche & Delia, LeBaron’s seventh opera probing the cultural resonances of LSD.
Mark Trayle: Many signals all at once
Friday, April 25, 2014
An early pioneer of laptop performance—creating work written for networked chamber ensembles and re-engineered consumer products—composer and media artist Mark Trayle is joined by Casey Anderson and Scott Cazan in a program of new multichannel pieces for mixed instrumental and electronic ensembles.
Partch: BOO Intrusions
Friday, June 6 – Saturday, June 7, 2014
Augmenting its already dazzling array of custom-built microtonal instruments, the Grammy-nominated ensemble devoted to the music of American creative iconoclast Harry Partch returns to REDCAT with a brand-new “BOO”—a justly tuned bamboo marimba.