Sonic Circuits April 4 Free-Improv Show

From DC’s Sonic Circuits:

Saturday April 4, 2009
doors: 8:00pm
music: 8:30pm SHARP
$7!

PYRAMID ATLANTIC
8230 Georgia Avenue, Silver Spring MD 20910
301.608.9101
located three blocks south of the silver spring metro station (red line)
Free parking in gated lot out front
INFO: www.dc-soniccircuits.org
DIRECTIONS: www.pyramidatlanticartcenter.org

Michael Thomas Jackson has been creating and recording music since 1985. He has been involved in fully notated composition, free improvisation, avant rock, concrete and electronic music, performance art and everything in between. He has worked with tape, found objects, analogue synthesizers, prepared guitars, various percussion, all manner of sound processing, electronic feedback systems, turntables, voice and extended techniques on the clarinet. Michael has played as, in, or with many fine projects and people including Eugene Chadbourne, Rompecabeza, Spool Ensemble, Viktimized Karcass, Alien Planetscapes, Choptsicks, Cobra Clutch, Cephalic Index, The George Steeltoe Ensemble, Brian Osborne, Chris Phinney, Martin Klapper, Rafael Flores, Isolation, Flutter, Jerry’s Finger, Truncheonette, Projexorcism, Skoweyajeed, Katsu Itakura, Carl Howard, Bruce Eisenbeil, Quien Es, Thomas Dimuzio, Dave Fox, David Prescott, Pat Lawrence, Ian Davis, Scotty Irving, New Loft, Zan Hoffman, Hal McGee and O.N.E. Michael is currently active performing, recording and releasing music through the Primecuts Recordings imprint, raising a daughter and being poor.

http://www.microearth.com/jackson/

Layne Garrett, is a member of The Cutest Puppy in the World, proprietor of The Lighthouse, and master improviser, guitar picker, and musical carpenter.

http://www.questionthetruth.com

Vector Trio is a project designed to explore freedom and possibility in three voices, contextualized by cultural disharmony. Vector Trio began life in 1996 as Vector, an improvisational avant-garde funk septet. In 2002 Vector became Vector Trio. The musicians began making use of electronics, including looping devices and effects processors, to expand the possibilities of the trio. Their work to date is showcased in their all-original CDs–Plot Twist (2004), Live in DC (2005), Paths Unknown (2006), and Nomina (2009). By 2009 Vector Trio’s sound had mutated into a noisy dark electronic mélange of loops, corroded trumpet lines, bowed cello cacophony and a dense mix of percussive mayhem.

scott forrey – trumpet, loops, electronics, metal things
gary rouzer – NS bass cello, loops, electronics, found objects
marshall hughey – drums, handsonic, landscape percussion

www.vectortrio.com
www.myspace.com/vectortrio

Recognized as a incredibly creative and innovative guitarists and improviser, Michelle Webb is a electrifying and original guitarist. A restless collaborator who constantly seeks the most diverse and personally challenging contexts for her music, Webb not only produces and contributes to a large number of recorded projects, she performs frequently throughout the USA with several regular groupings as well as solo guitar concerts and concerts of freely improvised music with a host of diverse instrumentalists. Michelle Webb has helped unfetter the guitar from the conventions of genre-bound techniques, but her instrumental virtuosity is always deployed in the service of deep and immediate personal expression. Likewise, she has developed a highly individual style from an uncommonly varied range of influences that include traditional blues, East Asian, Classical North Indian and Turkish music, free jazz, free improvisation, American steel-string guitar, rock, jazz fusion and 20th century classical. Webb has built an ever-mounting reputation as a very talented musician and composer. Solo CD releases under Michelle Webb’s name include: Dotsavant,(2000) Screams from the Ceiling,(2000) Prepaired Guitar Works (1997), Michelle Webb Live (2005) and Figures at the base of a Crucifixion (2006). She composed music for the film Hospice and screen play Vincent directed by Ken Forestal and Silent Movie directed by Michael Torrez.

