DMG Newsletter April 3rd, 2009

From DMG:

Sun Ra 6 CD Slugs box .. and Live ’64 with Pharoah! Lou Reed Metal Machine Music Trio Live 2CD! Derek Bailey ’74! Melvin Gibbs With Pete Cosey & John Medeski! Joe Morris! Cooper-Moore! Gunter Hampel original Heartplants ’65!

Bob Moses! Roswell Rudd Trombone Tribe! Miles Okazaki! LaDonna Smith/Michael Evans! Andrea Parkins! Josef Van Wissem! Yoshi Wada! Phil Kline! Remaining INCUS backcatalog!

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LAST CHANCE FOR THIS FOREMAN-ZORN THEATRICAL EVENT – ENDS THIS SUNDAY!

Richard Foreman is one of the most important theatre directors in the world, and has been a personal hero of John Zorn‘s for over 30 years. This theatre/music piece is the historic first-time collaboration for two masters of the bizarre (both MacArthur geniuses) who individually have challenged, enlightened and entertained adventurous audiences for decades.

ASTRONOME: A NIGHT AT THE OPERA is a work dominated by ecstatic groans, grunts and babbling, and explores the initiation of a group of people into a world where ambiguous behavior alone leads to freedom–perhaps under the tutelage of the necessary “false messiah.” This is one of those events that can only happen downtown – culminating from a chance meeting in the street – independent of any special grants, funding, institution or administration.

Based on ASTRONOME, the intense second CD of a series featuring Mike Patton, Trevor Dunn and Joey Baron, Richard Foreman’s staging of it is absolutely stunning!

Please make a special effort to see this once in a lifetime event, which opened FEBRUARY 5th and RUNNING ONLY through APRIL 5th at the ONOTOLOGICAL-HYSTERIC THEATRE
@ St Marks Church in the East Village, 131 East 10th St on Second Ave!

to purchase tickets, go to:

https://www.ovationtix.com/trs/pr/633735

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100 Tape Loops in Rock Creek Park

News of this DC event comes from Black Plastic Bag:

This Sunday (4/5) in Rock Creek Park, D.C., there is a very interesting event going on.

Organized by D.C. musician Layne Garrett (who will also be appearing at the Avant Fairfax Festival, 4/25), there will be a gathering of (hopefully) 100 people with boomboxes set up in various locations in/at a particular section of Rock Creek Park.

Each person will have a 30 sec tape loop playing something that they recorded. At 4 PM, all the tape players will be activated and will hopefully result in an interesting sound collage.

In some ways, this in similar in spirit to certain aspects of Karheinz Srockhausen’s work.

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Open Ears Music: Touch plus Gratkowski et al

From New Orleans’ Open Ears Music:

This is the audio archive from 24 Mar 09. The files are 128k VBR mp3s.

Musicians: Frank Gratkowski (woodwinds), Dan Oestreicher (low saxes and modular synth) Justin Peake (drums, and computer on set 2).

Set 1 – part 1 (mp3)

Set 1 – part 2 (mp3)

add for set 2: Doug Garrison (drums), Jesse Morrow (bass), Jeff Albert (trombone), Rex Gregory and Aurora Nealand (bass clarinets)

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Jazz Listings From The New York Times

From the Times:

A BODY WITHOUT ORGANS (Sunday) This metaphysically named series, held every other Sunday in Greenpoint, Brooklyn, reflects the rugged ideals of its organizer, the drummer Mike Pride. In the later sets here, at 10 and 11 p.m., he leads a quartet called From Bacteria to Boys; an earlier set, at 9, features a trio led by the guitarist Jonathan Goldberger, with Briggan Krauss on saxophones and Andrew Drury on drums. CoCo 66, 66 Greenpoint Avenue, (718) 389-7392, coco66.com; cover, $6. (Chinen)20090402

TREVOR DUNN’S PROOF READERS (Thursday) Trevor Dunn, a bassist with one foot planted in experimental rock, takes a repertory approach with Proof Readers, his quartet with the trumpeter Nate Wooley, the saxophonist Darius Jones and the drummer Ryan Sawyer. The band takes a look at music by the free-jazz pioneer Ornette Coleman — with the closest of scrutiny, of course. At 8 p.m., Barbès, 376 Ninth Street, at Sixth Avenue, Park Slope, Brooklyn, (718) 965-9177, barbesbrooklyn.com; cover, $10. 20090402

