Sonic Circuits Festival, September 22-27, 2009 in Washington, DC


This year’s Sonic Circuits Festival has a doozy of a lineup.

2009 FESTIVAL ARTISTS:
Faust
Jandek
Andrew W.K.+Chris Grier+Ulrich Krieger
Health
Elliot Sharp
Annea Lockwood & Tom Buckner
Marvin Aryes
BLK w/BEAR
Nine Strings + Pilesar
21st Century Ensemble
This Bag is not a Toy
Even Parker & Ned Rothenberg
David Daniell
Bicameral Mind
Janel & Anthony
Pekka Airaksinen
TL741
Luigi Archetti
qfwfqduo
ayyoko confidential
ige*timer
Jeff Carey
Tim Hecker
Gunter Hampel
Fckn Bstrds
Soft Pieces
Olivia Block+Tomas Korber
Pilesar
Ergo
Never Work
Kotra
Kohoutek
Alexei Borisov & Anton Nikilla
Blue Sausage Infant
Dead Violets
Dr. Bibber
Second Land
Sean Peoples

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New Concert Series at Brooklyn’s IBeam


Inaugurating a new concert series curated by Brooklyn-based composer/clarinetist Jeremiah Cymerman, the first installment of the Telluric Currents series will take place from June 19th-21st at Brooklyn’s IBeam. Future installments will occur once every three months for three nights, three sets per night.

Celebrating the diversity and creativity of New York’s underground musicians, each night of the series will present different groups of musicians who masterfully blur the lines between composition and improvisation, acoustic and electronic music, subtlety and extremity. The current experimental music scene in New York is as vibrant as ever and the Telluric Currents Concert Series seeks to pay tribute to the richness of the current musical landscape.

Friday June 19th
8p Alex Chechile Solo
Jeremiah Cymerman/Matt Bauder/Josh Sinton Clarinet Trio 9p
10p Harris Eisenstadt/Ellery Eskelin Duo

Saturday June 20th
8p Woody Sullender Solo
Sam Amidon/Aaron Siegel Duo 9p
10p Peter Evans Solo

Sunday June 21st
8p Sergei Tcherepnin
Doron Sadja 9p
10p Katherine Young Ensemble

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AMN Picks of the Week


Here is where I post, at a frequency of about once a week, a list of the new music that has caught my attention that week. All of the releases listed below I’ve heard for the first time this week and come recommended. Don’t take the categories too seriously.

Knifeladder – Music/Concrete (2009, dark ambient)
Yitzhak Yedid – Since My Soul Loved (2009, composed jazz)
Pseudo – Gnostic Guitar I (2007, solo guitar and electronics)
Pseudo – Gnostic Guitar II (2008, solo guitar and electronics)
Fred Frith – Still Urban (2009, classical / improv)
TD Black Sun – Bad Dreams of The Gloomy Girl (2007, dark ambient)
simakDialog – Demi Masa (2009, world / jazz / improv)

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New on Moon June Records


Moon June Records has a number of new releases out.

COPERNICUS – Disappearance

The longtime musical director of Copernicus’ assemblage is the Irish keyboardist and composer Pierce Turner, long resident in New York City. His fellow countryman, Black 47 leader Larry Kirwan is one of the album’s four guitarists, along with Mike Fazio, César Aragundi and Bob Hoffnar. Other musicians appearing on the album are: Raimundo Penaforte (violin, acoustic guitar, percussion, vocals), Fred Parcells (trombone), Rob Thomas (violin), Matty Fillou (sax), Marvin Wright (electric bass guitar and additional electric guitar), George Rush (tuba, acoustic and electric bass), Thomas Hamlin (drums & percussion) and Mark Brotter (drums & percussion).

Is Copernicus celebrating The Universe, or observing its collapse? This ageless sage orates like a windswept preacher who has just witnessed visions of the apocalypse. Turner is rolling out swathes of Gothic Hammond organ, leading the ensemble in their surging accumulations. A bassline walk begins, a slide guitar floats, a trombone starts up its funereal sway. Copernicus declaims, and almost rants. He’s taking things (matter) to the precipice, as he deals with the nature of subatomic particles. A chorus of voices from the band fill the edges around the congregation’s void. Does Copernicus herald doom or salvation?

