Tatsuya Nakatani (Photo credit: vodstrup)
Here is where I post, at a frequency of about once a week, a list of the new music that has caught my attention that week. All of the releases listed below I’ve heard for the first time this week and come recommended.
Anthony Braxton – Tentet (Paris) 2001 (2012)
Richard Teitelbaum – Solo Live (2012)
Remote Viewers – City of Nets (2012)
Greg Kelley / Curt Newton / Tatsuya Nakatani – Field Recordings Vol. 1: The Birthday (2004)
Beatriz Ferreyra – La Rivière des Oiseaux (2003)
Axel Dörner and Keith Rowe in Chicago, Illinois, 22 September 2004. (Photo credit: Wikipedia)
From New York’s ISSUE Project Room:
On January 15th and 16th, ISSUE Project Room, in collaboration with Erstwhile, presents two nights with legendary guitarist Keith Rowe at TEMP in downtown Manhattan. Originally trained as a painter, Rowe adopted principles of the plastic arts, applying them directly to the electric guitar. Over the two nights of Rowe’s residency he performs with former Shadow Ring member Graham Lambkin, longtime collaborator and renowned composer, guitarist, and pianist Christian Wolff, and Wandelweiser member Michael Pisaro, in addition to presenting a solo performance. Much like the work of his collaborators, Rowe’s work is characterized by a materialist approach to sound and performance. He has been known to employ objects such as a library card, rubber eraser, springs, hand-held electric fans, alligator clips, and common office supplies in playing the guitar. ISSUE is pleased to present Rowe’s first duo performances with both Pisaro and Lambkin.
Tuesday, January 15th – 8:00pm
Keith Rowe / Michael Pisaro (premiere)
Keith Rowe / Graham Lambkin (premiere)
Wednesday, January 16th – 8:00pm
Keith Rowe / Christian Wolff (premiere)
Keith Rowe Solo (premiere)
at TEMP, 57 Walker Street, NYC, 10013
Keith Rowe led the forefront of the initial wave of European free improvisation, co-founding the AMM collective in 1965 and originating the tabletop guitar. The tabletop guitar has remained at the center of his ever-evolving setup of electronics and gadgets ever since, becoming increasingly stripped down and minimal in recent years. Having mostly performed within AMM until the late 90′s, he’s since been involved in a wide range of projects, including a slew of Erstwhile’s most prominent releases.