Open Ears Music: NoJack July 28, 2009


More free, live improv goodness from Open Ears Music:

This is the audio archive from 28 July 09. The files are 128k VBR mp3s.

Musicians: Justin Peake (drums), Robin Boudreaux (saxes), Will Thompson (keys), Chris Alford (guitar)

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Upcoming Detroit Shows


From the Bohemian in Exile folks:

Saturday, August 15th: Kenneth Green/Dushun Mosley Duo, Jeff Marx Detroit Quartet @ Contemporary Art Institute of Detroit (CAID)

A member of of Chicago’s Association for the Advancement Musicians, Dushun Mosley is a percussionist extraordinaire. In addition to work with other AACM artists and other greats like Roscoe Mitchell, Muhal Richard Abrams, Anthony Davis and Don Cherry, Dushun is a member of Eight Bold Souls, The AACM Big Band and co-leads The Vizitors with Detroit pianist Kenny Green. Kenny also has worked with Roscoe Mitchell, Douglas Ewart and a host of Detroit favorites like Faruq Z. Bey, Michael Carey and Skeeter Shelton. This is duo is reputably a full-tilt powerhouse.

A native of southeastern Michigan, saxophonist Jeff Marx now makes his home in Chicago. His work stradles the fence of post-bop and freer playing, delivered with a big tone and confident approach. His Detroit quartet will consist of Joel Peterson (double bass) and Marko Novachcoff (reeds) with a drummer TBA.

Doors at 8 pm; sliding scale donation, $5-10. CAID is located at 5141 Rosa Parks, just a couple blocks N. of Warren Ave.

Thursday, August 27th: Sun Ra Tribute by Planet D Nonet, featuring Kenny Millions at the Contemporary Art Institute of Detroit (CAID).
Planet D Nonet, the new big band spearheaded by drummer RJ Spangler and trumpeter James O’ Donnell, presents a tribute night to Sun Ra. Afficianados of innovative arrangements of Ellingtonia and Fletcher Henderson (who was one of Ra’s first employers), Planet D has always alluded to the edgier stylings of the Arkestra, but this night they’re really going for it. Ex-Detroiter Kenny Millions will be in town to lead the winds through the obstacle course of Ra’s charts, much as he has navigated through the avant compositions of ensembles like the Dutch super-group The Instant Composers Pool.

The evening will also feature a 20 minute film of Ra and Lyman Woodard, Detroit’s recently passed organ legend. Doors at 8 pm; $5-10 sliding scale donation. CAID is located at 5141 Rosa Parks, just a couple blocks N. of Warren Ave.

9/28 Huun Huur Tu

10/2 Digital Primitives

10/22 Jason Stein

11/20 Mike Tamburo and Ben Reynolds

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September at Roulette


The September schedule from New York’s Roulette:

3 NIGHTS: SKELETON$ BIG BAND: New Works for a Larger Ensemble
Wed-Fri Sept 7, 8 & 9 – 8:30 PM

INTERPRETATIONS: Works by Yusef Lateef and Adam Rudolph
Thurs Sept 17 – 8:00 PM

Gordon Beeferman’s MUSIC FOR AN IMAGINARY BAND
Tue Sept 22 – 8:30 PM

The Mara Rosenbloom Quartet CD Release
Wed Sept 23 – 8:30 PM

Music of Mario Diaz de Leon Performed by International Contempoary Ensemble (ICE) and Talea: CD Release Event
Fri Sept 25 – 8:30 PM

Lisle Ellis “Stomping Ground”
Sat Sept 26 – 8:30 PM

The Hassay-DeChellis–Nakatani Trio “An Evening of Spontaneous Beauty”
Wed Sept 30 – 8:30 PM

Fay Victor Ensemble “The FreeSongSuite”
Thurs Oct 1 – 8:30 PM

Bisio / Crothers
Fri Oct 2 – 8:30 PM

Tom Hamilton & Bruce Eisenbeil w/ William Hooker
Sat Oct 3 – 8:30 PM

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Varese Featured at Salzburg Festival


The music of Edgard Varese will be a focus on the upcoming Salzburg Festival.

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Musique Machine Reviews


From Musique Machine:

Toby Dammit – L’Uccello Dalle Piume Di Cristallo
L’Uccello Dalle Piume Di Cristallo is the new slice of effective face pounding and brain slapping power electronics outpouring from imposing tattooed covered Italian Toby Dammit( aka Emanuele Gorreri)

Churner – Spirit Defector
Built via microphones, processors, turntables and voices Spirit Defector is all about building a hope sucking, sludgy and dense noise drone/violent ambient crossbreed; which pulls you down in a very grimly satisfying and often suffocating manner.

Blues Control – Local Flavor
Blues Control are on to to something here; this their third album, following two diverse albums, Puff and a self titled album, both released in 2007. The aforementioned LP’s consisted of some of the most interesting music of the year of their release, wrenching maximum effect from seemingly minimal means. The band consists of Lea Cho and Russ Waterhouse, switching off on fuzzed out guitar, ancient keyboards and tape loops. The percussion is provided not by a drum machine, but sourced from a Walkman. The previous albums were sometimes rough around the edges, as in the opening track of Blues Control, which is so overblown as to barely be contained. During the more docile moments, the music contained on those first two records possesses a ragged roughness which reminds of late sixties drone/experimental practitioners, particularly Terry Riley.

Tarab – Take All The Ships From The Harbour,And The Take T
07’s Wind keeps even Dust Away; the last album by Tarab(Australian sound artist Eamon Sprod) still stands as one my favourite manipulated field recording records of all-time; with it’s highly captivating,atmospheric & skilful manipulation of wind and other haunted sounds. So when I heard about this new album I was understandble very excited.

Pixel – The Drive
The Drive takes the distinctive and key Raster-Noton clinical and static lined electro beat back bone, and adds it to moody and often cinematic guitar amplifier atmospric dwells and drones- all taking the labels distinctive sound in a new direction.

Textile Orchestra – For the Boss
For the Boss is a wonderful eye bulging,deranged and manic muilt-coloured sonic out pouring in two lengthy parts. Taking in elements of: crazed cartoon like improv, total twisted turntablism, musical elements snatched and abused from all manner of places, and general unhinged sonic tomfoolery.

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