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From Mode Records:
New and Recent Releases:
Lei Liang: Brush-Stroke
Joshua Fineberg: Imprints, Veils and Shards
Iannis Xenakis: Complete String Quartets

From Mode Records:
New and Recent Releases:
Lei Liang: Brush-Stroke
Joshua Fineberg: Imprints, Veils and Shards
Iannis Xenakis: Complete String Quartets
Robert Henke’s Monolake label is a source of strange and experimental music.
From Diapason Gallery:
Quartet without Pyramid Scheme
a hybrid installation/improvisation by:
Jordan Topiel Paul
Eric Laska
Reed Evan Rosenberg
& Richard KamermanSaturdays, September 5, 12, 19 and 26
2 – 8PM
FreeQuartet Without Pyramid Scheme is a month-long collaborative project whose sound content will continually change over its duration. An experiment in compositional and improvisational time scales and form, the piece will occupy both rooms at Diapason.
The foundation for the piece is a Max/MSP playback program that plays several samples at once over a multi-channel system, randomizing many of the samples’ sound parameters (temporal and spatial position, relative volume, start/stop, playback speed, etc.). The output, a sum of these overlapping, looping samples, is a continuous sound environment that never repeats despite a relatively limited bank of recorded samples. This enables the raw sound materials to be heard in an ongoing and unplanned arrangement.
From Improvised Communications:
Mary Halvorson Trio
Tuesday, August 4th @ Yoshi’s (Oakland, CA)
Thursday, August 6th @ The Hammer Museum (Los Angeles, CA)Matana Roberts
Sunday, August 9th @ The Stone (New York, NY)Tom Rainey
Friday, August 21st @ The Stone (New York, NY)Positive Catastrophe
Tuesday, August 25th @ Freddy’s Bar & Backroom (Brooklyn, NY)Marc Ribot’s Sun Ship
Wednesday, August 26th @ Rose (Brooklyn, NY)
Sunday, August 30th @ Jazz in Willisau (Willisau, Switzerland)
From Musique Machine:
Teatro Satanico – Black Magick Block
Black Magick Block is a damned, often hypnotic and black occult merging of dense electronica, jack knife beats, industrial overload & noise matter- with the odd bizarre dip into camp theatrical meets butch electro pop here and there too; but always with prime evil and at times frightening grace.Satan is My Brother – Satan is My Brother
Satan is My Brother is a provocative name which might lead one to believe that the listener is headed into dark and frightening terrain. The Cover is basic black, with a sticker bearing the name of the band and a vortex illustration. The CD-R is black, with a black bottom, and included in the disc sleeve is a black insert. There is no information about the band, recording location, or even a label designation. It makes for a very mysterious first impression. It’s intriguing then that the music included here is not particularly frightening at all. It has a few moments of creepiness, especially the spoken word snippets, which resemble invocations. It does project an heir of dread, a grainy Film Noir quality, which is also imbued with a Burroughsian other worldliness.Final – Dead Air
Dead Air is the tenth full length release from Justin Broderick’s weighty & moody electronica, meets grim ambient, meets industrialized pounding project Final. It finds him offer up a more consistent, often dense & noise bound take on his sound; making this a rewarding mixture of barren dark almost sci-fied cinmatics and pressing often airless electro weight.