Posts Tagged ‘Experimental music’


Alvin Lucier: Music 109: Notes on Experimental Music (Middletown, CT: Wesleyan University Press)

Music 109 is composer Alvin Lucier’s personal tour of some of the highlights of postwar musical experimentalism.

Lucier, a professor emeritus at Wesleyan University, has been at the forefront of sound art composition and performance since the 1960s. His 1965 work Music for Solo Performer employed EEG electrodes to detect brain waves that were subsequently amplified to vibrate percussion instruments; other work has made creative use of technology to create varied sonic phenomena. Many of his compositions are concerned with the acoustic properties of the spaces in which they are realized and the effects of those properties on the listener’s sense of perception. Along with composers Robert Ashley, Gordon Mumma and David Behrman, Lucier formed the Sonic Arts Union, which presented advanced works by the four from 1966-1976.

The book is a loosely structured collection of Lucier’s reflections on some of the milestone works of experimental music of the past fifty years or so. Lucier discusses specific pieces by John Cage, Earle Brown, Morton Feldman and Christian Wolff, as well as work by Ashley, Mumma and Behrman, and others. He offers insights, often based on first-hand experience, into the ways the compositions were written or performed, in many cases demystifying such matters as how exactly to realize graphic scores such as Wolff’s For 1, 2 or 3 People, Brown’s From Here, Cage’s Cartridge Music and Feldman’s King of Denmark. Lucier walks the reader step-by-step through the processes involved first in interpreting the marks on paper, and then in translating them into the appropriate actions. In doing this he draws on his experiences as a performer or conductor of the works in question.

Lucier is perhaps best known as the composer of I Am Sitting in a Room, the creation of which he describes in lively detail. It came about in spring 1969 in what Lucier describes as a “sordid” apartment in Middletown, Connecticut, where Lucier was teaching at Wesleyan. Using two borrowed Nagra tape recorders—state of the art technology in 1969—Lucier read a deliberately unremarkable text into one recorder, transferred the tape to the second recorder and played it back while recording on the first machine. He repeated the process through fifteen iterations, until he got a result that turned his recorded voice into an abstract pattern of sound that provided, in effect, a portrait of the room’s acoustic characteristics. It’s interesting to read that the inspiration for the text, which simply described what Lucier was doing while he was doing it, came from a specific performance by Judson Church dancer Trisha Brown.

Music 109 is adapted from the lectures Lucier delivered for his Introduction to Experimental Music course at Wesleyan. This accounts for the conversational tone—the reader often feels as if he or she is sitting in a room with Lucier, listening to him talk. Plain and direct-spoken and with an uncluttered prose style, Lucier easily blends analysis, anecdote and digression into a reader-friendly first-person account of some of the most interesting music to come out of the postwar period.

http://www.wesleyan.edu/wespress

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Morton Subotnick

Cover of Morton Subotnick

From REDCAT:

Friday, March 23, 8:30pm
The supremely gifted cellist Frances-Marie Uitti makes a rare Los Angeles appearance for the debut of Michael Jon Fink’s new cello concerto, written especially for her pioneering technique of playing with two bows simultaneously, and chamber ensemble. Known for a prodigious career of dismantling longstanding musical boundaries, Uitti follows with another world premiere by Greg Moore, and works by Lisa Bielawa, Jonathan Harvey, Giacinto Scelsi, Karen Tanaka, and Ken Ueno, most written for Uitti’s incredible interpretations. REDCAT, Located in the Walt Disney Concert Hall complex, 631 West 2nd St., downtown Los Angeles | $20 / $16 students

From Beyond Baroque:

Friday, March 23, 9pm
Beyond Baroque presents Beyond Music series with wildUP! – Brooklyn to LA. : New music from one coast to the other coast: Brooklyn/ LA featuring music by Timo Andres, Art Jarvinen, Chris Kallmyer, Missy Mazzoli, Andrew Norman, Andrew Tholl, and Frederic Rzewski. The music of right now, right this very moment, is being created in basements and recorded in living rooms in high definition. wildUP! : their music is raw, unabashed, and they made it themselves. wildUp! presents two concerts about the music being composed now in LA and Brooklyn. Beyond Baroque, 681 Venice Blvd., Venice | $15 advance / $20 door

From Beyond Baroque:

Saturday, March 24, 3pm
Beyond Baroque presents Beyond Music series with wildUP! – Brooklyn to LA. : New music from one coast to the other coast: Brooklyn/ LA featuring music by Timo Andres, Art Jarvinen, Chris Kallmyer, Missy Mazzoli, Andrew Norman, Andrew Tholl, and Frederic Rzewski. The music of right now, right this very moment, is being created in basements and recorded in living rooms in high definition. wildUP! : their music is raw, unabashed, and they made it themselves. wildUp! presents two concerts about the music being composed now in LA and Brooklyn. Beyond Baroque, 681 Venice Blvd., Venice | $15 advance / $20 door

From FaceBook:

Saturday March 24, 7pm
Orange County Center for Contemporary Art presents the closing event of GOTHIC, with music by Trestles (electronics +), Toaster Music, and The League of Vampiric Bards. OCCCA, 117 N. Sycamore St., Santa Ana | Free

From Southwest Chamber Music:

Saturday, March 24, 8pm (7:30pm pre-concert talk)
Southwest Chamber Music continues their Cage 2012 Celebration with a concert featuring John Cage works including Lecture on the Weather, Score (40 Drawings by Thoreau), and 23 Parts. Zipper Concert Hall at the Colburn School, 200 South Grand Ave., downtown Los Angeles | $38 / $28 seniors / $10 students