? JUXTAPOSITIONS IN JAZZ (Saturday) This promising double bill, presented in the name of juxtaposition, finds the flutist Jamie Baum leading her septet in a performance of “Ives’ Suite,” which she wrote under the influence of Charles Ives. The other half of the ticket features the Polish trumpeter Tomasz Stanko, working with a dynamic American rhythm section: Craig Taborn on keyboards, Thomas Morgan on bass and Jim Black on drums. At 8 p.m., Merkin Concert Hall, 129 West 67th Street, Manhattan, (212) 501-3340, kaufman-center.org; $30. (Chinen)20090402

DONNY MCCASLIN GROUP (Thursday) On his recent albums Donny McCaslin has applied his assertive tenor saxophone style to Latin American-inspired fusions. He does that here with expert help: the guitarist Ben Monder, the bassist Hans Glawischnig and the drummer Adam Cruz. At 10 p.m., 55 Bar, 55 Christopher Street, West Village, (212) 929-9883, 55bar.com; cover, $10. (Chinen)20090402

JOE MORRIS ENSEMBLE (Friday) Joe Morris, a guitarist who applies the clear tone of Jim Hall to darker and pricklier purposes, has close history with both of his band mates here: the pianist Steve Lantner and the drummer Luther Gray. At 8 p.m., the Stone, Avenue C and Second Street, East Village, thestonenyc.com; $10. (Chinen)20090402

EIVIND OPSVIK OVERSEAS (Monday) Eivind Opsvik is a bassist with an experimental streak but also a deep connection to melody, as he demonstrates with this working band, which includes Tony Malaby on tenor saxophone, Jacob Sacks on keyboards and Kenny Wollesen on drums. (The group will perform at Nublu every Monday in April.) From 9 to 11 p.m., Nublu, 62 Avenue C, between Fourth and Fifth Streets, East Village, nublu.net; free before 10 p.m.; $5 after. (Chinen)20090402

? RHYTHM IN THE KITCHEN MUSIC FESTIVAL (Friday and Saturday) The fourth annual edition of this avant-garde festival, presented by the Hell’s Kitchen Cultural Center, rolls along on Friday with sets by ok|ok, an improvising collective (at 8 p.m.); a quartet led by the pianist Connie Crothers (at 9); Duology, featuring Michael Marcus on reeds and Ted Daniel on trumpet (at 10); and Morcilla, led by the trumpeter Matt Lavelle (at 11). Among the highlights on Saturday’s lineup are the William Hooker Trio, with DJ Olive (at 10), and a trio with the pianist Angelica Sanchez, the saxophonist Tony Malaby and the drummer Tom Rainey (at 11). Church for All Nations, 417 West 57th Street, Clinton, (212) 333-5583, hkculturalcenter.org; $15; $35 for a full festival pass (Chinen)20090402

? OMAR SOSA/JENNY SCHEINMAN (Tuesday through Thursday) Mr. Sosa, a Cuban pianist, and Ms. Scheinman, a violinist from Northern California, suggest strikingly different varieties of jazz rusticity but share a commitment to clarity in their music. Mr. Sosa is celebrating the release of an ambitious concept album, “Across the Divide: A Tale of Rhythm & Ancestry” (Half Note), with a group that includes saxophone and banjo. Ms. Scheinman, playing and singing, leads a trio with two flinty guitarists, Nels Cline and Steve Cardenas. (Through April 12.) At 8 and 10:30 p.m., Blue Note, 131 West Third Street, Greenwich Village, (212) 475-8592, bluenote.net; cover, $30 at tables; $20 at the bar; with a $5 minimum. (Chinen)20090402

? TAMARINDO (Tuesday) Free improvisation, often strenuous and unbridled, is the chief methodology on “Tamarindo” (Clean Feed), a recent release by the tenor and soprano saxophonist Tony Malaby. The album features the same alert and inventive rhythm team that appears here: William Parker on bass and Nasheet Waits on drums. At 8 and 10 p.m., the Stone, Avenue C and Second Street, East Village, thestonenyc.com; $10. (Chinen)20090402

SACO YASUMA’S YOIN’ — UNIT OF SEVEN (Wednesday) Ms. Yasuma, a saxophonist and composer, combines the folk melodies of her native Japan with elements of African music and the protocols of avant-garde jazz. Her ensemble includes the violist Jason Kao Hwang, the trombonist Steve Swell and the bassist Ken Filiano, as well as the flutist and taiko drummer Kaoru Watanabe. At 8:30 p.m., Roulette, 20 Greene Street, between Canal and Grand Streets, SoHo, (212) 219-8242, roulette.org; $15; $10 for students and under 30; free for members. (Chinen)

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S.E.M. Ensemble in May

New York’s S.E.M. Ensemble has announced a show:

The Orchestra of the S.E.M Ensemble, FLUX Quartet and Ostravská banda join forces at Alice Tully Hall, May 6 at 8pm

