BBC Elton Dean Tribute

Group photo circa 1970: Elton Dean, Mike Ratle...
Image via Wikipedia

From the BBC:

Jez Nelson presents a session played in tribute to the late saxophonist Elton Dean, featuring Alex Maguire on keyboards, trumpeter Jim Dvorak, saxophonist Simon Picard, bassist Paul Rogers and drummer Tony Levin.

A versatile musician, whose work over four decades encompassed free improvisation, jazz-rock and avant-jazz, Elton Dean was a key figure on the UK’s creative music scene until his death in 2006 at the age of 60. Having made his name in Keith Tippett‘s sextet and then seminal rock group Soft Machine in the late 60s and early 70s, he went on to lead diverse projects of his own and work with a wide range of collaborators, several of whom feature in this session. This completely improvised set was recorded in June this year in the living room of Dean’s flat in London’s Dalston.

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Conversations on Improvisation: Douglas R. Ewart

From mnartists.org:

Pamela Espeland continues her series on improvising musicians with Douglas R. Ewart, a multi-talented and award-winning musician, composer, instrument builder, lecturer, educator.

Currently, Ewart divides his time between Minneapolis and Chicago, where he has taught at the Art Institute of Chicago since 1990. He plays dozens of instruments and has released several recordings on his own label, Aarawak. He leads a wide variety of musical ensembles including Douglas R. Ewart and Inventions, Clarinet Choir, Nyahbingi Drum Choir, Quasar, and the newly formed Stringnets for stringed instruments and clarinets. His large-scale collective project, Crepescule, has been performed in Chicago, Minneapolis, and Paris. Ewart Sonic Tops premiered in Chicago last year, and he’s hoping to bring it to Minneapolis. His latest idea involves racquetballs and tennis balls.

That he had time for a lengthy interview last month was something of a miracle

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Newsbits

Go-Go Fightmaster is a heavy avant-jazz outfit worth a listen or three.

The School of Music at The University of Auckland will host the New Zealand Electroacoustic Music Symposium 2010.

The iPad Orchestra performs classical music on iPads. Really.

Chamber Music America is offering grants for adventurous chamber music programming.

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James Bennington in Chicago

A handful on upcoming shows from James Bennington:

Wednesdays beginning September, 8-10pm (No Cover/ All Ages)
Jazz Among the Lamps

at Gulliver’s Restaurant and Pub
(2727 W. Howard St/ California and Dodge/ Ph 773-338-2166/www.gulliverspizza.com)

‘Jazz Among the Lamps’ featuring:

September 1
Jeff Marx, saxophones
Brian Smith, bass
Jimmy Bennington, drums

September 8
Fred Jackson, saxophones
Brian Smith, bass
Jimmy Bennington, drums

September 15
Renee’ Baker, violin
Brian Sandstrom, bass
Jimmy Bennington, drums

September 22
Ed House, tenor saxophone
Brian Sandstrom, bass
Jimmy Bennington, drums

September 29
Renee’ Baker, violin
Brian Sandstrom, bass
Jimmy Bennington, drums

New Locrian Coming Out on Utech Records

Via, more or less, Utech Records:

‘The Crystal World’, the third studio album from Locrian, is an epic journey. Titled after JG Ballard’s 1964 novel that tells the story of a physician who specializes in leprosy sent to a remote African outpost to discover a jungle that is slowly crystallizing and encroaching upon everything it touches. Disc one comprises six tracks while disc two consists of one extended piece, ‘Extinction’, that picks up on the intensity of disc one and sustains it for close to an hour. On ‘The Crystal World’, Terence Hannum, and André Foisy, are joined by Steven Hess (On, Pan American, Ural Umbo) on percussion and electronics.

Hess’ contribution pushes Locrian deeper into the abyss of despair rendering a sound that is darker, bleaker, and engulfing than any of the group’s previous releases. Locrian continue the conceptual trajectory of blackened drone that the group initially embarked on during their first studio album ‘Drenched Lands’ (2009). Masters of layering, ‘The Crystal World’ finds the group manipulating tones and textures that transport the listener to an apocalyptic wasteland. At times, the layers are serene and somber, at other times they are chaotic.

Of Locrian’s three studio albums, ‘The Crystal World’ is the essential release, finding the band creating a sound all of their own. A sound that evades simplistic analogies to black metal, power-electronics, noise, or other categories. This is the album that will stun fans of the bands previous works with how far the group has come from their early releases. Vinyl edition out on Utech Records in 2011.

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