Ecstatic Music Festival

New York will be the place for the Ecstatic Music Festival, a series of shows beginning early next year:

January 2011
Jan 17, 2:00 pm | Kaufman Center Presentation:
Ecstatic Music Festival Marathon
Jan 19, 7:29 pm | Kaufman Center Presentation:
The Chiara String Quartet, Nico Muhly & Valgeir Sigurðsson
Jan 20, 7:30 pm | Kaufman Center Presentation:
So Percussion & Dan Deacon
Jan 22, 7:29 pm | Kaufman Center Presentation:
Craig Wedren, Jefferson Friedman & ACME
Jan 30, 2:00 pm | Kaufman Center Presentation:
Alarm Will Sound & Face the Music

February 2011
Feb 10, 7:30 pm | Kaufman Center Presentation:
New Sounds Live: Bang on a Can All-Stars 2011 People’s Commissioning Fund Concert
Feb 19, 7:30 pm | Kaufman Center Presentation:
Roomful of Teeth with William Brittelle, Caleb Burhans & Merrill Garbus
Feb 24, 7:29 pm | Kaufman Center Presentation:
New Sounds Live: Newspeak & Darcy James Argue’s Secret Society with Vijay Iyer & Nicole Lizee

March 2011
Mar 03, 7:30 pm | Kaufman Center Presentation:
Judd Greenstein (The Yehudim) & Olga Bell (Bell)
Mar 09, 7:30 pm | Kaufman Center Presentation:
Nadia Sirota & Thomas Bartlett (Doveman) with Special Guests
Mar 12, 7:30 pm | Kaufman Center Presentation:
Clogs & Brooklyn Youth Chorus
Mar 16, 7:30 pm | Kaufman Center Presentation:
Sarah Kirkland Snider & yMusic with Special Guest
Mar 31, 7:30 pm | Kaufman Center Presentation:
New Sounds Live: So Percussion & Bobby Previte with John Medeski & Zeena Parkins

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Messiaen Among the Stars in Chicago

From the Chicago Reader:

In the past few years Chicago has become a hot spot for upstart classical-music ensembles specializing in the work of new composers and worthy but obscure pieces from the past. Some of these groups are adventurous in more than their repertoire choices: last year, for instance, Fulcrum Point presented George Antheil’s Ballet Mecanique (1924) with a lineup that included three giant airplane propellers. (Not everybody is so faithful to the original staging.) Tonight another of the city’s most interesting groups, Fifth House Ensemble, will perform Olivier Messiaen’s chamber-music classic Quartet for the End of Time (1940) in the Adler’s Sky Theater, against a backdrop of dazzling celestial images from the planetarium’s vast collection.

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Taylor Ho Bynum Sextet To Open Firehouse 12's 2010 Fall Jazz Series

Taylor Ho Bynum, Moers Festival 2007
Image via Wikipedia

From Improvised Communications:

On Friday, September 10th, Firehouse 12 will open its 2010 Fall Jazz Series with a two-set performance by acclaimed cornetist/composer Taylor Ho Bynum‘s primary ensemble, the Taylor Ho Bynum Sextet. This special event, which also marks the launch of Bynum’s two-week Acoustic Bicycle Tour across New England, focuses on a brand new book of music made possible with support from Chamber Music America’s 2010 New Jazz Works: Commissioning and Ensemble Development program funded through the generosity of the Doris Duke Charitable Foundation. The five year-old group’s newly revamped lineup features Jim Hobbs (alto saxophone), Bill Lowe (bass trombone), Mary Halvorson (guitar), Ben Wolfe (bass) and Tomas Fujiwara (drums).

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Free Jazz Blog Reviews

Marshall Allen
Image via Wikipedia

From Free Jazz:

AMM – Sounding Music (Matchless, 2010) *****
Atomic – Theater Tilters, Vol. 2 (Jazzland, 2010) ****½
Atomic – Boom Boom (No Business Records, Reissue 2003/2010) ****½
Atomic – The Bikini Tapes (No Business Records, Reissue, 20005/2010) ****½
Michael Attias – Twines Of Colesion (Clean Feed, 2010) ****
Marshall Allen, Matthew Shipp & Joe Morris – Night Logic (RogueArt, 2010) ***½

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Sonomu Reviews

From Sonomu:

Rapoon, Dream Circle (Ewers Tonkunst/Indiestate)
David Wells, Rojo (CDR SIRIdsic)
Philip Sulidae, An High Land (CDR Dontcaresulidae)
Asher, Miniatures (2 CD Sourdine)

AVANT: Music of The Spanish Avant-Garde

UbuWeb presents this overview of Spanish avant-garde music.

AVANT is a monograph on experimental music in Spain. From the most academic electoacoustics to industrial music, from radiophonic art to post-no-wave improvisation, AVANT retraces some of the key moments of the Spain’s musical avant-garde, scarcely documented until now. Each AVANT focuses on the work and career of a group project from the scene, documented and composed of two parts: the first part reconstructs the artist’s context through interviews, and the second part retraces the artist’s work with musical examples.

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