DMG Newsletter February 24th, 2012

Derek Bailey playing the guitar

Image via Wikipedia

From DMG:

John Zorn//Bill Frisell, Carol Emanuel, Kenny Wolleson! Aaron Novick/Fred Frith/Carla Kihlstedt/Ben Goldberg! Bang on a Can All-Stars! Shelley Hirsch & Simon Ho! Talibam & Sam Kulik! John Esposito/Jeff Marx/John Siegel! Anna Clyne! Thomas Helton DVD! Horace Tapscott – Flight 17 Remastered!

Tom Rainey/Ingrid Laubrock/Mary Halvorson! Ulrich Gumpert & Gunter Baby Sommer! Anders Nilsson Solo! Brett Sroka’s Ergo! Forgas Band Phenomena! Garcia/Preminger/Tepfer/Hebert! Dan Blake Qt! Kjetil Moster!

Naked Truth: Cuong Vu/Pat Mastelotto! Bob Belden/Tim Hagan reimagine Bitches Brew.. plus Laswell et al remixes! Massimo Pupillo’s Obake! Oscar Penas! Bernocchi/Budd/Guthrie! James Ilgenfritz’ Trio Caveat! Merzbow!

Sohrab Saadat Ladjevardi! Haino/O’Rourke/Ambarchi! Jonathan Kane’s February & Transmission! Alex Weiss’ Fighter Planes! Moebius & Renziehausen! Roedelius! Pat Murano’s Decimus! Edzayawa! Elias Rahbani

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The DMG Free Weekly In-Store Performance Series Continues with:

This Sunday, February 26th at 6pm:
CD Release Celebration for this All-Star Unit:
FRANCOIS GRILLOT/CATHERINE SIKORA/ROY CAMPBELL/STEVE SWELL/JAY ROSEN!

Sunday, March 4th – Double-Header:
6pm: NATURA MORTA Featuring: FRANTZ LORIOT – Prepared Viola/SEAN ALI – Prepared Bass /CARLO COSTA – Drums & Percussion!
7pm: SARAH BERNSTEIN – Violin & ELIE SORBSEL – Voice!

Sunday March 11th Double-Header:
6pm: JEREMIAH CYMERMAN -Solo Clarinet & Devices!
7pm: SYLVAIN LEROUX – French Flutist & CECILE BROCHE – Belgian Violist!

Sunday, March 18th Double-Header:
6pm: PASCAL NIGGENKEMPER Ensemble!
7pm: OMAR TAMEZ – Mexican Guitarist Tribute to Derek Bailey!

Sunday, March 25th at 6pm:
ROSS HAMMOND/VINNY GOLIA/ADAM LANE!
Great West Coast/East Coast Guitar/Reeds/Bass Trio!

Sunday, April 1st at Double-Header:
6pm: April Fool’s Day Mystery Set!
7pm: HAN-EARL PARK – Solo Electric Guitar from the UK!

Sunday, April 8th at 6pm:
GL DIANA – Laptop/BEN GERSTEIN – Trombone/MIKE PRIDE – Drums!

Sunday, April 15th at 6pm:
LATHAN-FLIN-ALI Featuring: LATHAN HARDY – Alto Sax/SEAN ALI – Contrabass/FLIN VAN HEMMEN – Drums!

Sunday April 22nd at 6pm:
THE MUJO 4-TET featuring:
MICHAEL ATTIAS – Saxes/J.G.B. – Clarinet/PASCAL NIGGENKEMPER – Contrabass/CARLO COSTA – Drums!

Sunday April 29th at 6pm:
BIRDS IN THE MEADOW Featuring DARIUS JONES – Alto Sax & MARTY McCAVITT – Electronics!

Sunday, May 6th at 6pm:
The Return of BONNIE KANE on Sax & CHRIS WELCOME on Guitar!

Sunday, May 13th Double-Header:
6pm: SARAH BUECHI – Vocalist & CHRISTOPH KNOCHE – Bass Clarinet & Harmonica!
7pm: DANIEL LEVIN – Solo & Duo Cello(s)!

