Henri Pousseur passed on late last week.
Generally regarded as a member of the Darmstadt School in the 1950s, Pousseur’s music employs serialism, mobile forms, and aleatory, often mediating between or among seemingly irreconcilable styles, such as those of Schubert and Webern (Votre Faust), or Pousseur’s own serial style and the protest song “We shall overcome” (Couleurs croisées).
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