Jazzhouse Diaries: I Got The Feelin’

Our friend Lyn Horton write about music literature in I Got The Feelin’:

Pervasive in the literature whose subject is music that originates from the black experience is a stream of thought that is anti-critic, anti-criticism, anti-putting into words any interpretation of the music.

Just as one cannot begin the universe with one molecule of hydrogen, so can one not analyze, philosophize, criticize and proselytize on the music when viewing from any one position. Because the music loses something. It loses the impact with which and for which it was and is created from the beginning. The music itself is the result of assimilated experience for the musicians. Why does it need to be explained? And why does it need to be compared to anything else?