BORIS SAVOLDELLI & ELLIOTT SHARP – Protoplasmic

Here are two artists who share a profound facility for refined versatility. Each of them has built up a career around several varied (yet complementary) disciplines, quite possibly ensnaring completely different audiences on different days of the week. The Italian singer Boris Savoldelli teeters perfectly between a true pop sensibility and an anarchic improvisational wildness. He can craft overdubbed layers of sheer melodic charm, forging an experimental approachability, or he can cast off all inhibitions and launch into the completely unshackled heights of free-form spontaneity. This is a man who is comfortable with the advanced avant garde techniques of diplophony, triplophony, flutophony and criptomelody! In Italy, Savoldelli studied operatic vocal techniques with Simona Marcello and, more recently, in New York, he’s refined his art with singers Jay Clayton and Mark Murphy. Savoldelli is also a member of the innovative avant jazz-rock combo SADO, and released the acclaimed solo album Insanology in 2008. This was a feast of inspired vocal-orchestral loop-layering, featuring a guest appearance by US guitarist Marc Ribot. Elliott Sharp is also a multi-faceted player, his guitar masterfully extending along the perimeters of jazz, improvisation, electronica, rock’n’roll, rarefied new music composition and the grime-slogging blues. All of these zones are inhabited with complete confidence and virtuoso wit. Born in Cleveland, Ohio, he’s long been identified with the eclectic downtown scene of New York City. Mainly known as an electric and acoustic guitarist, Sharp is also highly articulate on his armoury of reed instruments (saxophone, clarinet), as well as screaming out with the sliding strings of his trusty pedal steel guitar.

simakDIALOG – Demi Masa

This is the fifth album from Indonesian progressive jazz ensemble simakDialog. Led by keyboardist and composer Riza Arshad, the band also features guitarist Tohpati and bassist Adhitya Pratama, working alongside the twinned percussion thrust of Endang Ramdan and Erlan Suwardana. This latter pair are specialists in traditional Sundanese kendang drumming. Arshad’s compositional approach opens up from a jazz-rock palette, but his Fender Rhodes electric piano is clearly influenced by the crisp ring and shimmer of the Indonesian gamelan’s array of gongs, metallophones and double-headed drums. We can immediately hear the similarities between the keyboard’s percussive crackle and the sharp detonations of tunefully struck metal. The percussionists soon enter, clattering out their heavily organic patterns with roundly slapped skins, shaker bells and handclaps. Arshad frequently pushes his solos (or are they ongoing themes?) up to continually higher levels, urging repeated climaxes as each piece steadily amasses intensity. Tohpati is also attracted to resonant trebly zones, journeying from acoustic delicacy to a subtly distorted friction. The guitarist’s presence has a significance beyond his role on this album, as Tohpati is one of the Indonesian music scene’s most successful (and ubiquitous) players. Another element is tipped in later, with the percussionists chanting along to emphasise their dense structures. Arshad might recline in a hazy contemplation, but it doesn’t take him long to develop an insistent pulse, invariably reaching a frenzied state. There’s a clear recalling of the classic moves made by Chick Corea and Terje Rypdal in the 1970s, but this is laced with authentic gamelan elements utilised as part of this jazz-rock vocabulary. The result sounds both natural and fully integrated. This a particular realm that couldn’t be reached either by Western progressives or a traditional gamelan ensemble. The simakDialog involves a unique combination of both spheres, without making the commercially tempting mistake of cultural dilution.

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Yoshi’s San Francisco Hosts “Go Left Fest”


Lots of great names in free jazz coming next month to Yoshi’s:

Sun Ra Arkestra Leader MARSHALL ALLEN -
Distinguished Author ISHMAEL REED -
ROSWELL RUDD -
MYRA MELFORD/MARK DRESSER DUO -
MATTHEW SHIPP -
JOE MORRIS -
SUNNY MURRAY -
OLUYEMI THOMAS -
LAFAYETTE HARRIS -
BETH CUSTER and more

First-Ever Musical Meeting of Marshall Allen-Matthew Shipp-Joe Morris!

Yoshi’s Inaugural “Go Left Fest: Where Creative Arts Collide” is intended to showcase some of the most creative and adventurous improvisors, authors and composers “out there.” The festival will feature performances by, among others: legendary 85 year-old Sun Ra Arkestra leader and saxophonist Marshall Allen, noted author Ishmael Reed, pianist Matthew Shipp, trombonist Roswell Rudd, drummer Sunny Murray, pianist Myra Melford-Mark Dresser duo, bassist Joe Morris, clarinetist/saxophonist Beth Custer, saxophonist Oluyemi Thomas and more.

DMG Newsletter May 29th, 2009


From DMG:

New from: Cecil Taylor/Jimmy Lyons ’71! Joelle Leandre/William Parker! Talibam Peter Evans! Gavin Bryars “Sinking Of The Titanic’ Live! Les Six double CD! Olga Neuwirth! Harold Budd & Clive Wright!

Alessandra Celletti! Mars Vista Philharmonic! ESP reissues of Cromagnon, Timothy Leary, and Gato Barbieri! Sunn0))! Restocks of recent Laswell releases!

***********************

Downtown Music Gallery FREE In-Store Performance Schedule
C’mon down to 13 Monroe St!