http://www.myspace.com/michellewebbmusic

Janel & Anthony & Violet trio return once again to coax spontaneous music out of their instruments of cello, guitar, junk, and loads of effects pedals.
www.myspace.com/janelandanthony
zeromoon.com/violet

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DMG Newsletter March 27th, 2009

Der Saxophonist Joe McPhee beim Konzert mit de...
Image via Wikipedia

From DMG:

Henry Kaiser/Damon Smith/Weasel Walter go up in FLAMES Cline/Poole/McCauley Acoustic Guitar Trio Mary Halvorson & Jessica Pavone Corey Wilkes’ Abstrakt Pulse Charles Tolliver Big Band Zu Rob Mazurek Qnt Hanuman Sextet

Brotzmann/Hano Joe Mcphee 2CD set Secret Chiefs 3 DVD Kazutoki Umezu Tom Hamilton/Bruce Eisenbeil Gratkowski’s Zeitkratzer 3CD Box Charlie Kohlhase Garth Knox Arthur Russell’s Sleeping Bag sides

Our 2nd Free Instore show

Sunday, March 29th at 7pm:

FRANK GRATKOWSKI & THOMAS HEBERER
Frank on alto sax & clarinets and Thomas on trumpet
Two European Horn Giants in a rare, intimate, duo setting
WOW

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Taylor Ho Bynum/Tomas Fujiwara Duo Live on WFMU

From Improvised Communications, a recording of this live duo performance is available on WFMU’s site.

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All About Jazz Reviews

From All About Jazz:

28-Mar-09 Okkyung Lee / Peter Evans / Steve Beresford
Check for Monsters (Emanem)
Reviewed by John Eyles

28-Mar-09 Han Bennink / Michiel Borstlap / Ernst Glerum
Monk (Gramercy Park Music)
Reviewed by Mark Corroto

27-Mar-09 Mary Halvorson & Jessica Pavone
Thin Air (Thirsty Ear Recordings)
Reviewed by Farrell Lowe

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Lampo Spring Schedule

Upcoming shows from Chicago’s Lampo:

LAMPO SPRING 2009

NICOLAS COLLINS AND
HANS W. KOCH
APRIL 11

MARCUS SCHMICKLER AND
PETER REHBERG
MAY 9

C. SPENCER YEH AND
MICHAEL JOHNSEN
MAY 23

MARK BEASLEY, JAKE ELLIOTT, JON SATROM,
JON CATES, NICOLAS O’BRIEN, TAMAS KEMENCZY
AND ALEX INGLIZIAN
JUNE 6

Dusted Reviews

Image of Nate Wooley from Facebook
Image of Nate Wooley

From Dusted:

Artist: Nate Wooley / Fred Lonberg-Holm / Jason Roebke
Album: Throw Down Your Hammer and Sing
Label: Porter
Review date: Mar. 26, 2009

Artist: Flower-Corsano Duo
Album: The Four Aims
Label: VHF
Review date: Mar. 26, 2009

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Jazz Listings From The New York Times

In the Times:

ERIK FRIEDLANDER’S BROKEN ARM TRIO (Friday) “Broken Arm Trio” (Skipstone), the most recent album by the cellist Erik Friedlander, trafficks in a boppish cadence suitable for nimble fingerpicking. Along with his trio partners — the bassist Trevor Dunn and the drummer Mike Sarin, both aboard here — Mr. Friedlander manages to create an effervescent small-group jazz, shot through with wit and soul. At 8 p.m., Barbès, 376 Ninth Street, at Sixth Avenue, Park Slope, Brooklyn, (347) 422-0248, barbesbrooklyn.com; cover, $10.20090326

HENRY GRIMES AND MARC RIBOT (Friday) Mr. Grimes, a bassist and long-lost titan of the avant-garde, has jibed well in the past with Mr. Ribot, a vagabond poet on the guitar — but most often in group settings. Here they pare down to a conversational exchange, which just might be the best way to expose their rapport. At 7 p.m., Rubin Museum of Art, 150 West 17th Street, Chelsea, (212) 620-5000, rmanyc.org; $20. (Chinen)20090326