Sunday, May 20th – No In-Store During the Victo Festival!

Sunday, May 27th at 6pm:
JESSE DULMAN & JASON CANDLER – Great Tuba & Alto Sax Duo!

Claudia Quintet in California, St. Louis

Some shows this week from the Claudia Quintet:

The Claudia Quintet +1
*with special guest Theo Bleckman

February 27 – Yoshi’s, San Francisco, CA (link)
February 28 – Blue Whale, Los Angeles, CA (link)
February 29 – Cal State Fullerton, CA (link)
March 1 – Cal State Fullerton, CA (link) *
March 2 – 560 Music Center, St. Louis, MO (link)

Coming to the ISSUE Project Room

Ned Rothenberg MG 1334

Image via Wikipedia

From ISSUE Project Room:

02/29 @ 7:00pm
Mivos Quartet Benefit Concert

On the extra day this year Mivos Quartet will be hosting our first fundraising event. Join us for a night of great music, food, drinks, a silent auction, and an after party! We will have three sets of music featuring works by members of Mivos, Annie Gosfield, Patrick Higgins, Alex Mincek, Tristan Perich, Ned Rothenberg, Timucin Sahin, Elliott Sharp, Sasha Siem, and JG Thirwell. MIVOS will be joined by guest artists Ned Rothenberg, Clarinets; Timucin Sahin, Electric Guitar and Sasha Siem, Vocalist/Composer performing with us their own compositions.

03/01 @ 8:00pm
S.E.M. Ensemble
+ Chris Nappi

S.E.M. Ensemble performs music where distance – both physical and symbolic – becomes a compositional factor. The program includes the premiere of new works by Cat Lamb, Andrew C. Smith, Beau Sievers and Petr Kotik, along with works by Natacha Diels, John Zorn and others performed by percussionist Chris Nappi.

03/02 @ 8:00pm
On Silence: Hommage to John Cage

“On Silence,” an event curated by composer Juraj Kojs, marks the centennial year of John Cage’s birth. The program will consist of 13 new compositions, each 4’33” long, referencing Cage’s infamous 1952 opus of the same name in which a pianist sits at the instrument for the assigned duration, occasionally turning score pages and making no intentional sounds.

Classical Music Listings From The New York Times

The Kronos Quartet performing in the open air ...

Image via Wikipedia

From NYTimes.com:

Stephen Drury (Friday) The brilliant pianist Stephen Drury, an uncompromising artist with a repertory spanning Bach to Ligeti to John Zorn, has been a particular champion of John Cage. On Friday at the Issue Project Room he plays an all-Cage program, including Book III of the mesmerizing “Études Australes,” in which Cage selected pitches for the pieces from star charts of the Atlas Australis. At 8 p.m., Issue Project Room, 110 Livingston Street, with entrance at 22 Boerum Place, downtown Brooklyn, (718) 330-0313, issueprojectroom.org; $15, or $10 members. (Tommasini)

Kronos Quartet (Tuesday) This ever-inventive San Francisco-based quartet is joined by its original cellist, Jean Jeanrenaud, for a program of premieres that includes the first New York performances of Donnacha Dennehy’s “One Hundred Goodbyes,” Vladimir Martynov’s “Schubert-Quintet (Unfinished)” and Nicole Lizée’s “Death to Komische,” and the world premiere of Michael Hearst’s “Secret Word.” At 7:30 p.m., Zankel Hall, Carnegie Hall, (212) 247-7800, carnegiehall.org; $49 to $62. (Kozinn)

Music by Luigi Nono (Sunday through Tuesday) The Electronic Music Foundation mounts a brief but substantial series devoted to this groundbreaking Italian composer, electronic-music pioneer and advocate for social justice. On Sunday the pianist Stefan Litwin offers an illustrated lecture on Nono’s musical activism. Monday’s program includes works for voice, piano and percussion ensemble, and on Tuesday, Conrad Harris performs “La Lontananza Nostalgica Utopica Futura,” a gripping work for a solo violinist moving among eight sound-producing objects. Sunday at 2 p.m., Greenwich House Music School, 46 Barrow Street, West Village; Monday at 8 p.m., Frederick Loewe Theater, 35 West Fourth Street, Greenwich Village; Tuesday at 8 p.m., Judson Church, 55 Washington Square South, Greenwich Village; emfproductions.org. Sunday and Tuesday, $10 suggested contribution; Monday, free with reservations via events@emf.org. (Smith)