[2nd Ave bus M15 to Market St stop one block away, or F train to East Broadway stop 4 blocks away]

This Sunday, May 31st at 7pm:
JD PARRAN & ANGELO BRANFORD!
BAG Legend meets Downtown Guitar!

Sunday, June 7th at 6pm:
ROB PRICE & CHRIS CAWTHRAY!
NY Guitar wunderkind Meets Torontoan Drummer!

Monday, June 8th at 6pm:
HUMANIZATION QUARTET are Clean Feed Recording artists featuring:
Rodrigo Amado on tenor sax, Luis Lopes on guitar, Aaron Gonzalez on basses & Stefan Gonzalez on drums!

Sunday, June 14th – Vision Fest – Be there or be square! (No in-store)

Sunday, June 28th at 6pm:
TOM HAMILTON & BRUCE EISENBEIL!
Pogus CD Release Celebration for this wonderful Guitar & electronics Duo!

Sunday July 5th at 6pm:
ADAM LINSON & TOM BLANCARTE!
Two Amazing Contrabassists in a Rare & Intimate Setting!
Adam Linson has a solo & duo disc out on Evan Parker’s Psi Label and Tom Blancarte is half of Sparks with Peter Evans!

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All About Jazz Reviews


From All About Jazz:

30-May-09 Orchestre National de Jazz
Orchestre National de Jazz: Around Robert Wyatt (Bee Jazz)
Reviewed by Jeff Dayton-Johnson

30-May-09 Nicole Mitchell’s Black Earth Strings
Renegades (Delmark Records)
Reviewed by Troy Collins

30-May-09 simakDialog
Demi Masa (Moonjune Records)
Reviewed by Glenn Astarita

29-May-09 Lawrence Casserley / Adam Linson
Integument (Psi)
Reviewed by John Eyles

29-May-09 Rudresh Mahanthappa’s Indo-Pak Coalition
Apti (Innova Recordings)
Reviewed by Troy Collins

29-May-09 Denman Maroney Quintet
Udentity (Clean Feed Records)
Reviewed by Glenn Astarita

29-May-09 The Naked Future
Gigantomachia (ESP Disk)
Reviewed by Jerry D’Souza

29-May-09 John Hollenbeck
Rainbow Jimmies (GPE Records)
Reviewed by Lyn Horton

28-May-09 Paul Motian
Live at the Village Vanguard, Vol. II (Winter & Winter)
Reviewed by Ted Gordon

27-May-09 KLiP Trio
Herman Sonny Blount (Omniversal Ambassador) (Edgetone Records)
Reviewed by Glenn Astarita

26-May-09 Sophie Agnel
Capsizing Moments (Emanem)
Reviewed by John Eyles

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Urs Leimbruber, Peter Evans and Okkyung Lee at Roulette


From New York’s Roulette:

Thu Jun 11 – 8:30 PM

Urs Leimgruber’s mastery of the saxophone is so protean you could easily be fooled into thinking you are listening to a whole range of other instruments. He produces drum beats, the sound of guitars or the echoing resonnance of gongs at will. His playing seems almost de-instrumentalized, free of any implicit meaning and, despite its complexity, almost unexpectedly stark. Sound in its purest state. The ten pieces here sound like a manifesto set to music, an audible thumprint, a soundcard with a unique code that only responds to the personal breath of the artist.“ Bert Noglik, CD Blue Log Leipzig.

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Bohemian in Exile Shows


Upcoming Detroit area improv shows:

Saturday, May 30th: Jack Wright/Bob Marsh Duo at CAID
This is an auspicious show, as this notable duo had its orgin in Detroit, where Jack and Bob first met. Jack is one of the longest running free improvisers in America, having devoted himself exclusively to the music since the mid 70s. His a multi-instrumentalist most recognized for his work on alto saxophone; he’s one of a hand-full of people who has expanded the extend technique on the instrument since the late 60s.

Ex-Detroiter Bob Marsh originally came to prominence as an improvising cellist- but he has a long history with electronics and has performed more with them in more settings over the years. He also performs on accordian, violin and voice. His work has included microtonal ensembles and massed accordian groups.

You can check out more on Jack and Bob at

http://www.springgardenmusic.com/jack-bob_marsh_duo.htm

Doors at 8 pm; $6 minimum donation.
5141 Rosa Parks Blvd, Detroit (3 blks N. of Warren, near WSU).

Sunday, May 31st: Jennie and the Sure Shots at Le Petit Zinc
We kick off the music series at Le Petit Zinc with the first Detroit appearance of The Sure Shots following their recent southern tour. New-old-timey Americana music in the garden while eat crepes and drink lattes from a bowl. What could be better on a Sunday afternoon?
Music at noon. A $1 min donation please.
1055 Trumbull (corner of Howard), Detroit.

Coming Soon:

6/30 Mary Halvorson and Jessica Pavone
8/6 Alasdair Roberts
9/27 Huun Huur Tu

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