From Bagatellen:

Jürg and Marianne Rufer – Les Diaboliques: Jubilee Concert DVD
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Locrian – Drenched Lands
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Tony Malaby Cello Trio – Warblepeck
Much to my surprise, Tony Malaby’s cello trio – where the saxophonist is joined by Fred Lonberg-Holm and percussionist John Hollenbeck – sounds remarkably like an updated hybrid of Air and Hemphill on their debut recording. It’s not just because the presence of a cello invokes Abdul Wadud, since Lonberg-Holm’s playing sounds about as [...]

From Nameless Sound:

When:
Sunday, February 15, 2009, 8 pm

Where:
DiverseWorks Artspace,
1117 East Freeway, Houston, TX 77002
(click here for directions/map)

Tickets:
$13 general admission / $10 students and seniors; everyone under 18 gets in for free

Maggie Nicols (UK) – voice
Fred Frith (UK/San Francisco) – guitar
Susan Alcorn (Baltimore) – pedal steel guitar

With a background in jazz, dance, and theater, Maggie Nicols became an early pioneer in the European free improvisation scene when she joined John Stevens’ Spontaneous Music Ensemble in the late 1960’s. The Scottish-born performer would soon develop into one of the most unique and innovative vocalists in avant-garde music. Nicols is an artist of distinct individuality. Her agile and wordless improvisations are countered by the devilish sense of humor that she displays when she ad-libs speech into her pieces. Maggie Nicols is an active teacher and leader of workshops that fuse her experiences
in music, improvisation, theater, yoga, and activism. Though she is a veteran (she began her career in the early 60’s) and is recognized as the pioneer in her field, Nicols has only ever performed a few times in the United States. For more information on Maggie Nicols, go to www.maggienicols.com.

A wide ranging talent and prolific artist, Fred Frith first gained attention in the early 1970’s as guitarist for the pioneering English avant-garde rock band Henry Cow. Frith has distinguished himself as a guitar player, composer, improvisor, and collaborator. His versatility brings different approaches to his instrument depending on a particular playing situation (i.e., the prepared ‘table-top’ approach or the conventional guitar approach). The range of his collaborators gives an indication as to the scope of his talent and style. A short list of Frith’s partners includes: Derek Bailey, Lol Coxhill, Robert Wyatt, Brian Eno, Zeena Parkins, Tom Cora and John Zorn (Frith was the bass player in Naked City). Fred Frith is currently a professor of composition, contemporary performance, and improvisation at Mills College in Oakland. For more information on Fred Frith, go to www.fredfrith.com.

Perhaps the world’s premiere avant-gardist on her instrument, Susan Alcorn has taken the steel guitar far beyond its traditional role in country and western swing music. Well-known among steel players for her virtuosity and authenticity in a traditional context, Susan Alcorn first paid her dues in Texas country & western bands. Soon she began to expand the vocabulary of her instrument through her study of modern classical music (Olivier Messiaen and Krystof Penderecki), avant-garde jazz (John Coltrane and Ornette Coleman), and world music (Indian rags, South American songs, and gamelan orchestra). As a composer, Alcorn has proven to be visionary. Her
pieces reveal the complexity of her instrument and her musical experience, while never straying from a very direct, intense, and personal musical expression. Alcorn recently moved to Baltimore from Houston. For more information on Susan Alcorn, go to
www.susanalcorn.com.

This concert is part of Nameless Sound’s Andrew Mark Ladd Memorial Concert Series.