Published by Wergo in 1985, Sound Sculptures is a gorgeous, state-of-the-art overview of Austria and West Germany’s instrument builders and sculptors curated by composer and music critic Klaus Hinrich Stahmer. A German equivalent to Bart Hopkins’ Experimental Musical Instruments compilation CDs, though the concept here being that composers/interprets will use someone else’s sculpture or sound construction to create their soundwork. The title’s double-entendre is perfectly maintained throughout the album: sound producing actual sculptures and soundcrafting as an artform. Particularly striking is the variety of sonorities emited, from angklung-like metallophones to interactive electronic sensors, from industrial bleak soundscapes to subtle microtonal nuances, from improvised free music to drone-a-thon. This is rather un-classifiable music only occasionaly sounding like Stockhausen or Boulez solo percussion pieces.