RHYTHM IN THE KITCHEN MUSIC FESTIVAL (Thursday) The fourth annual edition of this avant-garde festival, presented by the Hell’s Kitchen Cultural Center, kicks off with an exploratory trio led by the guitarist Amanda Monaco (at 8 p.m.); a set by the collective quartet known as Little Women (at 9); and a duet by the multireedist Joe McPhee and the guitarist Bern Nix, both prominent figures in the avant-garde (at 10). (Through April 4.) At Church for All Nations, 417 West 57th Street, Clinton, (212) 333-5583, hkculturalcenter.org; $15; $35 for a full festival pass. (Chinen)20090326

BRAD SHEPIK GROUP (Saturday) “Human Activity Suite” (Songlines), the absorbingly eclectic new album by the guitarist Brad Shepik, harnesses folk traditions from across the world to make a light-handed statement about global warming. Reconvening the album’s excellent cast here, he connects with Ralph Alessi on trumpet; Gary Versace on piano, organ and accordion; Drew Gress on bass; and Tom Rainey on drums. At 9 and 10:30 p.m., Cornelia Street Café, 29 Cornelia Street, West Village, (212) 989-9319, corneliastreetcafe.com; cover, $10, with a one-drink minimum. (Chinen)20090326

CECIL TAYLOR SPEAKS VOLUMES (Saturday) At 80, Mr. Taylor is an elder statesman by any measure, and his music has continued to bedazzle, growing more luminous but no less rigorous in recent years. His solo recitals — whorls of inimitable pianism, notated as well as freely improvised — are legendary. For this one, part of the Musically Speaking series at Merkin Concert Hall, he will also engage in discourse about his music. (That’s the idea, anyway.) At 8 p.m. Merkin Concert Hall, 129 West 67th Street, Manhattan, (212) 501-3330, kaufman-center.org; $25; $20 for members. (Chinen)

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AMN Podcast: Misantropolis – Pimentola

Bang on a Can Marathon in DC Area

From Black Plastic Bag:

For the past few years, the annual Bang on a Can Marathon in New York City has had my mouth watering, juxtaposing performances of fascinating and often under-performed avant-garde classical music with shows by cutting-edge popular music performers (and generally blurring the line between these two categories). Last year’s festival, for instance, featured compositions by Harrison Birtwistle and Terry Riley alongside performances by Marnie Stern and Dan Deacon.

This Sunday, the D.C. area is in for a treat as a scaled-down version of the festival occupies the University of Maryland’s Clarice Smith Performing Arts Center for an afternoon and evening (from 2pm until about 9pm). A free performance of Brian Eno’s famed Music For Airports is among the attractions, along with performances of compositions by Wilco drummer Glenn Kotche (some of which D.C. concertgoers may have seen when Kotche performed a solo set at the Black Cat back in 2006). A lengthy Terry Riley piece, with Riley himself on vocals and piano, closes out the event.

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Firehouse 12, One-Stop Jazz Hub, Prospers in New Haven

The Times raves about Firehouse 12:

JULIAN LAGE, a fastidious young guitarist, waited for the applause to subside before bantering with his audience at Firehouse 12 last Friday night. He and his band were playing songs from “Sounding Point” (Emarcy), his brand-new debut; the next piece, he said, had to do with exploring sound in a physical space, responding to the feeling of a room. And, he added, “there’s really no better room than Firehouse 12.”

That comment didn’t come across as ingratiating, because Mr. Lage seemed genuinely impressed. He isn’t alone: since opening four years ago Firehouse 12, a stylishly repurposed 1905 firehouse in the Ninth Square neighborhood here, has earned a reputation as the pre-eminent spot for improvised music in the region. It has also won acclaim as a state-of-the-art recording studio and for housing a record label with a focus on artists more aggressively experimental than Mr. Lage. On the whole the operation, which includes a separate bar downstairs, suggests a model of sustainable activity for a field as transparently noncommercial as avant-garde jazz.

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