Red Light New Music (Monday) This enterprising new-music ensemble fashions an appealing program around two selections from “The Viola in My Life,” a splendid cycle by Morton Feldman, featuring the violist Erin Wight. Surrounding those works are newly commissioned pieces by Scott Wollschleger and Ted Hearne, and “Mercury Songbirds” by the consistently stimulating Keeril Makan. At 8 p.m., Symphony Space, 2537 Broadway, at 95th Street, (212) 864-5400, symphonyspace.org; $15, or $12 for members, students, 65+ and children. (Smith)

Tune-In Music Festival (Friday through Sunday) Returning for its second year, this ambitious festival at the Park Avenue Armory salutes the composer Philip Glass for his 75th birthday. On Friday Mr. Glass accompanies the rock singer Patti Smith in an evening of poetry, including selections by Blake and Ginsberg. Saturday evening’s program is devoted to Mr. Glass’s milestone composition “Music in 12 Parts.” A full day on Sunday includes a genre-flouting matinee at 2 p.m., a composers’ conversation at 5 p.m. and a rare performance of “Another Look at Harmony — Part IV,” featuring the Brooklyn Youth Chorus, the Collegiate Chorale and the organist Michael Riesman. Friday at 7:30 p.m., Saturday at 5 p.m. and Sunday at 2, 5 and 7:30 p.m., Park Avenue Armory, 643 Park Avenue, at 67th Street, (212) 933-5812, armoryonpark.org; Friday and Saturday sold out; Sunday $15 and $35 at 2 and 7:30 p.m., $10 at 5 p.m. (Smith)

Jazz Listings From The New York Times

avant-garde pianist Matthew Shipp

Image via Wikipedia

From NYTimes.com:

Myra Melford’s Snowy Egret (Saturday) Revisiting compositional forms she first developed a handful of years ago — in homage to the “Memory of Fire” trilogy, by the Uruguayan writer Eduardo Galeano — Ms. Melford, a fearless pianist and harmonium player, leads an ensemble made up of fellow explorers. Its lineup notably includes Oguri, an accomplished Butoh dancer-choreographer; also aboard are the trumpeter Ron Miles, the guitarist Liberty Ellman, the bass guitarist Stomu Takeishi and the drummer Tyshawn Sorey. At 9 and 10:30 p.m., Jazz Gallery, 290 Hudson Street, at Spring Street, South Village, (212) 242-1063, jazzgallery.org; $20 cover, or $10 for members. (Chinen)

Mario Pavone Mythos Sextet (Friday) Drawing partly from “Mythos,” an album released a decade ago, and partly from “Arc Suite,” a more recent entry in the discography, the venturesome bassist and composer Mario Pavone leads a band well stocked with assertive improvisers: Dave Ballou on cornet, Tony Malaby on tenor saxophone, Philippe Crettien on soprano and tenor saxophone, Craig Taborn on piano and Gerald Cleaver on drums. At 9 and 10:30 p.m., Cornelia Street Café, 29 Cornelia Street, Greenwich Village, (212) 989-9319, corneliastreetcafe.com; $15, with a $10 minimum. (Chinen)

Matthew Shipp Trio (Tuesday and Wednesday) A restive, probing pianist, Matthew Shipp has toggled between trio and solo settings lately, featuring both on his 2011 album “The Art of the Improviser” (Thirsty Ear). He surfaces here in advance of a new release entirely for trio: “Elastic Aspects” (Thirsty Ear), a suite of sorts featuring the bassist Michael Bisio and the drummer Whit Dickey. At 7:30 and 9:30 p.m., Jazz Standard, 116 East 27th Street, Manhattan, (212) 576-2232, jazzstandard.net; $20 cover. (Chinen)

