Jazz Listings From The New York Times

Paal Nilssen-Love
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From the Times:

AB BAARS TRIO WITH KEN VANDERMARK (Sunday) Ab Baars, a saxophonist and clarinetist prominent on the robust Dutch jazz scene, has a new album, “Goofy June Bug” (Wig 15), featuring this trio — with Wilbert de Joode on bass and Martin van Duynhoven on drums — along with Mr. Vandermark, a Chicago multireedist. The same coterie arrives here after more than two weeks on the road, which ensures only the most cohesive brand of mayhem. At 7 p.m., Joe’s Pub, at the Public Theater, 425 Lafayette Street, at Astor Place, East Village, (212) 598-7100, joespub.com; cover, $20, with a two-drink minimum. (Chinen)

ESP-DISK LIVE (Tuesday) ESP-Disk, an important avant-garde label of the 1960s, recently resumed production, selling its visionary catalog through retailers and online at espdisk.com. This showcase begins with a set by the percussionist Paul Thornton (at 10 p.m.), and continues with a performance by the Ras Ensemble, a chamberlike group led by the saxophonist Ras Moshe (at 11). Bowery Poetry Club, 308 Bowery Street, near Bleecker Street, East Village, (212) 614-0505, bowerypoetry.com; $10. (Chinen)

PAUL MOTIAN OCTET + 1 (Friday through Sunday) A luminous and mysterious post-bop ensemble that consists of two contrasting pairs of improvisers (the saxophonists Chris Cheek and Bill McHenry, and the guitarists Steve Cardenas and Tim Miller); a couple of welcome stabilizers (Jerome Harris and Thomas Morgan, both bassists); a pair of wild cards (the violist Mat Maneri and the pianist Jacob Sacks); and a wily mastermind (Mr. Motian, on drums). At 9 and 11 p.m., Village Vanguard, 178 Seventh Avenue South, at 11th Street, West Village. (Chinen)

OPSVIK & JENNINGS (Tuesday) The bassist Eivind Opsvik and the guitarist Aaron Jennings have maintained this intelligent electro-acoustic duo collaboration for a handful of years, releasing two strong albums on the Norwegian label Rune Grammofon. Their live chemistry relies partly on the terse contributions of the trombonist and keyboardist Brian Drye, the trumpeter Rich Johnson and the drummer Dave Christian. From 9 to 11 p.m., Nublu, 62 Avenue C, between Fourth and Fifth Streets, East Village, nublu.net; free before 10 p.m.; $5 after. (Chinen)

THE THING (Thursday) This rugged Scandinavian collective — with Mats Gustafsson on reeds, Ingebrigt Haker Flaten on bass, and Paal Nilssen-Love on drums — specializes in convulsive improvisation, drawing about equally from the protocols of free jazz and punk rock. Here the band shares billing with Sparks, a duo made up of the trumpeter Peter Evans and the bassist Tom Blancarte; and Little Women, a noise-jazz Brooklyn quartet. At 9 p.m., Zebulon, 258 Wythe Avenue, Williamsburg, Brooklyn, (718) 218-6934, myspace.com/zebuloncafeconcert; no cover.

YEAH YEAH RECORDS AND FRIENDS FESTIVAL (Friday) This series, running every Friday through the month’s end, features artists affiliated with the ruggedly independent Yeah Yeah label. Among them are the guitarist Khabu Doug Young, who performs here at 8 p.m.; a duo featuring the pianist Jesse Stacken and the trumpeter Kirk Knuffke, at 9; and at 10, a trio with the saxophonist Andrew Bishop, the drummer Gerald Cleaver and the bassist Tim Flood. I-Beam Music, 168 Seventh Street, Gowanus, Brooklyn, ibeambrooklyn.com; $10. (Chinen)

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Chicago Jazz Shows This Weekend

From the Chicago Tribune:

Douglas Ewart‘s Nyahbingi Drum Choir,9:30 p.m. Friday and Saturday at the Velvet Lounge, 67 E. Cermak Rd.; $5-$15; 312-791-9050. Multi-instrumentalist Ewart leads a number of innovative ensembles, but the Nyahbingi Drum Choir stands out among them. Fusing aspects of Jamaica’s “mento” music (a forerunner of ska and reggae) with the improvisational techniques of Chicago’s South Side avant-garde, the Nyahbingi Drum Choir mines Afro-Caribbean rhythms unlike anything else in Ewart’s oeuvre. Unfortunately, Ewart has recorded just a couple of tracks with this ensemble since he established the group, in 1986. But he promises to release a full-fledged CD later this year. Until then, the live performance is the only place to encounter the original compositions and Jamaican folkloric tunes that are central to the Nyahbingi Drum Choir, which will include vocalist Dee Alexander, reedist Edward Wilkerson Jr., and a core of musicians playing hand-held percussion.

Nicole Mitchell,7:30 p.m. Saturday at Harper College Performing Arts Center, 1200 W. Algonquin Rd., Palatine; $15-$25; 847-925-6100. Though the protean Chicago flutist seems to thrive in all settings, she doesn’t perform as often in concert halls as her artistry merits. This event offers a welcome opportunity to hear her in a serious listening room, where she’ll lead her quartet.

