A Cultural Conversation With Pierre Boulez

From WSJ.com:

Among musicians and concert-goers there are many who accuse Mr. Boulez of foisting the musical equivalent of gray concrete towers on them by composing and promoting pieces that are unlovable, incomprehensible and, in the words of one recent author, “willfully ugly.” A founding member of the Darmstadt School, a group of composers who came of age in the years after World War II, Mr. Boulez helped set the agenda of modernist music, rejecting tonality and classical forms in favor of new styles that employ exquisitely intricate systems of organizing notes and yet sound, to the uninitiated, bewildering.

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