This Week’s Best Albums from ALARM Magazine

In ALARM Magazine:

Bob Log III: My Shit is Perfect (Birdman)

For 15 years, Bob Log III has knocked out fucked-up, floor-stomping rhythms for adventurous show-goers, performing in full-body cannonball suits with a telephone-receiver mic fastened to a motorcycle helmet. His one-man-band MO consists of crazy blues riffs, drum-machine beats, solo kick-drum rhythms, and steel-stringed slide guitar. True to form, My Shit is Perfect is quintessential Bob Log with elements of stop-start timing, lighting-fast picking, and mostly incomprehensible lyrics.

Gouseion: More Friends for the Fire EP (Run Riot)

Electronic producer Cassidy DeMarco returns with another release as Gouseion, purveyor of buzz-saw synthesizers and big beats. For this EP, DeMarco stresses backing harmonies and scales back the power of his drum samples, resulting in a dancier mix whose appeal reaches beyond raves. Released less than six months after his last full album, Nijikon, this EP is a digital-only release.

Bushman’s Revenge: You Lost Me at Hello (Rune Grammofon)

Led by the down-tuned riffs of Even Helte Hermansen, the guitarist for the outstanding Norwegian prog-jazz group Shining, Bushman’s Revenge filters a heavy rock trio through the lens of an improvisational jazz outfit. The group cites inspiration as much from Black Sabbath and Jimi Hendrix as Ornette Coleman and Albert Ayler, and You Lost Me at Hello oddly sounds a bit like all of it, even if it leans on the first two. Boundless free jazz meets structured rock and roll on the album, which comes recommended for fans of both styles.

Pulling Teeth: Paradise Illusions / Paranoid Delusions (Deathwish Inc.)

Punching in at five songs and 23 minutes, this doubly themed release takes hardcore group Pulling Teeth in a crushing and despairing direction. The group’s full-throttle tempos, speed picking, push beats, and wailing solos are still present, but the final product is a more-complete, ominous concoction that adds a few melodic breakdowns.

Rahim AlHaj: Ancient Sounds (UR Music)

Iraqi political refugee Rahim AlHaj found asylum in the USA in 2000, finally free of the torture and imprisonment that he suffered at the hands of Saddam Hussein for aligning himself with anti-Hussein groups. A master of the oud, AlHaj now lives in New Mexico, where he was able to vote last November for the first time in his entire life. His beautiful Arabic style, full of microtones and complex rhythms, has taken small elements of Western structure over the years, although this duet recording with sarod master Ustad Amjad Ali Khan is rather traditional.

Stinking Lizaveta: Sacrifice and Bliss (At a Loss)

Splashing together prog rock, math rock, stoner/psych rock, and bits of Eastern flavor, Stinking Lizaveta accomplishes quite a bit for having a semi-standard rock-trio lineup. Guitarist Yanni Papadopoulos shines with his technical and diverse creations, and he adds keyboards and theremin as sonic supplements. Sacrifice and Bliss comes strongly recommended for instrumental-tech-rock geeks.

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Musique Machine Reviews

From Musique Machine:

La Ira de Dios – Cosmos Kaos Destruction
La Ira de Dios are a Peruvian band with a penchant for some of the heaviest, most punked out space rock to come down the pike in recent memory. The band is known for their extended jams, but Cosmos Kaos Destruction changes direction, opting for a shorter, more concise tunes. I could lazily refer to their music as “stoner rock” because of some similarities to forebears from Hawkwind to early Monster Magnet, but that wouldn’t be giving the band their just due.

Brad Barr – The Fall Apartment: Instrumental Guitar
Brad Barr is best known as the guitarist and vocalist for the the Slip, who began as a jam band, and later transformed into an indie rock band. The Fall Apartment: Instrumental Guitar presents a different side of Barr to folks accustomed to his electric guitar riffing. The fact that this is on the highly esteemed Tompkins Square label gives you a hint that this is an acoustic guitar album, since that is what they deal in pretty much exclusively. And considering the breadth of different musicians on the label, there’s a consistence quality-wise which sits well above the bar.

Novi-Sad – Jailbirds
Jailbirds is the third album by Greek bourn sound artist and mood setter Thanasis Kaproulias & it that finds him offering up two lengthy- but utterly engrossing tracks that mix together field recordings, drone matter and emotional charged noise texturing.

