The State of Modern Classical Labels

NewMusicBox features an article (and this is part 2 of a 3 parter) about the economics and focus of indie classical labels in a post-CD world.

Given that thousands of new CD titles are produced every year across the span of musical genres, it’s not hard to surmise that most discs don’t earn back enough funds to recoup the costs of recording and manufacturing. In other words, it can’t be just classical and contemporary music projects that have modest sales.

It’s a given: money has to come from somewhere before discs get released. It’s just that the need for dough is more on the surface in all realms of the always-struggling little realm of contemporary American music.

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