Upcoming Portland Shows

From Portland Eye and Ear Control:

3/7/12: Demolition Duo & Daniel Menche
The Outset Series at Revival Drum Shop with Daniel Menche & Demolition Duo
1465 NE Prescott
8pm -10pm (the show ends by 10pm so don’t be late)
$5 – 100%of the door goes to the musicians

3/2/12: Tim Berne‘s Snakeoil & Blue Cranes
Tim Berne / Snakeoil
Blue Cranes
Friday, March 2
Alberta Rose Theater (3000 NE Alberta St., Portland)
$12 advance here, $15 day of show

2/28/12: The Rich Halley 4
The Rich Halley 4, with Rich on tenor sax, Los Angeles trombonist Michael Vlatkovich, Canadian bassist Clyde Reed and drummer Carson Halley will perform on Saturday, February 25 at 9:00 PM at The Camellia Lounge, 510
NW 11th Ave. Cover is $5.

2/27/12: Portland Eye and Ear
Recess Gallery
1127 SE 10th ave
8:30-11:30pm

Join us for the second installment of Portland Eye and Ear, a monthly experiment presenting a series of abbreviated small group improvisations.

2/23/12: Wally Shoup & John Niekrasz
Wally Shoup
John Niekrasz
8:30-11:30
Laughing Horse Books – 12 NE 10th AVe
Shoup will read from his new book and play a duo with Niekrasz

San Francisco Bay Area Scene

English: Tim Berne, jazz saxophonist; Picture ...

Image via Wikipedia

From Bay Improviser:

Thursday, February 23, 8pm
OutSound presents the Luggage Store New Music Series, with an evening of works by Daniel Steffey (composer, percussionist), Pete Rat Martin (composer, multi-instrumentalist), and Benjamin Ethan Tinker (multidisciplinary artist and electronic musician). Luggage Store Gallery, 1007 Market St. (@ 6th St.), San Francisco | $6-10

Thursday, February 23, 9:30pm
The Totally Intense Fractal Mindgaze Hut hosts an evening of improvisational music with local musicians in different configurations, welcoming Joe Straub (acoustic guitar, electronics) back to the San Francisco Bay Area from Berlin, Germany. The performance also features Jason Hoopes (double bass), Karl Evangelista (electric guitar), David Leikam (moog rogue, electric bass-cello), Jordan Glenn (drums), and Sarah Howe (electronics, video). Totally Intense Fractal Mindgaze Hut, 671 24th St., Oakland | donations encouraged

From CCRMA Stanford

Friday, February 24, 8pm
The Center for Computer Research in Music and Acoustics at Stanford presents CCRMA Winter Concert, a showcase of electronic music made at CCRMA, and some special guests. On this program (not in concert order) will be Fernando Lopez-Lezcano and Kurt Werner (analog synth + multichannel electronics), Jessica Aszodi and Bruno Ruvaro (voice + electronics), and Chris Carlson (live-electronics + video). Stanford University, CCRMA Stage, Stanford | Free

From Bay Improviser:

Friday, February 24, 8pm
Open Sound West presents: Lewis Jordan and Music at Large, plus Addleds (Bruckmann, Dryer, Heule, Nishi). Music at Large is a performance series dedicated to interdisciplinary and multicultural productions. Lewis Jordan has collaborated with musicians, poets, dancers and actors for over 30 years, focusing on creative structures for improvisation. Music at Large features Lewis Jordan (saxophone, poetry), India Cooke (violin), Karl Evangelista (electric guitar) and Marshall Trammell (drums). Addleds is the quartet of Kyle Bruckmann (oboe/English horn), Tony Dryer (double bass), Jacob Felix Heule (percussion) and Kanoko Nishi (koto) who explore timbral and textural extremes of distended instrumental technique via improvisation and open-ended compositional strategies. Their music tends towards a brutalist minimalism as informed by the noise underground as by recent developments in the field of free improvisation. University of California Berkeley, CNMAT, 1750 Arch St., Berkeley | $5-15

From Heavy Discipline:

Saturday, February 25, 5:30pm
Heavy Discipline presents the David ALt Birthday Celebration: two sets with Alt Tal – David Alt (saxophone), Kenny Annis (bass), and Andrew Ryan (drums). Good Bellies Cafe, 4659 Telegraph Ave., Oakland | donations encouraged

From Bay Improviser:

Saturday, February 25, 9pm
The Swarm Gallery presents two sets of creative music with the Ross Hammond Quartet and the debut performance of Swarm Intelligence. Ross Hammond (guitar) will perform with Vinny Golia (reeds), Steuart Liebig (bass), and Alex Cline (drums). Swarm Intelligence features Karl Evangelista (guitar) with Phillip Greenlief (reeds), Cory Wright (reeds), Dan Seamans (bass), and Jordan Glenn (drums). Swarm Gallery, 560 2nd St., Oakland | $5

From Ross Hammond:

Sunday, February 26, 3pm
Sierra Mountain Coffee Roasters will host Ross Hammond Quartet with Randy McKean/Ludi Henrichs. Sierra Mountain Coffee Roasters, 671 Maltman Dr., Grass Valley |

From Bay Improviser:

Sunday, February 26, 9pm
The Subterranean Arthouse presents a triple-bill evening of dreamy song, ambient meditations and improvisations, and delicious, like candy, art-pop featuring, from Florida, Jane Jane Pollock, the Bay Area’s own Aloonaluna, and The Andrew Weathers Ensemble. Subterranean Arthouse, 2179 Bancroft Way, Berkeley | $10-15

From kuumbwa jazz:

Monday, February 27, 7pm
kuumbwa jazz is proud to bring the Tim Berne Snake Oil project to our stage. Saxophonist Tim Berne leads an uncompromising new ensemble featuring Oscar Noriega (clarinet, bass clarinet), Matt Mitchell (piano), and Ches Smith (drums, percussion). kuumbwa jazz, 320-2 Cedar St., Santa Cruz | $20 adv / $23 door, with 1/2 price students with valid I.D.

From Nebraska Mondays:

Monday, February 27, 7pm
Nebraska Mondays at Luna’s Cafe will host the CD release by the Ross Hammond Quartet. Also scheduled to perform is the Josh Fernandez/Shawn Hale Duo. Luna’s Cafe, 1414 16th St., Sacramento | $5-20 sliding

From Bay Improviser:

Monday, February 27, 7:30pm
Mills College hosts an evening with Jozef van Wissem, the sublime Dutch master of the baroque lute, in a lecture entitled The Liberation of the Lute. He will demonstrate a “swan neck” baroque lute which was especially built for him. Van Wissem is renowned for his ability to appropriate the Renaissance and Baroque lute in the context of contemporary experimental music. By cutting and pasting classical pieces, reversing melodies, and adding electronics and processed field recordings, he is able to bridge the language of 17th century music with that of the 21st century without compromising the timbre and resonance of traditional lute playing techniques. Mills College, Ensemble Room, 5000 MacArthur Blvd., Oakland | Free

Tuesday, February 28, 7:30pm
Tuesdays at Tom’s Place presents a double bill, with Jozef van Wissem (lute, electronics) and Suit (Tony Dryer, Jacob Felix Heule, and guests). Tuesdays at Tom’s Place, 3111 Deakin St., Berkeley | Free, donation requested

From Yoshi’s Oakland:

Tuesday, February 28, 8pm
Yoshi’s Oakland is proud to present Tim Berne: Snakeoil. Saxophonist Tim Berne leads an uncompromising new ensemble, featuring Oscar Noriega (clarinet, bass clarinet), Matt Mitchell (piano), and Ches Smith (drums, percussion). Yoshi’s Oakland, 510 Embarcadero West, Jack London Square, Oakland | $12

From Bay Improviser:

Wednesday, February 29, 8pm
The Berkeley Arts Festival presents an evening of improvised environments and sound, featuring Per Ahlund (electronics) from Sweden, with Phillip Greenlief (tenor saxophone), Steuart Liebig (electric bass, effects, processing), and Gino Robair (electronics, energized surfaces). Berkeley Arts Festival, 3122 University Ave., Berkeley | $10

