Roulette in January

From NY’s Roulette:

Oliver Lake Big Band
Sat Jan 9 – 8:30 PM
Whether painting or composing major commissioned works for the Brooklyn Philharmonic, arranging for pop diva Bjork or rocker Lou Reed, collaborating with poets Ntozake Shange, Huang Xiang or choreographers Ron Brown and Marlies Yearby; Oliver Lake views it all as “Parts of the same whole.” Lake attributes his diverse musical styles and multifaceted creativity to his early experience with the Black Artists Group (BAG), the legendary multi-disciplined and innovative St. Louis collective of poets and musicians he co-founded 35 years ago. Lake also co-founded the prestigious World Saxophone Quartet, and continues to collaborate with many notable choreographers, poets and a veritable who’s who of the progressive jazz scene of the late 20th century, performing throughout the US, Europe, Japan, Africa and Australia. Tonight at Roulette, Lake presents the Oliver Lake Big Band.

INTERPRETATIONS: Roy Campbell’s Akhenaten / Matana Roberts’ Illumination
Thu Jan 21 – 8:00 PM
Trumpeter and composer Roy Campbell’s Akhenaten performs music from their recent Aum Fidelity release, Live at the Vision Festival 12, with vibraphonist Bryan Carrott, bassist Hilliard “Hill” Greene, and drummer Michael Wimberly. Surprise special guest to be announced. Saxophonist and composer Matana Roberts presents her compositional configuration Illumination, based on ongoing research related to the questions, history, and conundrums of the universal creative act of dreams. Featuring cornetist Graham Haynes, pianist Gabriel Guerrero, harpist Shelley Burgon, and drummer Damion Reid.

Sounding Out
Sat Jan 23 – 8:30 PM
Celebrating the release of “Sounding Out”, a new DVD featuring 6 lesbian composers Madelyn Byrne, Renee Coulombe, Linda Dusman, Mara Helmuth,Kristin Norderval, and Anna Rubin, presenting works which focus on aspects of identity and integrity related to the composers’ multifaceted gender/sexual/creative identities. Each composer takes advantage of a DVD’s capacity for encoding surround sound and/or visual images or video. This project is funded by the PatsyLu Fund for Women’s Music Projects under the aegis of the Open Meadows Foundation.

Matthew Shipp Record Release Celebration
Thu Jan 28 – 8:30 PM
Matthew Shipp’s new solo piano cd “4D” is the complete synthesis and culmination of all of his past Thirsty Ear releases, with the added wrinkle of standards reinterpreted as only he could muster, while combining his own brand of composition to the mix. Matt’s musical language, having been refined and mutated as has his career has continued to grow at exponential rates, allowing Mr. Shipp to fully explore the hidden aspects of jazz. Critics have called it “…an excellent record” – (New York Times) and ” His best solo effort yet, 4D. The pieces bristle with powerful dynamic shifts and brilliant uses of space and silence.” (- Chicago Reader). About the musician Village Voice proclaims: “The pianist digs deep,often bringing a molten motion to his work — it’s thick with ideas. On the upcoming 4d,you can hear this deliberate approach unfold; every left hand depth charge and right hand squiggle justifies their existence.”

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Sonomu Reviews

From Sonomu:

Erstlaub, Broadcasting on Ghost Frequencies, (CDR Moving Furniture Records)
This excellent work was inspired by a bit of quackery known as the ”Ganzfeld Procedure” in the field of parapsychology. A subject is blindfolded and equipped with a pair of headphones playing nothing but white and pink noise – static. Out of this aural assault, it is hoped the subject will… [read]
Posted by Stephen Fruitman at 04:35, 16 Dec 2009

Woelv, Tout Seul dans la Forêt en Plein Jour, Avez-Vous Peur? (K)
Can one, single person use her voice to represent many? With her debut album Tout Seul dans la Forêt en Plein Jour, Avez-Vous Peur? (Alone in the Forest in the Middle of the Day, Are You Scared?), Genevieve Castrée proves one can. Castrée is an accomplished illustrator expanding her horizons… [read]
Posted by Stephen Fruitman at 11:29, 14 Dec 2009

Interpretations in 2010

From NY’s Interpretations:

January 21 – Roy Campbell’s Akhenaten / Matana Roberts’ Illumination
Creative ensemble music from two of the downtown scene’s most distinct horn players.Trumpeter and composer Roy Campbell’s Akhenaten performs music from their recent Aum Fidelity release, Live at the Vision Festival 12, with vibraphonist Bryan Carrott, bassist Hilliard “Hill” Greene, and drummer Michael Wimberly. Saxophonist and composer Matana Roberts presents her compositional configuration Illumination, based on ongoing research related to the questions, history, and conundrums of the universal creative act of dreams. Featuring cornetist Graham Haynes, pianist Gabriel Guerrero, harpist Shelley Burgon, and drummer Damion Reid.

January 23, 9PM – BAM Café: Big Red Media and Mutable Music Present Fred Ho & The Green Monster Big Band CD Release Party
Hosted and co-sponsored by BAM Café, Fred Ho debuts the 21 member Green Monster Big Band, and their debut CD, The Celestial Green Monster, on Mutable Music. Featuring Ho’s inimitable compositions and arrangements, including an epic “In-A-Godda-Da-Vida”, Jimi Hendrix’s “Purple Haze”, and “Very, Very Baaad: The Michael Jackson Medley Tribute” (featuring Aaron Sherraden, guest bassist and arranger, and Leena Conquest, guest vocalist).