From Sundays Live:

Saturday, March 24, 8pm
Music at Boston Court presents the Thies-Krajacic Project: Spontaneous Inventions. Featured performers of the TKP are Damjan Krajacic (flute), Robert Edward Thies (piano), Michael Valerio (bass), and Steven Schaeffer (drums). Boston Court Performing Arts Center, 70 North Mentor Ave., Pasadena | $25 / $20 seniors and students

Saturday, March 24, 8pm
Pomona College Faculty Chamber Music presents Annabel Guaita (piano) and Alfred Cramer (violin) in a concert of Music of Norway, selections by 20th-century atonal polyphonic composer Fartein Valen and others. Pomona College, Bridges Hall of Music, 150 E. 4th St., Claremont | Free

From REDCAT:

Saturday, March 24, 8:30pm
The Los Angeles new music high-fliers meet up with the godfather of techno Morton Subotnick for a live revisit to the electronic music pioneer’s iconic works, rendered with new technology. From the landmark Silver Apples of the Moon (1966) to A Sky of Cloudless Sulphur (1977), Subotnick worked with Buchla synthesizers and tape recorders to create new electronic works meant for the home environment—and later adapted his music for live performance. Now equipped with Ableton Live on his Mac and the new Buchla 200e, he performs with the California E.A.R. Unit—collaborators since 1980—and draws on elements of Silver Apples and Sky in an evening of “spontaneous performance and decision-making.” REDCAT, Located in the Walt Disney Concert Hall complex, 631 West 2nd St., downtown Los Angeles | $20 / $16 students

From SASSAS:

Sunday, March 25, 1pm (12:30 load in)
SASSAS and the Center for the Arts Eagle Rock present soundShoppe, a monthly unstructured sound workshop/noise jam for experimental musicians and sound artists. soundShoppe offers a means by which sound artists can hangout on a regular basis and informally explore their medium together. soundShoppe offers experienced sound musicians an opportunity experiment with different instrumentations and approaches and play outside of their comfort zone. soundShoppe also presents the opportunity for novice sound artists to interact with more experienced ones. Center for the Arts, Eagle Rock, 2225 Colorado Blvd., Eagle Rock | Free

From the wulf:

Sunday, March 25, 8pm
the wulf presents Casey Anderson: Solo, Many, All – two new pieces (solo live electronics, the other participatory) concluding with an open discussion based on a prompt. The event will shift from an exclusive format (solo) to one in which everyone present is placed on an equal playing field (all). The live electronics piece is rooted around Anderson’s current interest in instrument design for/around chaotic data networks, while the participatory piece is based on a poem about a poem about a painting owned by a poet, and will feature something like writing, breathing, tearing paper (etc.). Concluding the event will be an open discussion on exclusivity. the wulf, 1026 South Santa Fe Ave. #203, downtown Los Angeles | donations accepted

From Monday Evening Concerts:

Monday, March 26, 8pm
Monday Evening Concerts presents Jazz Encounters, music as extreme action; music rooted in popular styles. This concert will feature pieces by Stefan Wolpe (Quartet for Trumpet, Tenor Saxophone, Percussion and Piano)(Piece for Oboe, Cello, Percussion, and Piano), Evan Johnson (ground), Peter Ablinger (Parker Notch), Peter Ablinger (weiss/weisslich 4), and Evan Johnson (Supplement), performed by Daniel Rosenboom (trumpet), Eliot Gattegno (saxophone), Nicholas Terry (percussion), Vicki Ray (piano),
Gareth Davis (clarinet), Ariana Ghez (oboe), Jason Lippmann (cello), and Donald Crockett (conductor). Zipper Concert Hall at the Colburn School, 200 South Grand Ave., downtown Los Angeles | $27

From Athenaeum:

Tuesday, March 27, 7pm
The Athenaeum Music & Arts Library and San Diego New Music present the Formalist Quartet in concert. This evening’s program will feature pieces by Harold Budd (String Quartet 2001), Toru Takemitsu (Landscape 1), Leos Janacek (String Quartet No. 1), and others. The Formalist Quartet is Andrew Tholl (violin), Mark Menzies (violin, viola), Andrew McIntosh (violin, viola), and Ashley Walters (cello), who will perform this evening with special guest Phoebe Jevtovic Rosquist (soprano). Athenaeum Music & Arts Library, 1008 Wall St., La Jolla | $25 members / $30 non-member, available here

From LA Phil:

Tuesday, March 27, 8pm
Keith Jarrett: An Evening of Solo Piano Improvisations. Experience the music of Keith Jarrett in the pristine acoustics of Walt Disney Concert Hall as he celebrates the release of Rio, one of the finest live solo recordings of his career. <a href=”Walt Disney Concert Hall, 111 South Grand Ave., downtown Los Angeles | $43 to $150, available here

From FaceBook:

Wednesday, March 28, 8pm
Wicked Dreams Celebration! presents at triple bill at the EL Cid Restuarant, featuring Noah and the MegaFauna, Tears of the Moosechaser, and Timur and the Dime Museum, and special guest Maesa Pullman. El Cid Restuarant, 4212 Sunset Blvd., Silverlake | $5

From The Last Bookstore:

Thursday, March 29, 7pm
The Last Bookstore presents the End of Quarter Blowout, A multi-level event in which performances flow through three conjoined floors of the Spring Arts Tower (The Crocker Club, The Last Bookstore (natch), and the Mezzanine. Featuring!: Double G and the daKAH Orchestra, NineNet, Killsonic, Poetry Noise Orchestra, and HMS Soundsystem with special guests Robert F. Leng and Tom Steck of Other Criteria, multiple smaller esnsembles, theater installation curated by Poor Dog Group, and a diverse collection of friends and contributors of The Last Bookstore. The Last Bookstore, 453 S. Spring St. (ground floor), downtown Los Angeles | Free

From the wulf:

Thursday, March 29, 8pm
Giacomo Fiore will present a night of recent music for classical and just intonation guitar, with and without live electronics and other trickeries. Works by Lou Harrison, Larry Polansky, Ron Nagorcka, and Toshio Hosokawa. Born in Italy in 1983, Giacomo has been playing and studying music in the U.S. since 2003. He lives in San Francisco and looks forward to his debut at the wulf. the wulf, 1026 South Santa Fe Ave. #203, downtown Los Angeles | donations accepted


Gloria Cheng

Cover of Gloria Cheng

From Bay Improviser:

Thursday, March 22, 8pm
OutSound presents the Luggage Store New Music Series, this week featuring a set at 8pm with Sarah Elena Palmer (vocals, processing), and at 9pm with Ann/Marianne, featuring Ann O’Rourke (cymbals, drums, found objects, effects) and Marianne Tomita McDonald (Scottish harp). Luggage Store Gallery, 1007 Market St. (@ 6th St.), San Francisco | $6-10

From CNMAT, Berkeley:

Thursday, March 22, 8pm
CNMAT presents pianist and Regent’s Lecturer Gloria Cheng in a performance, demonstration, and discussion of new works for piano and live electronics. The pieces have been composed for this occasion by UC Berkeley graduate composers Sivan Eldar, Dan Van Hassel, and Jen Wang. CNMAT, University of California Berkeley, 1750 Arch St., Berkeley | Free

From Bay Improviser:

Friday, March 23, 6:30pm
In 1975, California-based Dutch Conceptual artist Bas Jan Ader disappeared under mysterious circumstances at sea while attempting to cross the Atlantic in a small craft. Filmmaker Rene Daalder uses this story as the basis for a sweeping overview of contemporary art and an epic saga of the transformative powers of the ocean in his 2008 film Here is Always Somewhere Else: The Life of Bas Jan Ader. Before the screening, immerse yourself in a recording of ARP’s meditative electronic musical work Odyssey (For Bas Jan Ader). In conjunction with the exhibition State of Mind: New California Art circa 1970. Berkeley Art Museum, 2626 Bancroft Way, Berkeley | Free to $7

Friday, March 23, 8pm
Artists’ Television Access presents an evening of electroacoustic audio-visual improvisation with Bill Hsu (electronics, interactive animation), Tony Dryer (contrabass), Jacob Felix Heule (percussion), and special guests from Norway. Artists’ Television Access, 992 Valencia St., San Francisco | $6-10

Friday, March 23, 8pm
Open Sound West at CNMAT presents Jacob Zimmerman’s Lawson and Zachary Watkins’ Positively Right On. The Lawson Ensemble, formed in the fall of 2009, features Jacob Zimmerman (alto sax), Theo Padouvas (trumpet), Rob Ewing (trombone), Michael Coleman and Dan VanHassel (keyboards), and Dan Good (electronics and trumpet). Positively Right On by Zachary James Watkins is a new work written for Ava Mendoza and John Shiurba who are also the performers (electric guitars). CNMAT, University of California Berkeley, 1750 Arch St., Berkeley | $10 / $5 UC Berkeley students

Friday, March 23, 9pm
Free Jazz/Free Punk band, LIBERTAS, will be performing live at The Starry Plough. Also performing will be THE ECONOMEN (MINUTEMAN tribute) and BRIAN KENNY FRESNO. Starry Plough, 3101 Shattuck Ave. (@ Prince), Berkeley |

Saturday, March 24, 1pm
Sculpting Air – Vocal Workshop: Theresa Wong will lead a workshop exploring the voice through raising awareness of the body. During the workshop, the following topics will be explored: using the breath, singing long tones, awareness of body tension, the location of vibration frequencies and creating sounds via focusing awareness on the body. Simple games of conducting via free movement gestures will be used to generate vocal sounds including textures, melodies, text and noises to allow the voice to take flight into its infinite expressive qualities. To reserve a spot, email tree_wong (at) yahoo.com. Berkeley Arts Festival, 2133 University Ave., Berkeley | $30-60 sliding

Saturday, March 24, 4pm
Heavy Disciplne and Good Bellies Cafe present a double bill Saturday, with Aram Shelton (reeds) and Mark Clifford (vibes), along with Retro Blue, a new band with Jim Ryan (vocals, sax, flute) and Esten LIndgren (double bass). Good Bellies Cafe, 4659 Telegraph Ave. (@46th), Oakland | donations encouraged

Saturday, March 24, 8pm
The Swarm Gallery presents an evening with India Cooke (violin) and Cloud Shepherd – Andrew Joron (theremin), Brian Lucas (electric bass/tapes), Joseph Noble (flutes/reeds), Mark Pino (‘cloud kit’ percussion) share their experiences in sonic space travel. Swarm Gallery, 560 2nd Street (Jack London Sq. area), Oakland | sliding scale

From CNMAT, Berkeley:

