“In North America the only thing that’s happened with festivals have been in Canada—Vancouver, Victoriaville,” he told me. “I’m invisible in the mainstream jazz world in the U.S. I’m generally never covered in mainstream American publications devoted to jazz.” While Vandermark has worked with American musicians who don’t live in Chicago—Joe McPhee, Joe Morris, and Adam Lane among them—they exist in the same sort of odd parallel world that he does, away from New York and criminally relegated to the margins. Of course, Vandermark has done just fine without the imprimatur of the establishment.
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