February 25 – Thomas Buckner Premieres New Works by Earl Howard, Matthias Kaul, Eckart Beinke, and Bun Ching Lam
Baritone Thomas Buckner presents an evening of new works, including Earl Howard’s Frond, for baritone, violin, bass saxophone, and live electrtonics, Bun Ching Lam’s Trois Cadeaux, for baritone, harp, and piano, and Matthias Kaul’s Zappa-esque The Mellow Quark. With French harpist Isabelle Courret, the German ensemble L’Art Pour L’Art, Mari Kimura (violin), JD Parran (bass saxophone), and Earl Howard (saxophone, live electronics and processing).

March 16 – The Paula Cooper Gallery World Premiere: Somei Satoh’s The Passion
Co-sponsored by the S.E.M. Ensemble, The Paula Cooper Gallery hosts the premiere of The Passion, by Japanese composer Somei Satoh, whose works are fragile in their clarity and simplicity, representing a sculptural minimalism infused with the lyrical sense of Romanticism. Featuring baritone Thomas Buckner and an ensemble including oboe, clarinet, two harps, percussion, violin, viola and cello, Satoh’s innovative setting of The Passion of Christ has all roles performed by one singer, with each character represented by a different vocal style, including Syomyo and Biwa song and Nagauta from Japan, along with traditional western singing and Gregorian chant.

March 25 – Sean Heim / Chinary Ung
Challenging and deeply personal contemporary solo and chamber music from a distinguished and renowned elder composer and an acclaimed former protégé. Chinary Ung is the first American composer to win the highly coveted International Grawemeyer Award (sometimes called the Nobel prize for music composition). The evening’s works include Ung’s Seven Mirrors and Heim’s In The Between (Reflections On The Six Bardos), both for solo piano. Ensemble works include Ung’s Spiral IX baritone, viola, percussion and Heim’s Holomovements, for oboe, violin, viola, double bass, and piano.

April 15 – “Blue” Gene Tyranny / Miguel Frasconi
Engaging electro-acoustic music performed on both traditional instruments and imaginative sound objects. Avant-garde composer and pianist “Blue” Gene Tyranny and Conrad Harris perform electro-acoustic works for piano and violin by Philip Krumm and George Cacioppo, including Cacioppo’s Cassiopeia and Krumm’s Four Nations, as well as world premieres by “Blue” Gene Tyranny and Paul Reller. Composer and improviser Miguel Frasconi uses glass objects, electronics, keyboards, and “de-evolved” instruments to create music from a uniquely imagined tradition.

April 29 – Joan La Barbara / Yael Acher With Irina Kalina-Goudeva
Two very different dramatic excursions into the theatrical side of contemporary music. Joan La Barbara and Ne(x)tworks will be performing excerpts from Angels, Demons and other Muses, her opera in-progress exploring inner secrets of the artistic mind. Inspired in part by the dreams of Joseph Cornell, intricate word turnings of Virginia Woolf, and psychological twists of Poe. With Kenji Bunch, Shelley Burgon, Yves Dharamraj, Cornelius Dufallo, Miguel Frasconi, Stephen Gosling, Ariana Kim, and Chris McIntyre. Flutist and composer Yael Acher and contrabassist Irina-Kalina Goudeva, whose work also incorporates voice, drama, and movement, present Two – Walk, a multimedia electro-acoustic performance.

May 25 – Yasunao Tone / Adachi Tomomi
Contemporary music from two generations of Japan’s experimental music community. Yasunao Tone became active in the Fluxus movement in the 1960s and moved to the United States in 1972. Tone will premiere his MP3 Corruption Piece, a new system for live performance, based on the real-time corruption of mp3 files to generate data that controls the playback of various audio materials. Adachi Tomomi is a performer/composer, sound poet, and installation artist living in Japan. He has performed improvised music and contemporary music with voice, computer, sensor system and self-made instruments.

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Year in Review: Avant-Garde

Adequacy.net provides some noisy highlights of 2009.

In the interest of not having a bunch of overlap between this article and those few avant-garde/noise releases that may have made it onto our year end staff list, I will not be covering certain things here that you will most definitely see on our Best Albums of 2009 feature. That still leaves a ton of great stuff and if you’re looking for some really “out there” things to keep your mind occupied while you wait for 2010 to arrive then just snuggle up to any of the albums below. These are not listed in any particular order and I give my personal guarantee of greatness to them all for whatever that’s worth to you…(insert canned laughter here).

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Joey Baron: Just Say Yes

Cover of "Down Home"
Cover of Down Home

An interview with Joey Baron from All About Jazz:

Combining technical acuity with a deep sense of groove, Joey Baron drums with playful exuberance. Throughout his more than 35-year career, he’s propelled experimentalists like guitarist Bill Frisell and saxophonist John Zorn, as well as mainstreamers like vocalist Carmen McRae and saxophonist David Sanborn. He’s even played with pop stars David Bowie and Marianne Faithfull. But Baron makes no distinctions between gigs, keeping an expansive, welcoming view of music. After leading the groups Barondown, Down Home, and Killer Joey, he’s recently focused on percussion work in solo, duo, and trio settings. A rare December, 2009 solo concert at Roulette offers the chance to experience Baron’s artistry at its most distilled.

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