Saturday, March 24, 8pm
Cal Performances, CNMAT and the Department of Music present the Eco Ensemble, UC Berkeley’s professional performance group dedicated to new music by established and emerging composers. Featured on this evening’s program is Martin Matalon (Tunneling),
Liza Lim (Songs Found in Dream), Aaron Einbond (What the Blind See), and Nico Muhly (Clear Music). University of California Berkeley, Hertz Hall, Berkeley | tickets start at $30, available here

From Yoshi’s, SF

Saturday, March 24, 10:30pm
Yoshi’s San Francisco presents the Eric McFadden Trio, in concert. Thoughout his illustrious career, singer, songwriter and guitarist Eric McFadden has steadfastly rebuked the Sirens of commerce, instead heeding the fearless, uncompromising Muses inside his head. Yoshi’s San Francisco, 1330 Fillmore St., San Francisco | $18

From Bay Improviser:

Sunday, March 25, 4:30pm
ODC Dance Commons will host San Francisco Contemporary Music Players: Contemporary Insights: Music and Conversation, as they perform Katharina Rosenberger’s scatter 2.0.  Scored for flute, clarinet, violin, cello, piano and percussion, scatter 2.0 is the ensemble’s first performance of music by this innovative composer. Katharina Rosenberger will visit San Francisco to discuss her work with Steven Schick and the audience at this event, as well as at the pre-concert talk the following evening, Monday, March 26, 8:00 p.m. at Herbst Theatre. ODC Dance Commons, 351 Shotwell Street (between 17th and 18th Streets), San Francisco | $10

Sunday, March 25, 7:30pm
OutSound presents the SIMM Series, featuring at 7:30, the duo of Kyle Bruckmann (oboe, English horn, electronics) and Lance Grabmiller. At 8:30pm, the Mirror Trio (sextet) will perform, featuring Jacob Felix Heule, Tony Dryer & Guro Skumsnes Moe (contrabass), and Håvard Skaset. Musicians Union Hall, 116 9th St. (@ Mission), San Francisco | $10 / $8

From FaceBook:

Monday, March 26, 7pm
Nebraska Mondays at Luna’s Cafe presents the Know Hassell Project with Foothill Jazz Trio. Nebraska Mondays is the weekly underground jazz/electronic/poetic/creative music spot, hosted by Ross Hammond. Luna’s Cafe, 1414 16th St., Sacramento | $5-20 sliding

From Bay Improviser:

Monday, March 26, 8pm
The San Francisco Contemporary Music Players present Zone 4: in which momentum and position co-exist within the physicality of a musical performance. The San Francisco Contemporary Music Players, conducted by Artistic Director Steven Schick, will perform a concert of music by Katharina Rosenberger, Brian Ferneyhough, Olly Wilson, Geoffrey Gordon, and Heinz Holliger. Wilson and Rosenberger will participate in a pre-concert talk at 7:15 p.m., hosted by Schick. Herbst Theatre, 401 Van Ness, San Francisco | $30 / $25 seniors / $10 students box office info

Wednesday, March 28, 7:30pm
Tuesdays at Tom’s Place will host the Barney Childs Festival, evening one of a two-day celebration of his music performed by his students and collaborators. Tuesdays at Tom’s Place, 3111 Deakin St., Berkeley | Free, donations requested


Mark Dresser

Cover of Mark Dresser

From Beyond Baroque:

Friday, March 16, 9pm
Beyond Baroque presents a special evening of poetry and music, featuring Dottie Grossman (poetry) and Michael Vlatkovich (trombone), with special guest Rich West (drums, percussion). Beyond Baroque, 681 Venice Blvd., Venice | $7

From Angel City Arts:

Friday, March 16, 9pm
Angel City Arts and the blue whale present night two of the three-evening residency of Kneebody, featuring Adam Benjamin, Ben Wendel, Kaveh Rastegar, Nate Wood, and Shane Endsley. By combining sophisticated compositions and virtuosic improvising, the Grammy nominated group Kneebody has created a diverse, loyal fan base in the United States and Europe. Founded in 2001, Kneebody has built upon an impressive array of individual resumes and conservatory training to create a truly singular voice within the instrumental world. blue whale, Weller Court, 123 Astronaut E.S. Onizuka St. Ste. 301, downtown Los Angeles | General Admission: $15 / $25 (for 2 nights) $35 (for three nights).

From The Broad Stage:

Saturday, March 17, 7:30pm
Russian composer Alexander Scriabin caused a sensation in 1915, staging what was most likely the first multimedia concert in history. Designing a clavier à lumière to project colors onto the stage as it was played, this singular composer pioneered ideas relating colors and musical pitch. Now celebrated Georgian pianist Eteri Andjaparidze and MacArthur “genius” lighting designer Jennifer Tipton explore the legacy of this late Romantic composer through excerpts from his Poeme Languide in B Major and other works, including Feuillet d’Album in F-sharp Major, Opus Posthumous. A pre-concert lecture by Ryan Dudenbostel will be presented at 7:00 pm. The Broad Stage, Santa Monica College Performing Arts Center, 1310 11th St., Santa Monica | $75 / $60 / $47

From the wulf:

Saturday, March 17, 8pm
the wulf presents music by Laurence Crane, Tim Parkinson and James Saunders, in a concert of five works by three composers, curated by Christine Tavolacci. The performers will include Eric km Clark, Rory Cowal, Corey Fogel, April Guthrie, Cassia Streb, Christine Tavolacci, Brian Walsh, Tara Boyle, Matt Barbier and Orin Hildestad. the wulf, 1026 South Santa Fe Ave. #203, downtown Los Angeles | donations accepted

From Jacaranda:

Saturday, March 17, 8pm
A vaporous shot of dry ice across a raging inferno gives you a sense of the contrasts of this program, Chill Upon The Heat, presented by Jacaranda. Four highly inventive and utterly different American composers are convened here to make strange sense of the world. Featured on this program will be Christopher Rouse (String Qt. No. 2, No. 3), Leon Kirchner (Five Pieces for Piano), Richard Rodney Bennett (Six Tunes for the Instruction of Singing Birds), and William Schuman (In Sweet Music: Serenade on a setting of Shakespeare). Featured performers will be the Calder Quartet (Benjamin Jacobson, Andrew Bulbrook – violins, Jonathan Moerchel – viola, Eric Byers – cello), Maria Casale (harp), Victoria Miskolczy (viola), Steven Vanhauwaert (piano), Pamela Vliek Martchev (flute), and Suzanne Waters (soprano). First Pres of Santa Monica, 1220 Second St., Santa Monica | $35 general / $15 student

From Sundays Live:

Saturday, March 17, 8:30pm
Now into its second decade of celebrating the beauty that lies “between the keys” of the piano, MicroFest 2012 is the world’s leading concert series devoted to the glorious universe of non-standard tunings. Founded by microtonal guitarist and radio personality JOHN SCHNEIDER in 1997, MicroFest has grown to a festival of eight separate events this year at various venues around Southern California. This evening’s concert will feature Wolfgang von Schweinitz‘s Raga, an exquisite gossamer web of harmonics and finely tuned harmonies for violin and bass, performed by Andrew McIntosh (violin) and Scott Worthington (contrabass). Boston Court Performing Arts Center, 70 North Mentor Ave., Pasadena |$25 advance / $30 door

From Angel City Arts:

Saturday, March 17, 9pm
Angel City Arts and the blue whale present night three of the three-evening residency of Kneebody, featuring Adam Benjamin, Ben Wendel, Kaveh Rastegar, Nate Wood, and Shane Endsley. By combining sophisticated compositions and virtuosic improvising, the Grammy nominated group Kneebody has created a diverse, loyal fan base in the United States and Europe. Founded in 2001, Kneebody has built upon an impressive array of individual resumes and conservatory training to create a truly singular voice within the instrumental world. blue whale, Weller Court, 123 Astronaut E.S. Onizuka St. Ste. 301, downtown Los Angeles | General Admission: $15 / $25 (for 2 nights) $35 (for three nights).

From Sundays Live:

Sunday, March 18, 3pm
The Epicenter Music Performance Organization TEMPO presents the CSUN Faculty New Music Ensemble, performing pieces by Daniel Kessner, Roshanne Etezady, Hee Yun Kim, Joanna Bruzdowicz, and Joseph Eidson. The performing artists include David Shostac (flute), Julia Heinen (clarinet), Nancy Roth (violin), Matt Cooker (cello), Aaron Smith (percussion), Francoise Regnat and Dolly Eugenio Kessner (piano), and Daniel Kessner (conductor). Cal State University Northridge, Cypress Hall (Music Building), Recital Hall, 18111 Nordoff St., Northridge | $10 general / $7 faculty, staff, seniors / $5 students

From Jacaranda:

Sunday, March 18, 6pm
A vaporous shot of dry ice across a raging inferno gives you a sense of the contrasts of this program, Chill Upon The Heat, presented by Jacaranda. Four highly inventive and utterly different American composers are convened here to make strange sense of the world. Featured on this program will be Christopher Rouse (String Qt. No. 2, No. 3), Leon Kirchner (Five Pieces for Piano), Richard Rodney Bennett (Six Tunes for the Instruction of Singing Birds), and William Schuman (In Sweet Music: Serenade on a setting of Shakespeare). Featured performers will be the Calder Quartet (Benjamin Jacobson, Andrew Bulbrook – violins, Jonathan Moerchel – viola, Eric Byers – cello), Maria Casale (harp), Victoria Miskolczy (viola), Steven Vanhauwaert (piano), Pamela Vliek Martchev (flute), and Suzanne Waters (soprano). First Pres of Santa Monica, 1220 Second St., Santa Monica | $35 general / $15 student

From Sundays Live:

Sunday, March 18, 7:30pm
Resound! Concert Series presents Cheri Cole (trumpet) and friends, as they perform Terry Riley (In C) and other selections from the 20th and 21st centuries. This performance will have approximately 30 players, consisting of strings, woodwinds, brass, electric instruments, and percussion. Bethel Congregational Church, 536 North Euclid, Ontario | Free

Sunday, March 18, 8pm
Chapman University Faculty Recital series presents Kritina Driskill (soprano), performing a program of modern music, including pieces by Dominick Argento (The Diary of Virginia Woolf), Gary Schocker (Diary of an Urban Maiden), and Alva Henderson (various songs). Chapman University, Salmon Recital Hall, One University Drive, Orange | $10 general / $5 students and seniors

From CalArts:

Monday, March 19, 2pm
The Herb Alpert School of Music at CalArts presents Visiting Artist, bassist Mark Dresser, as part of the Performer-Composer Forum. California Institute of the Arts, 24700 McBean Pkwy., Rm. A300, Valencia | Free

From FaceBook:

Thursday, March 22, 7pm
Rubix invites you to the debut of Culture + Music + Art + Talk, with hors d’oeurves, beer, wine and a special “rubix-tini”. Join LA-based photographer Dana Ross as he interviews prominent artists and musicians as they share their thoughts on the creative process. This evening’s featured artists include John Van Hamersveld (graphic design innovator and icon), Timur & the Dime Museum (avant-garde cabaret act performance), and Shana Nys Dambrot (well-known and respected art critic, curator and author). Rubix Hollywood, 1714 North McCadden Place, Hollywood | RSVP to rsvp (at) shinyobjectco.com


English: Larry Ochs live at Saalfelden 2009 It...

