Les Percussions de Strasbourg at TullyScope Reviewed

Iannis Xenakis

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From NYTimes.com:

Iannis Xenakis was a master of many things, musical and otherwise, and as a composer one of his specialties was getting musicians to make a whole lot of noise. It is deeply organized noise, naturally, and in terms of timbres, textures and dynamics you could hardly hope for more variety than he provides. And if you have quibbles about the term noise, used nonpejoratively, plan to be on hand the next time Xenakis’s “Persephassa” (1969) is performed in the relatively close quarters of Alice Tully Hall.

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Annie Gosfield in NY Reviewed

Annie Gosfield

From NYTimes.com:

The composer Annie Gosfield works on the boundaries between notated and improvised music, electronic and acoustic sounds, writing music for others and playing herself. She crossed and recrossed all those lines at her concert on Friday evening.

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Seeded Plain March 11th in Madison

From Surrounded by Reality Music:

7:30 p.m.
March 11, 2011
at Audio for the Arts
7 S. Blair, Madison WI

$5 at the door

Seeded Plain performs improvised and composed pieces on homemade instruments, electronics and custom audio software. The duo began performing in Lincoln, Nebraska in 2007 after playing together in the four-piece Shelf Life ensemble. Seeded Plain toured Europe in 2008 and the U.S. in 2010 (with Maria Chavez), presenting instrument building workshops and collaborating with local artists. Their newest release, ‘Entry Codes’ on Lisbon Portugal’s Creative Sources label was recorded at Kreimer’s Tooth Black studio in winter 2009/2010.

Bryan Day is an improviser, composer, instrument builder, and concept artist based in Lincoln, NE. Originally from Minneapolis, he arrived in Nebraska by way of Iowa, where he studied illustration and sculpture. Day focuses on intuitive sound performance using unconventional techniques in prepared environments. His instruments are constructed using practical composite designs, melding everyday objects with finished oak and metal forms. Day’s idiosyncratic compositional methods and personal sonic vocabulary evoke a sense of precarious balance.

Jay Kreimer is a musician, instrument maker, sculptor, composer and educator. More to the point, he is an alchemist of hardware stores, surplus catalogs, and discarded objects, who assembles new things out of scraps of possibility. Kreimer has performed across Europe, including Dublin, Cork, London, Glasgow, Berlin, Amsterdam and Paris, and played at D-22 in Beijing. He presented an interactive talk/performance at the 2008 ISIM conference in Denver, and Santa Cruz. In collaboration with Wendy Weiss, he has shown sound and sculptural work in Beijing, San Francisco, Vancouver, New York, Washington D.C, and showed
a major installation in Kansas City and Tulsa. He spent the winter of 2009 in Vadodara, India, rewiring neuromuscular circuits by studying tabla. Kreimer also performs with The Mighty Vitamins.

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Umbrella Music Through March 24

From Chicago’s Umbrella Music:

Mar 09
Rempis/Cline/Hoff/Rosaly
The Hideout

Mar 10
SET I: Sherpa
SET II: Steve Marquette Group
Elastic

Mar 13
SET I: Stein/Hoff/Rosaly
SET II: Charles Rumback Group
Hungry Brain

Mar 16
SET I: Vandermark/Lytton Duo
SET II: Wooley/Lytton Duo
SET III: Wooley/Vandermark/Lytton
The Hideout

Mar 17
Nate Wooley/Paul Lytton and Guests
Elastic

Mar 19
Baker/Abrams/Ra
Hungry Brain

Mar 23
SET I: Williams/Reed Duo
SET II: The Engines
The Hideout

Mar 24
Bishop/Mazzarella/Abrams/Daisy
Elastic

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All About Jazz Reviews

John Surman-- Birdland; September 2, 2009 Phot...

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From All About Jazz:

The Rempis Percussion Quartet
Montreal Parade (482 Music)

Scott Tinkler, Bae il Dong, Simon Barker
Scott Tinkler, Bae il Dong, Simon Barker: Chiri (Kinmara Records)

John Surman
Flashpoint: NDR Jazz Workshop – April ’69 (Cuneiform Records)

Ernest Dawkins‘ New Horizons Ensemble
The Prairie Prophet (Delmark Records)

Carlo De Rosa’s Cross-Fade
Brain Dance (Cuneiform Records)

Mostly Other People Do the Killing
The Coimbra Concert (Clean Feed Records)

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