Kylie Minoise – Live In Japan
Live in Japan finds a mixture of tracks that take in Kylie Minoise heady and creative live noise attack and quirky Japanese TV / field recordings cut-ups giving one the feeling of a noise tour travelogue really.

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All About Jazz Reviews

Steve Beresford
Image via Wikipedia

From All About Jazz:

01-Apr-09 Tuner
MUUT (Unsung Records)
Reviewed by John Kelman

30-Mar-09 The Thirteenth Assembly
(un)sentimental (Important Music)
Reviewed by Troy Collins

30-Mar-09 Flow Trio
Rejuvenation (ESP Disk)
Reviewed by Jerry D’Souza

29-Mar-09 Michel Edelin Trio
Kuntu (Rogue Art)
Reviewed by John Sharpe

28-Mar-09 Okkyung Lee / Peter Evans / Steve Beresford
Check for Monsters (Emanem)
Reviewed by John Eyles

28-Mar-09 Han Bennink / Michiel Borstlap / Ernst Glerum
Monk (Gramercy Park Music)
Reviewed by Mark Corroto

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Daniel Higgs/The Naked Future/Bill Nace/Powernap in Portland

From Portland Eye and Ear Control:

FRIDAY APRIL 10TH 2009
DANIEL HIGGS | THE NAKED FUTURE | BILL NACE | POWERNAP
Artistery: 4315 SE Division St, Portland, OR 97206
EARLY SHOW!
7:30pm
$6

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Nathan Davis & Cristina Valdes in Seattle

From Wayward Music:

8:00 PM; $5 – $15 sliding scale donation at the door.

Nathan Davis and Cristina Valdes – music for percussion, piano, and electronics

Critically acclaimed composer and percussionist Nathan Davis makes music inspired by natural processes, acoustic phenomena, and the abstraction of simple stories. Tonight he plays his solos for triangles, river stones, and amplified laptop – probed with microphones and exaggerated with live electronic processing. Pianist Cristina Valdes (Seattle) performs the world premiere of CuoRE, a solo piano piece written for her by Seattle composer Donald Stewart. Together they play duos including the US premiere Orlando Garcia’s September 2007 (Remembering Morty), a memorial to Morton Feldman.

Nathan Davis (NYC) makes music as a composer and percussionist. He has received commissions from the International Contemporary Ensemble (ICE), the Meehan/Perkins Duo, Ethos Percussion Group, the Jerome Foundation, Concert Artists Guild, and received awards from ASCAP, Meet the Composer, the Look and Listen Festival, and the ISCM. His music has been performed in the U.S., Canada, Cuba, Europe, Finland, and China, in Carnegie Hall, Merkin Hall, Symphony Space, Roulette, The Stone, LPR, and many others. Several of his electroacoustic percussion pieces are available on a solo cd, Memory Spaces, and his acoustic music is published by Frog Peak. As a percussionist, Nathan is a member of ICE and plays original and commissioned works with cellist Ha-Yang Kim in the duo Odd Appetite, touring as far as Russia, Bali, and Turkey, and appearing closer to home as a soloist at Carnegie Hall and at the Bang on a Can Marathon. He has worked with Evan Ziporyn, Lee Hyla, Louis Andriessen, and Christian Wolff, premiering their music, and has recorded for Tzadik, New Albion, Bridge, Cold Blue records.

Cristina Valdes has performed across four continents and in a multitude of venues including Lincoln Center, Carnegie Recital Hall and the Kennedy Center. As an advocate of new music she has collaborated with and premiered the works of countless composers. Her festival performances include the Singapore Arts Festival, the Foro Internacional de Musica Nueva in Mexico City, the New Music in Miami Festival, and the Festival of Contemporary Music in El Salvador among others. She has also performed with the Bang on a Can “All Stars”, Musicians Accord and the Parsons Dance Company. Cristina holds degrees from the New England Conservatory and SUNY at Stony Brook, and is the recipient of an Arts International Grant, the Thayer Award for the Arts, and an Yvar Mikhashoff Trust for New Music grant.

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Contemporary Noise Sextet

The Contemporary Noise Sextet has been getting a lot of play recently here at AMN central. Aside from their recording and playing modern European-styled free jazz, we don’t know much about them. Nonetheless, check them out for a good listen.

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