Bassist Dresser discusses the possibilities of Telematics:
In 2004 I left New York to accept a teaching position at the music department at UC San Diego. I was able to stay in close contact with my community of friends and colleagues in New York through email and cell phone. I made a point to come to New York to perform as much as possible and through filesharing of sheet music and sound files, a lot of the musical preparation that, in an earlier day, might be the sole domain of the live rehearsal could be done at a distance. I certainly missed the casual gig, at which one could perform new music with new colleagues. In the not-so-distant future this may not be the case because of telematic performance. Through the development of telematic music there is the opportunity to regain access to local scene dynamics, not only in New York but also to scenes worldwide.
Telematics generally refers to the interface of computers, communication and performance. It has a modern history of about 20 years. Due to the dedicated work of pioneers, generosity of friends and colleagues and support from a university that is invested in the potentials of technology, I have been able to collaborate, rehearse and perform with other musicians in multiple locations.