Isaiah Spencer,6 p.m. Sunday at the Velvet Lounge, 67 E. Cermak Rd.; $5-$10; 312-791-9050. Freewheeling jam sessions aren’t as abundant as they were in an earlier era, yet several have been sprouting in Chicago clubs in recent years. Spencer, a propulsive young drummer, has been inviting all comers to this weekly session, in which he leads a core group staffed by fellow young lions, including saxophonist Kevin Nabors, multi-instrumentalist Christopher McBride, trumpeter Sayid Chrisberg, guitarist Scott Hesse and bassist Junius Paul (depending on who’s in town).

Ari Brown,9 p.m. Tuesday at Andy’s Jazz Club, 11 E. Hubbard St.; $10; 312-642-6805. Busier than ever, Chicago saxophonist Brown proves that the combination of bebop syntax and free-jazz experimentation can appeal to a mainstream audience.

Ab Baars Trio with Ken Vandermark,7 p.m. Wednesday at the Chicago Cultural Center, 78 E. Washington St.; free; 312-744-6630. Launching their Chicago residency amid a brisk, North American tour, Dutch reedist Baars and his Chicago counterpart Vandermark should be in fighting form.

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The Squid’s Ear Reviews

From the Squid’s Ear:

Gerald Cleaver / William Parker / Craig Taborn – Farmers by Nature
(Aum Fidelity)
- Kurt Gottschalk

Thurston Moore – Sensitive/Lethal
(No Fun Productions)
- Jeph Jerman

Arg – Animali
(Creative Sources)
- Max Schaefer

Traum – Tanto impresos como sistemas
(Bug Incision)
- Wyman Brantley

Cheer-Accident – Fear Draws Misfortune
(Cuneiform)
- Wyman Brantley

Schurer / Steinbrüchel -
(NVO)
- Darren Bergstein

Tomas Phillips – Drink_Deep
(NVO)
- Darren Bergstein

Oren Ambarchi – Persona
(Black Truffle)
- Brian Olewnick

Arditti Quartet – Thirty Pieces/komposition für streichquartett 2
(hr2 kultur)
- Brian Olewnick

Don Cherry – Live At Cafe Montmartre Volume Three
(ESP-Disk)
- Brian Olewnick

Evan Parker/ Ingebrigt Haker Flaten – The Brewery Tap
(Smalltown Super Jazz)
- Dave Madden

Toshimaru Nakamura & Mark Trayle – Stationary
(Creative Sources)
- Max Schaefer

Will Montgomery (Heribert Friedl) – Non-Collaboration
(NVO)
- Darren Bergstein

Joe McPhee/ Paal Nilssen-Love – Tomorrow Came Today
(Smalltown Superjazz)
- Dave Madden

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Boxdeserter Trio on Tour

Boxdeserter is playing tonight in Detroit as well as some coming dates:

Friday, April 17th: BoxDeserter Trio at Detroit Institute of Arts
Our favorite pianist, Thollem McDonas, returns to his favorite American city to kick off a tour by BoxDeserter Trio, with Skeeter Shelton and Joel Peterson. Speaking of favorites, Diego Rivera’s mural in the DIA is another of Thollem’s, which he didn’t realize was in Detroit until I took him to the museum. Now he gets to perform surrounded by it!

BoxDeserter mixes new chamber music, free improvisation and the broad repertoire of its members to create innovative, yet highly accessible music. Thollem has a new record coming out on ESP Disk and another release featuring his recent concert on Debussy’s piano in France! Skeeter Shelton is one of the great unsung saxophonists in Free Jazz and has performed with Fred Anderson, James Blood Ulmer, Dushun Mosley, Hakim Jami, Faruq Z. Bey and others. This will be the kick-off to BoxDeserter Trio’s midwest and east coast tour, so join us in The Rivera Court for two amazing sets- it’s free for city of Detroit residents and free with museum admission for everybody else!

Boxdeserter Trio tour dates:

4/17 Detroit Institute of Art Detroit, MI
4/18 Kerrytown Concert House Ann Arbor, MI
4/19 Hungry Brain Chicago, Il
4/20 Iron Post Urbana, Il
4/21 Charles and Limey’s Lounge Springfield, Il
4/23 Schlafy Tap Room St. Louis, MO
4/24 Schlafy Tap Room St. Louis, MO
4/24 (later) Mangia St. Louis, MO
4/25 Earthhouse Collective Indianapolis, IN
4/28 Exile Long Island, NY

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All About Jazz Reviews

From All About Jazz:

17-Apr-09 Tony Malaby
Paloma Recio (New World Records)
Reviewed by Troy Collins

16-Apr-09 Mark O’Leary & Sunny Murray
Ode To Albert Ayler (Ayler Records)
Reviewed by Glenn Astarita

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Surface Noise at the Uptown and the Ivy Room

From East Bay Express, an article about an avant music series:

“I was surprised that they had an experimental night here — an actual place with a bar,” said Oakland’s Reid May, whose curiosity got the best of him. None of the other avant-garde concerts he’s attended, though they account for about a fifth of his overall live music intake, have been at a place this nice, this … official: one with a bouncer, a liquor license, and a quality sound system. Normally it’d be a converted art gallery, a nonprofit arts center, some dude’s house — or, at the other end of the spectrum, an academic setting like Mills.

This is precisely the purpose of the Uptown’s monthly Avant-Garde Tuesdays series: to draw experimental, avant-garde, and improvisational music from the sidelines and into a safe, welcoming, fully permitted space. The music may be daunting, but the setting certainly isn’t, affording both performers and fans the opportunity to try something new.

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