Wednesday, February 29, 8:30pm
The Subterranean Arthouse presents a Brooklyn-Bay Area creative jazz double header, with Harris Eisenstadt and Canada Day (from Brooklyn, NY) and Lisa Mezzacappa’s Bait and Switch. Harris Eisenstadt and Canada Day features Nate Wooley (trumpet), Matt Bauder (tenor saxophone), Chris Dingman (vibraphone), Garth Stevenson (bass), and Harris Eisenstadt (drums, compositions). Lisa Mezzacappa’s Bait & Switch features Aaron Bennett (tenor saxophone), John Finkbeiner (electric guitar), Vijay Anderson (drums), and Lisa Mezzacappa (acoustic bass). Subterranean Arthouse, 2179 Bancroft Way, Berkeley | $10

Upcoming Alabama Shows

English: Trevor Dunn live at Saalfelden 2009 I...

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From Tuscaloosa’s Creative Campus:

Harris Eisenstadt and his critically acclaimed quintet Canada Day will lead off Sonic Frontiers, a cutting-edge avant-garde jazz series on The University of Alabama campus. The first concert will be at 7:30 p.m. Monday, Feb. 27, 2012 at UA’s Ferguson Center Theater. The concert is free and open to the public. The Sonic Frontiers series is designed to further artistic diversity on the UA campus, says series organizer Dr. Andrew Raffo Dewar, assistant professor in New College and the School of Music. The concerts will foster creative exchange among between music professionals, UA students, faculty and staff, and the greater community through performances and class visits by world-class performers of avant-garde jazz.

Subsequent concerts and events:

Wednesday, March 21: Saxophonist Jack Wright, the “Johnny Appleseed of free improvisation,” will visit a New College seminar and perform a community-outreach solo concert in a venue to be determined. For details, to go http://soundcloud.com/jackwright

Friday, April 6: Bassist and composer Trevor Dunn‘s Endangered Blood quartet from New York will perform at 7:30 p.m. in the Ferguson Center Theater. Dunn is known for his work with the rock band Mr. Bungle, but Endangered Blood is his avant-jazz project featuring internationally acclaimed musicians Jim Black on drums and Chris Speed and Oscar Noriega on saxophone. Endangered Blood on YouTube

Monday, April 23: A public screening of eminent ethnomusicologist Steven Feld’s 2009 documentary film about Ghanaian musician, inventor and visual artist Nii Noi Nortey, “Accra Trane Station: The Music and Art of Nii Noi Nortey,” will be at 5:30 p.m. in 132 Lloyd Hall.

Wednesday, April 25: Nii Noi Nortey, the acclaimed saxophonist and saxophone inventor from Accra, Ghana, will offer a two-day residency involving a concert of solos, duos and trios with Dewar and renowned Japanese-American percussionist Tatsuya Nakatani at 7:30pm on April 25th at the Ferguson Center Theater. Nortey’s visit includes four class visits at UA on April 25 and 26 in the School of Music and New College.

Bargemusic, With the Pianists Olga Vinokur and David Kalhous

From NYTimes.com:

The composer Morton Feldman wrote vast works of whisper-soft chords and eerie harmonies that unfold with glacial, regal slowness. Encouraged by John Cage, Feldman — who had a day job working in his family’s coat-manufacturing business until he was 44 — created music that used neither tonal nor serial techniques.

Charles Wuorinen’s Works at the Guggenheim Museum

Charles Wuorinen, 1990's

Image via Wikipedia

From NYTimes.com:

Mr. Wuorinen, known for his complex, 12-tone music, has denounced populist trends in classical music. But along with his modernist colleagues Pierre Boulez and Elliott Carter, Mr. Wuorinen seems to have mellowed in recent years, writing more accessible pieces like this whimsical cantata for four singers and chamber ensemble. It was commissioned for the Tanglewood Festival of Contemporary Music in Lenox, Mass., and received its premiere there last August.