Premieres by Christian Wolff, Salvatore Sciarrino and Petr Kotik

Works by Elliott Carter and György Ligeti

Featuring Belgian pianist Daan Vandewalle and Czech violinist Hana Kotková in their Alice Tully Hall debuts
New York, NY, March 24, 2009 – The Orchestra of the S.E.M. Ensemble, founded and directed by Petr Kotik, joins forces with the FLUX Quartet and the international chamber orchestra Ostravská banda for an evening of adventurous music at the newly re-opened Alice Tully Hall, Wednesday, May 6th, 2009. Featured works include three new pieces by self-taught composers: the premiere of Christian Wolff’s Trio for Robert Ashley (2009), performed by members of the Flux Quartet; the American premiere of Sicilian-born composer Salvatore Sciarrino’s Vento D’ombra (2005), performed by The Orchestra of the S.E.M. Ensemble; and the premiere of Petr Kotik’s String Quartet No. 1, Erinnerungen an Jan (2007-09), performed by the Flux Quartet. The program also features renowned Belgian pianist Daan Vandewalle in Elliott Carter’s Dialogues for Piano and Orchestra (2003), and award-winning Czech violinist Hana Kotková in György Ligeti’s Concerto for Violin and Orchestra (1990-92) – both making their debuts at Alice Tully Hall. Petr Kotik conducts The Orchestra of the S.E.M. Ensemble as well as Ostravská banda.

The second half of the program will highlight Ostravská banda (OB) in its second NY appearance. A unique international chamber orchestra comprised of some of the best young musicians from Europe and the United States, OB was founded in 2005 as the orchestra-in-residence of the acclaimed new music institute and festival, Ostrava Days (www. newmusicostrava.cz), in Ostrava, Czech Republic. Pianist, Vandewalle, who garnered an international reputation for his remarkable interpretation of contemporary American piano repertoire – “putting many American classical musicians to shame” (American Record Guide) – will be the soloist in Elliott Carter’s Dialogues for Piano and Orchestra.

The concert will culminate with György Ligeti’s highly innovative and incredibly virtuosic Concerto for Violin and Orchestra, performed by Kotková. A frequent soloist with major European orchestras and a former member of the Smetana Trio, Kotková has been hailed by critics as continuing the great Czech violin tradition. Described as “folksong for the homeless” (Paul Griffiths), Ligeti’s Concerto for Violin and Orchestra contains a wealth of melodies from Carpathian and the South Eastern part of Europe, Ligeti’s ancestral home. Raised in this part of the world and having played folk music with her family since the age of four, Kotková is a uniquely apt interpreter of Ligeti’s Concerto.

WHEN: Wednesday, May 6, 2009 at 8:00pm

WHERE: Alice Tully Hall at Lincoln Center, 1941 Broadway at 65th Street, New York

WHO: The Orchestra of the S.E.M. Ensemble
FLUX Quartet
Ostravská banda
Hana Kotková Violin
Daan Vandewalle, Piano
Petr Kotik, Conductor

PROGRAM:
Christian Wolff: Trio for Robert Ashley (premiere)
Salvatore Sciarrino: Vento D’ombra (American premiere)
Petr Kotik: String Quartet No.1 Erinnerungen an Jan (premiere)
Elliott Carter: Dialogues for Piano and Orchestra
György Ligeti: Concerto for Violin and Orchestra

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Monday Evening Concerts: For Galina Ustvolskaya

Coming April 13 from LA’s Monday Evening Concerts

Galina Ustvolskaya Symphony No. 5 L.A. premiere
Klaus Lang the whitebearded man. the six frogs. World premiere
Galina Ustvolskaya Piano Sonata No. 4
Galina Ustvolskaya Piano Sonata No. 6
Pierluigi Billone Mani. MATTA World premiere
Galina Ustvolskaya Composition No. 2 “Dies Irae” L.A. premiere

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Earshot Jazz Preview

From the Seattle Times:

Its Spring Series 2009, which puts together prominent, avant-garde, European and American musicians, begins tonight with a performance at the Seattle Asian Art Museum by the Dutch saxophonist Ab Baars and his trio. Joining him will be Chicago saxophonist Ken Vandermark, known for his intricate compositions and multilayered improvisation.

The saxophone-dominated series continues Sunday night with a performance at the Triple Door by American alto saxophonist Steve Coleman and his group Five Elements (see accompanying story).

The final two concerts come at the end of the month: German saxophonist Peter Brotzmann and his trio will play April 28 with Americans Eric Revis (Branford Marsalis’ longtime bass player) and drummer Nasheet Waits. Then Norwegian saxophonist Mats Gustafsson and his trio The Thing will perform at Cornish College of the Arts on April 30.

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