Jazz Listings From The New York Times

In the Times:

MARILYN CRISPELL (Saturday) Ms. Crispell, a pianist equally celebrated for aggressive atonality and delicate lyricism, plays the early set here (8 p.m.) as a solo recital. In the later set (at 10), she works with Michelle Makarski, a violinist, and Lukas Ligeti, a drummer and composer (and this month’s programmer at the Stone). At the Stone, Avenue C and Second Street, East Village, New York, thestonenyc.com; $20 per set.

MARY HALVORSON AND JESSICA PAVONE (Wednesday) Ms. Halvorson plays acoustic guitar in this duo, and Ms. Pavone plays viola. On their new album, “Thin Air” (Thirsty Ear), they continue their experiments with spindly melodies and confrontational harmonies, playing and singing in a way that suggests intimacy without comfort. At 7 p.m., Barbès, 376 Ninth Street, at Sixth Avenue, Park Slope, Brooklyn, (718) 965-9177, barbesbrooklyn.com; suggested donation, $10.

MARY HALVORSON TRIO (Saturday) Last year the guitarist Mary Halvorson released “Dragon’s Head” (Firehouse 12), a brambly but engaging debut featuring her own compositions for a trio with the bassist John Hebert and the drummer Ches Smith. Ms. Halvorson will draw again from that material here, with Mr. Hebert and another responsive drummer, Tomas Fujiwara. Also on the bill: a collective quartet composed of the guitarist Chris Forsyth, the multireedist Chris Heenan, the sound collagist Aki Onda and the trumpeter Nate Wooley. At 8 p.m., Abrons Arts Center, 466 Grand Street, at Pitt Street, Lower East Side, (212) 598-0400, henrystreet.org/arts; $10.

JOHN HOLLENBECK’S CLAUDIA QUINTET (Friday and Saturday) This improvising chamber ensemble pursues texturally oriented and often contrapuntal exploration; Mr. Hollenbeck’s drumming is one color on a palette that also includes Chris Speed’s clarinet and tenor saxophone, Ted Reichman’s accordion, Drew Gress’s bass and Matt Moran’s vibraphone. At 9 and 10:30 p.m., Cornelia Street Café, 29 Cornelia Street, Greenwich Village, (212) 989-9319, corneliastreetcafe.com.; cover, $10, with a one-drink minimum.

ETHAN IVERSON TRIO (Monday and Tuesday) Ethan Iverson, the pianist probably best known as one-third of the Bad Plus, digs in with a different trio here, and more of a standard repertory. His partners are the drummer Albert (Tootie) Heath, a bebop veteran, and the bassist Ben Street, a versatile peer. At 9 and 10:30 p.m., Smalls, 183 West 10th Street, West Village, (212) 252-5091, smallsjazzclub.com; cover, $20.

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AMN Podcast: Nate Wooley, Fred Lonberg-Holm , Jason Roebke – Throw Down Your Hammer and Sing

DOWNTOWNMUSIC.NET Photos

Ingrid Laubrock
Image via Wikipedia

From DOWNTOWNMUSIC.NET:

March 18, 2009
Laubrock-Halvorson-Rainey, Barbes
Mary Halvorson, Ingrid Laubrock, Tom Rainey

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AUM Fidelity To Release New CD From The Fully Celebrated May 26th

From Improvised Communications:

On May 26th, AUM Fidelity will release The Fully Celebrated’s seventh recording, and label debut, Drunk on the Blood of the Holy Ones (AUM054).

Led by saxophonist Jim Hobbs, and formerly known as The Fully Celebrated Orchestra, the group has been a fixture on Boston’s jazz scene for more than two decades. For its first release in four years, the founding line-up of Hobbs, bassist Timo Shanko and drummer Django Carranza returned to the studio to document eight new quintessentially eclectic compositions.

CD release concerts are scheduled for May 28th at Barbès in Brooklyn, New York and May 29th at Ryles Jazz Club in Cambridge, Massachusetts.

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Social Media & Online Marketing For Musicians

From Ariel Publicity, an interview that encourages musicians to use social media to their advantage. May be of interest to the musicians out there…

Why is it important that artists participate in social media?

At the very least, learning how to participate in social media will give artists a chance to take advantage of new online tools, which may actually enhance their current projects. Singles, videos and tourdates can be released via new outlets, fans (new and old) will have a new method of communication with artists, and artists will have a new set of tools by which to market their craft. In the face of both an unstable music economy and the evolution of the new music economy

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Musique Machine Reviews

From Musique Machine:

Luasa Raelon – The House of Flesh
The House of Flesh once more finds David Reed & his Luasa Raelon project pulling the listener into sinister & dread filled continents of sonic fear. With maybe things going a little more noisy then his last release on Snip Snip records 07′s Season of the Witch; but this is still prime death industrial meets blacked ambience of the highest and most horrifying order.

Cut Iowa Network – Projector Gunship Held {Ø}
On two 180 grams slabs of vinyl, in a limited edition of 250, comes the first part of a trilogy. The bandname doesn’t give away much about the sound of this British threepiece. With the album’s title your thoughts tend to go in the direction of something sci-fi.

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