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From Bay Improviser:

Thursday, March 15, 8pm
OutSound presents the Luggage Store New Music Series, this week with Guest Curation by Greedmink in a triple bill featuring Rubber (() Cement, Bran…Pos, and Hora Flora. More information about these three acts is available here. Luggage Store Gallery, 1007 Market St. (@ 6th St.), San Francisco | $6-10 sliding

Thursday, March 15, 8:30pm
El Valenciano will host a three-band Ides Of March Concert, featuring The Tri-Cornered Tent Show, Forward Energy, and Green Alembic. The Tri-Cornered Tent Show is Philip Everett (electrified autoharp), Anthony Flores (drums), Ray Schaffer (electric bass), and Valentina O (voice). Forward Energy features Jim Ryan (flute, saxes, trumpet), Scott R. Looney (piano), Rent Romus (saxes), Eric Marshall (bass), Tim Orr (percussion), and C.J. Borosque (trumpet). Green Alembic is Amber Lamprecht (oboe, flute), Theo Padouvas (trumpet, violin), Jeff Hobbs (alto clarinet, violin, trumpet), Jim Ryan (amplified kalimba, flute, word & image), Bob Marsh (bass), and Sam Ospovat (percussion). El Valenciano Restaurant & Bar, 1153 Valencia St., San Francisco | donations encouraged

Friday, March 16, 6:30pm
Flash back to the early years of BAM/PFA at this celebration of California performance art, presented in conjunction with the exhibition State of Mind: New California Art circa 1970. Three important performance artists revisit works from the early 1970s: Linda Mary Montano meditates in a chicken bed, Jim Melchert does whatever the television tells him to do, and Adam II (the late Paul Cotton) presents “Mystical Body of The Astral-Naught Bride-Groom (Living Sculpture) in Her Present State of Herm-Aphroditic Metamorphosis,” which is exactly what it sounds like. Berkeley Art Museum, 2626 Bancroft Way, Berkeley | Free to $7

Friday, March 16, 7:30pm
SOUNDINGS AT THE INSTRUMENTARIUM: the first of two evenings of soundings and resoundings on an array of invented instruments, featuring: Bart Hopkin – a true guru and established authority on invented and homemade acoustic instruments; Todd Lerew (Friday the 16th ONLY) – on the Quartz Cantabile, a new instrument which uses a principle of thermoacoustics to convert heat into sound; David Samas – our host for the evening, and inventor of an array of instruments which utilize and appropriate natural and found objects. At these events he will be premiering several new instruments, including the Mbira Tree Harp, also with Grace Renaud and Ash Ritter playing the Glass Garden. Turquoise Yantra Grotto, email TurquoiseYantraGrotto@hotmail.com for reservations and address | $10-15 sliding

Friday, March 16, 8pm
Voces del Desierto is a multidisciplinary musical composition inspired by the journey of all those who dare to cross borders in search of a better life. This original and eclectic work merges video, performance art, and instruments made from migrants’ personal belongings found at the Mexico/US border with musical instruments of a traditional wind quintet. Voces del Desierto, an original concept and composition by Guillermo Galindo specifically created for Quinteto Latino, features Diane Grubbe (flutes), Kyle Bruckmann (oboe, English horn), Leslie Tagorda (clarinets), Armando Castellano (French horn), and Shawn Jones (bassoon). MACLA / Movimiento de Arte y Cultura Latino Americana, 510 South 1st St., San Jose | $12 advance / $15 door

Friday, March 16, 8pm
Light A Fire Special: Space in the Jazz Age…an evening of music exploring the DNA of jazz in a post-everything era, with Swarm Intelligence, Grex, and more, featuring Karl Evangelista (guitar,vox), Rei Scampavia (keys, vox), Jordan Glenn (drums), Phillip Greenlief (alto sax), Kasey Knudsen (tenor sax), and Dan Seamans (bass), with Sam Ospovat’s PIKI – a collection of solo pieces, sound tableaux and polyrhythmic songs. Viracocha, 998 Valencia St., San Francisco |

From CNMAT Berkeley:

Friday, March 16, 8pm
This performance marks the first collaboration between Laetitia Sonami and James Fei. While the materials and techniques used by the two musicians are distinctly different, both employ tactile interface coupled with electronic systems that exhibit complex behavioral response. Sonami will introduce her new spring-based instrument (un-named and still in progress). She constructed this new “instrument” around a web of springs whose vibrations are analyzed by neural networks (Rebecca Fiebrink’s Wekinator). The results so far are particularly erratic…. Fei’s setup consists of a mix of vintage and self-constructed analog modules. The instrument is driven by multiple feedback loops, often on the brink of instability. Signals are recursively routed through microphones, spring reverb, and between audio and control voltages. Circuit elements are also modified by touch, integrating the non-linearities and the immediacy of the body with the electronic processes. UC Berkeley, Center for New Music and Audio Technologies, 1750 Arch St., Berkeley |

From Bay Improviser:

Saturday, March 17, 1pm
Sculpting Air – Vocal Workshop: Theresa Wong will lead a workshop exploring the voice through raising awareness of the body. During the workshop, the following topics will be explored: using the breath, singing long tones, awareness of body tension, the location of vibration frequencies and creating sounds via focusing awareness on the body. Simple games of conducting via free movement gestures will be used to generate vocal sounds including textures, melodies, text and noises to allow the voice to take flight into its infinite expressive qualities. Berkeley Arts Festival, 2133 University Ave., Berkeley | $30-60 sliding, reservations required – email tree_wong (at) yahoo.com

Saturday, March 17, 5pm
Heavy Discipline Creative Music Series presents Tracy Hui & Company, bringing together a challenging and artistically stimulating combination of players in improvisational settings. Good Bellies Cafe, 4659 Telegraph Ave (@ 46th), Oakland | donations accepted

Saturday, March 17, 7:30pm
SOUNDINGS AT THE INSTRUMENTARIUM: the second evening of soundings and resoundings on an array of invented instruments, featuring: Bart Hopkin – a true guru and established authority on invented and homemade acoustic instruments; Todd Lerew (Friday the 16th ONLY) – on the Quartz Cantabile, a new instrument which uses a principle of thermoacoustics to convert heat into sound; David Samas – our host for the evening, and inventor of an array of instruments which utilize and appropriate natural and found objects. At these events he will be premiering several new instruments, including the Mbira Tree Harp, also with Grace Renaud and Ash Ritter playing the Glass Garden. Turquoise Yantra Grotto, email TurquoiseYantraGrotto@hotmail.com for reservations and address | $10-15 sliding

Saturday, March 17, 8pm
Saxophonist and composer Larry Ochs and Kihnoua perform music influenced heavily by “the blues” in general and the blues of Korea – an ancient form of music called p’ansori – in particular. BUT what “influence” means here is that you’ll feel the spirit of that music; the actual forms and some of the sounds Ochs and his ensemble ( Dohee Lee – voice, Trevor Dunn – bass, Scott Amendola – drum) use to realize the music are often contemporary in origin. Trinity Chapel, 2320 Dana St., Berkeley | $15 / $10

Saturday, March 17, 8pm
The Pacific Exchange brings composers and performers from diverse areas of the Pacific Rim together in order to exchange ideas and create music on a shared concert stage. Thingamajigs created this event to emphasize the commonalities of artists living on the Pacific Rim, as well as to showcase their diversity. Artists and groups involved in this year’s Pacific Exchange events include Paul Kikuchi (Seattle) and Tide Tables, Tatsuya Nakatani (Japan), Paul Stapleton (L.A.), Gretchen Jude (Oakland) and the Thingamajigs Performance Group (Oakland). Meridian Gallery, 535 Powell St., San Francisco | $10-15

Saturday, March 17, 8pm
Voces del Desierto is a multidisciplinary musical composition inspired by the journey of all those who dare to cross borders in search of a better life. This original and eclectic work merges video, performance art, and instruments made from migrants’ personal belongings found at the Mexico/US border with musical instruments of a traditional wind quintet. Voces del Desierto, an original concept and composition by Guillermo Galindo specifically created for Quinteto Latino, features Diane Grubbe (flutes), Kyle Bruckmann (oboe, English horn), Leslie Tagorda (clarinets), Armando Castellano (French horn), and Shawn Jones (bassoon). MACLA / Movimiento de Arte y Cultura Latino Americana, 510 South 1st St., San Jose | $12 advance / $15 door

Saturday, March 17, 8pm
The fifth installation of ongoing house concerts will feature the Marielle V. Jakobsons & Sarah E. Palmer Duo (synths, strings, vocal processing), along with Suit – Jacob Felix Heule (percussion),
Tony Dryer & Guro S. Moe (contrabass), and Håvard Skaset (guitar). 784 65th St., Oakland (2 blocks from Ashby BART) | $6-10 sliding

Sunday, March 18, 2pm
Voces del Desierto is a multidisciplinary musical composition inspired by the journey of all those who dare to cross borders in search of a better life. This original and eclectic work merges video, performance art, and instruments made from migrants’ personal belongings found at the Mexico/US border with musical instruments of a traditional wind quintet. Voces del Desierto, an original concept and composition by Guillermo Galindo specifically created for Quinteto Latino, features Diane Grubbe (flutes), Kyle Bruckmann (oboe, English horn), Leslie Tagorda (clarinets), Armando Castellano (French horn), and Shawn Jones (bassoon). MACLA / Movimiento de Arte y Cultura Latino Americana, 510 South 1st St., San Jose | $12 advance / $15 door

Sunday, March 18, 7:30pm
OutSound presents the SIMM Series featuring, at 7:30, New Monsters CD release set featuring Dan Plonsey, Scott Looney, Steve Horowitz, and Steve Adams. At 8:30 Lords of the Outland (Rent Romus, C.J. Borosque, Ray Schaeffer, and Philip Everett) performs The Cloudknitters Suite, a live recording inspired by artist Leo Reijnders. Musicians Union Hall, 116 9th St. (@Mission), San Francisco | $8 / $10

From FaceBook:

Monday, March 19, 7pm
Nebraska Mondays at Luna’s Cafe presents Tatsuya Nakatani with the John Haynes / Steve Adams Duo. Nebraska Mondays is the weekly underground jazz/electronic/poetic/creative music spot, hosted by Ross Hammond. Luna’s Cafe, 1414 16th St., Sacramento | $5-20 sliding

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Jaap Blonk

Jaap Blonk (Photo credit: Laertes)

From SFSU:

Friday, March 9, 1pm
San Francisco State Univeristy presents Jaap Blonk, performing The Naked Voice, an on-the-spot choice from his huge repertoire: sound peotry and voice pieces from the tradition (from hugo ball to john cage) and his own work (experimental text, phonetic etudes, invented languages, improvisations). San Francisco State Univeristy, 1800 Holloway Ave., San Francisco | Free

From San Francisco Cinematheque:

Friday, March 9, 7:30pm
The San Francisco Cinematheque in association with sfSoundSeries presents an evening with Jaap Blonk: Soundtracks, Scores, Interactive Animations. Blonk tonight presents a very rare performance/projection program including live presentations of original graphic scores (possibly to include Rhotic, Proxim and Homage to Antonin Artaud); live tracks to silent films Forest Views (1999, by Bart Vegter) and Emak-Bakia (Man Ray, 1926); an interpretation of Man Ray’s composition Lautgedicht (1924) and examples of Blonk’s solo videos and “interactive animations,” including Song for the Cubists, flababble 1, Traces of Speech and Viceregal Impressions. Yerba Buena Center for the Arts, 701 Mission St. (@ Third St.), San Francisco | members: $6 / non-members: $10


flecktones_autographed

flecktones_autographed (Photo credit: DeathByBokeh)

From blue whale:

Friday, March 9, 9 pm
The blue whale hosts the Bay Area’s Scott Amendola Trio in an evening of music. Scott Amendola (drums), Jeff Parker (guitar), and John Shifflett (bass). blue whale, Weller Court, 123 Astronaut E.S. Onizuka St., Ste. 301, downtown Los Angeles | call 213-620-0908 for ticket prices

From the wulf:

Saturday, March 10, 8pm
the wulf presents Omoi for Japan, “One for All”, a tribute concert dedicated to all the victims and sufferers of 3.11 earthquake/tsunami in Japan. Performed by: Michael Pisaro, Sara Roberts, Ulrich Krieger, Adam Overton, Mark So, Julia Holter, Alex Sramek, Christine Tavalocci, Ezra Buchla, Alan Nakagawa, Carmina Escober, Archie Carey, Paul Fraser, Colin Wambsgans, Chaz Underriner, Stephen Touchton, James Klopfleisch, Ingrid Lee, Donald Gialanella, Kristin Thora Haraldsdottir, Justin Asher, John Hagen-Brenner, Eric Mayron, Mari and more. the wulf, 1026 South Santa Fe Ave. #203, downtown Los Angeles | Free, donations accepted

From Southwest Chamber Music:

Saturday, March 10, 8pm
Southwest Chamber Music continues its Cage 2012 Festival, celebrating the centenary of John Cage, concluding on the composer’s 100th birthday on September 5, 2012. This evening’s concert will include Cage works: Atlas Eclipticalis, Variations IV, and 0’00”. Art Center College of Design, 1700 Lida St., Pasadena | $38 / $28 seniors / $10 students

Sunday, March 11, 5pm
Southwest Chamber Music continues its Cage 2012 Festival, celebrating the centenary of John Cage, concluding on the composer’s 100th birthday on September 5, 2012. This late-afternoon concert will include Cage works: Branches, Music for Carillion No. 5, Radio Music, and Etudes Boreales I-IV. Pacific Asia Museum, 46 N. Los Robles Ave., Pasadena | $38 / $28 seniors / $10 students

From LA Jazz:

Sunday, March 11, 7:30pm
Fearless San Francisco-based string quartet Kronos and L.A.’s own modern jazz pianist/composer Billy Childs each play their own sets and then collaborate on a piece written by Childs to stunning effect. “The most innovative and influential jazz guitarist of the past 25 years” (Wall Street Journal), Bill Frisell begins the evening with his spacious jazz & country-inflected drum/violin trio, featuring Eyvind Kang and Rudy Royston. Walt Disney Concert Hall, 111 South Grand Ave., downtown Los Angeles | $47-121, available here

From SD City Beat:

Tuesday-Wednesday, March 13-14, 7:30pm / 9:30pm (two shows each night)
Anthology presents Béla Fleck & The Flecktones: The Original Line-Up, featuring Béla Fleck, Victor Wooten, Roy “Future Man” Wooten, and Howard Levy. “Béla Fleck and the Flecktones’ new CD Rocket Science reunites the highly eclectic group’s original personnel, and really re-ignites the musical chemistry of unlikely ingredients that made the group’s first two CDs so utterly distinctive.” (George Graham). Anthology, 1337 India St., San Diego | $19-99

From musicweb UCSD:

Wednesday, March 14, 8pm
Graduate computer music students perform original works in a concert featuring experimental music, performance art, and visual music. Highlights include custom software for live performance, hand built electronics, sculptural sound objects, and a brainwave interface that controls sound by reading the performer’s mood. <a href=”University of California San Diego, CPMC Theatre, 9500 Gilman Dr., La Jolla | Free

From Angel City Arts:

Thursday – Friday – Saturday, March 15-16-17, 9pm
Angel City Arts and the blue whale present the three-evening residency of Kneebody, featuring Adam Benjamin, Ben Wendel, Kaveh Rastegar, Nate Wood, and Shane Endsley. By combining sophisticated compositions and virtuosic improvising, the Grammy nominated group Kneebody has created a diverse, loyal fan base in the United States and Europe. Founded in 2001, Kneebody has built upon an impressive array of individual resumes and conservatory training to create a truly singular voice within the instrumental world. blue whale, Weller Court, 123 Astronaut E.S. Onizuka St. Ste. 301, downtown Los Angeles | General Admission: $15 / $25 (for 2 nights) $35 (for three nights).