Out on Utech Records

From Utech Records:

Aluk Todolo > Finsternis > Utech Records > URCD022 > URSK8

Aluk Todolo are a recondite creature. Part okkult black metal fiend and part snide kraut menace. Somehow the doppelganger works and Finsternis proves for a second time there is brilliance in the absence of light. Dry, spare percussion grievously mines the scrapes, shrieks and shimmer of mutated guitar and bass. Finsternis is the German word for eclipse, mimetic of cyclic elements, phases and unphases, endless rebeginnings, broken circles and perfect circles. A dangerous, noxious coil of all things black.

Edgar Varèse and the Jazzmen

A rare set of recordings has been discovered, including Edgard Varese conducting Charles Mingus. They are now available for free download.

Edgard Varèse conducts a workshop with jazzmen Art Farmer (trumpet), Hal McKusik (clarinet, alto sax), Teo Macero (tenor sax), Eddie Bert (trombone), Frank Rehak (trombone), Don Butterfield (tuba), Hall Overton (piano), Charlie Mingus (bass), Ed Shaughnessy (drums), probably John La Porta (alto sax)… We don’t know who is on vibes…

It might be the first free jazz recording (totally unissued) of History of Music. Varèse might have influenced jazzmen or was he only aware of what was happening on the jazz scene? No matter of the answer, it’s a bomb, as this music is 3 years earlier than Free Jazz by Ornette Coleman! We also know Charlie Parker wanted to study with Varèse in autumn 1954 but the composer flew to Europe to conduct Déserts. When he came back to New York in May 1955, Parker had already died. We also know that Varèse used to listen to John Coltrane at the Village.

Between March and August 1957, these Sunday jam-sessions were followed by arranger George Handy, journalist Robert Reisner, composers James Tenney, Earle Brown and John Cage, choreographer Merce Cunningham. The organizers were Earle Brown and Teo Macero who will become Miles Davis‘ producer among others. Varèse used certain extracts of the workshop for his Poème électronique.

The original of this tape is at Fondation Paul Sacher.

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New Josh Berman out on Delmark Records and Two CD Release Parties

From Delmark:

DELMARK DEBUT CD from Chicago cornet master, Josh Berman just released (on LP soon, too!) , with 2 CD release parties to celebrate this fantastic new release.

http://www.myspace.com/joshbermanchicago

2 CD release parties this week for you to enjoy! Wednesday, June 3 at Hideout Chicago and Sunday June 7 at Hungry Brain, CHicago, and Josh will be also be performing at the end of the month in NYC for Dave Douglas‘ prestigious FESTIVAL OF NEW TRUMPET MUSIC!!

Wednesday, June 3 – Hideout, Chicago , http://www.hideoutchicago.com/calendar.html – 1354 W. Wabansia, Chicago – 773 227 4433 – 9:30 pm

- Immediate Sound Series presents two sets with Josh Berman’s Old Idea record release concert for their self-titled debut on Delmark Records featuring
Josh Berman cornet
Keefe Jackson tenor sax
Jason Adasiewicz vibraphone
Anton Hatwich bass
Marc Riordan drums
DJ sets
James Falzone spins The Good of Goodman

Sunday, June 7 – Hungry Brain, Chicago – http://www.emergingimprovisers.org/hungrybrain.html – 2319 W. Belmont, Chicago – 10 pm

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Tortoise: Subtle Indie Rock, Aged for 20 Years

From NYTimes.com:

Tortoise, an instrumental five-piece band from Chicago, makes music of elaborate detail, rarely settling for a broad stroke when a sharp inflection might suffice. Most of the songs in its show on Saturday night, at the Bell House in Brooklyn, came with the complex interior movements of a timepiece.

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Xenakis in concert — no, really, XENAKIS…IN…CONCERT

Iannis Xenakis
Image via Wikipedia

From Chicago’s Gapers Block:

It’s worth repeating, in case you’re thinking that you read that wrong: this Thursday, the Museum of Contemporary Art (MCA) will present five short pieces by legendary composer Iannis Xenakis, as performed by the International Contemporary Ensemble (ICE), an up-and-coming group dedicated to performing modern and classic works of the avant-garde and, in their words, “advancing the music of our time.” Xenakis’ structurally difficult works require virtuosos who not only possess outstanding chops, but excellent instincts and problem-solving abilities, as the pieces often demand something beyond perfection from its performers, requiring them to make sounds not easily coaxed from their instruments, and to play them perfectly each time. As a result, the ground-breaking Greek composer’s works are seldom performed, and even more rarely by an ensemble so dedicated to making them EXACTLY RIGHT, making this event a rare and essential musical event.

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Free Jazz Blog Reviews

Joe McPhee
Image by digital_freak via Flickr

From Free Jazz:

Monday, June 1, 2009
Ivo Perelman & Dominic Duval – Nowhere To Hide (Not Two, 2009) ****

Saturday, May 30, 2009
Paura – The Construction Of Fear (Creative Sources, 2008) *****

Friday, May 29, 2009
Miko?aj Trzaska, Clementine Gasser & Michael Zerang – Nadir & Mahora (Kilogram Records, 2009) ****

Thursday, May 28, 2009
Stéphane Kerecki Trio & Tony Malaby – Houria (Zig Zag, 2009) ****

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