From the Chicago Reader:
Vox Arcana’s compositions look to three distinct sources of inspiration: the New York School composers (Earle Brown, Morton Feldman, John Cage), early minimalists LaMonte Young and Terry Riley, and key AACM figures Anthony Braxton, Muhal Richard Abrams, and Leroy Jenkins. On the trio’s self-titled debut the pieces create a productive tension between written sections and wide-open improvisation: rigorously structured, highly kinetic parts dissolve into spontaneous eruptions where lines and textures collide in exhilarating bursts. Lonberg-Holm’s bowing alternates between viscous and delicate, and he sometimes adds heavy electronic effects to his output. Daisy, in other settings a ferociously driving drummer, focuses on color and clatter here; on some pieces he even adds marimba. Falzone is the one player who keeps it simple, his buoyant tone dancing amid the chaos or leaping into his instrument’s upper register for a paint-peeling squeal.