All About Jazz Reviews

From All About Jazz:

20-Feb-09 Valerio Cosi / Enzo Franchini
Conference Of The Aquarians (Last Visible Dog)
Reviewed by Mark Corroto

20-Feb-09 Multiple Artists
Yoshie Fruchter / The Klez Dispensers / Rebecca Teplow: Third Generation Klezmer
Reviewed by Eyal Hareuveni

20-Feb-09 Brad Shepik
Human Activity Suite (Songlines Recordings)
Reviewed by Martin Gladu

19-Feb-09 Steve Swell’s Rivers of Sound Ensemble
News from the Mystic Auricle (Not Two Records)
Reviewed by Jeff Stockton

Reblog this post [with Zemanta]

Jazz Listings From The New York Times

In the Times:

DAVE BURRELL WITH BILLY MARTIN (Friday) As he did a few years ago, for an album called “Consequences” (Amulet), the venerable avant-garde pianist and composer Dave Burrell engages in expansive duologue with Mr. Martin, the drummer best known as the second surname in Medeski Martin & Wood. At 7 p.m., Whitney Museum of American Art, (212) 570-3600, whitney.org; free with pay-what-you-wish museum admission. 20090219

TAYLOR HO BYNUM TRIO (Thursday) The cornetist Taylor Ho Bynum excels with improvisational miniatures, a form he seems likely to explore in this trio with the bassist John Hebert and the drummer Gerald Cleaver. At 9 and 10:30 p.m., Tea Lounge, 837 Union Street, near Sixth Avenue, Park Slope, Brooklyn, (718) 789-2762, tealoungeny.com; suggested donation, $5. 20090219

DUAL IDENTITY (Thursday) The alto saxophonists Rudresh Mahanthappa and Steve Lehman travel roughly the same orbit in jazz’s progressive solar system. And as the name of this quintet implies, their aesthetic kinship runs deep. At 9 and 10:30 p.m., Jazz Gallery, 290 Hudson Street, at Spring Street, South Village, (212) 242-1063, jazzgallery.org; cover, $15. 20090219

ENSEMBLE HELACIOUS (Friday) This exploratory trio consists of three shrewd and committed improvisers: the multireedist J. D. Parran, the trombonist Peter Zummo and the vibraphonist and drummer Kevin Norton. At 8:30 p.m., Roulette, 20 Greene Street, at Grand Street, SoHo, (212) 219-8242, roulette.org; $15 at the door; $10 for students, 30 and under, and 65+. 20090219

FREESTYLE MUSIC SERIES (Wednesday) This avant-garde concert series has settled for the moment at Cake Shop, one night a month. Next week the lineup includes the Exposed Blues Duo, with Fay Victor on vocals and Anders Nilsson on guitar (at 8:30 p.m.); the French Exit, a trio with roots in indie rock (at 10); Radio I-Ching, a free-improvising collective that includes the series organizer, Dee Pop, on percussion (at 9:15); and a group led by the alto saxophonist Peter Robbins (at 11). 152 Ludlow Street, between Stanton and Rivington Streets, Lower East Side, (212) 253-0036, cake-shop.com; $8. 20090219

DREW GRESS’S 7 BLACK BUTTERFLIES (Friday) On his most recent album, “The Irrational Numbers” (Premonition), the bassist Drew Gress pursues a disciplined brand of abstraction with this band, featuring the trumpeter Ralph Alessi, the alto saxophonist Tim Berne, the keyboardist Craig Taborn and the drummer Tom Rainey. At 9 and 10:30 p.m., Jazz Gallery, 290 Hudson Street, at Spring Street, South Village, (212) 242-1063, jazzgallery.org; cover, $15. 20090219

KEVIN TKACZ’S LETHAL OBJECTION (Tuesday) The bassist Kevin Tkacz (pronounced tax) features his own compositions in this adventurous new ensemble, with Ingrid Laubrock on saxophones, Angelica Sanchez on piano and Michael Sarin on drums. At 7 p.m., Barbès, 376 Ninth Street, at Sixth Avenue, Park Slope, Brooklyn, (347) 422-0248, barbesbrooklyn.com; cover, $10. 20090219

VISION COLLABORATION NIGHTS (Friday and Saturday) For one of the Vision Festival’s perennial off-season satellite series, dancers and musicians combine forces in improvisation. Among the likely highlights are two performances by the multi-instrumentalist Cooper-Moore: in a duo with the trombonist Willie Applewhite (Friday) and in a quintet with the saxophonists Charles Gayle and Tony Malaby, the bassist William Parker and the drummer Nasheet Waits (Saturday). At 7:30 p.m., Living Theater, 21 Clinton Street, Lower East Side, (212) 254-5420, livingtheatre.org; $15 in advance, $20 at the door, $15 students and 65+.

Reblog this post [with Zemanta]

DOWNTOWNMUSIC.NET Photos

Ingrid Laubrock
Image via Wikipedia

From DOWNTOWNMUSIC.NET:

February 18, 2009
Laubrock-Halvorson-Rainey, Issue Project Room
Mary Halvorson, Ingrid Laubrock, Tom Rainey

February 17, 2009
Giuseppi Logan Band, Bowery Poetry Club
Steve Dalachinsky, Francois Grillot, Matt Lavelle, Giuseppi Logan, Warren Smith
Solo, Bowery Poetry Club
Gunter Hampel

Reblog this post [with Zemanta]

Debut CD From Darcy James Argue’s Secret Society Coming May 12th

From Improvised Communications:

On May 12th, New Amsterdam Records will release Infernal Machines (NWAM017), the debut studio recording by New York’s acclaimed 18-piece steampunk big band, Darcy James Argue’s Secret Society. The New York CD release party is planned for early May to be followed by tentative tour dates around the Northeast in late May and early June. The group will also perform on May 31st at Germany’s legendary Moers Festival.

Reblog this post [with Zemanta]

Jane Rigler + Anne La Berge at Diapason

From New York’s Diapason:

Jane Rigler + Anne La Berge
w/ flutes, electronics + video

Monday, March 2
8PM
$8

882 Third Avenue, between 32nd and 33rd Streets
BROOKLYN (Sunset Park)
10th floor
info: 718-499-5070
www.diapasongallery.org

N, D or R to 36th Street
Bus: 35, 37, 63, 70

Jane Rigler + Anne La Berge

Jane Rigler and Anne La Berge combine their poetic and virtuosic forces for an evening of composed and improvised music. These two musicians left the classical flock early on in their lives and have since dedicated their careers to exploring what they can do by blowing, sucking and singing through various long hollow cylinders. After years as devoted colleagues they will finally have the chance to share a stage together.

Jane Rigler’s compositions range from simple solo acoustic pieces inspired by language to complex interactive electronic works that pay homage to painting, poetry and dance. Music from various parts of the world, ancient musical techniques and movement have been the driving, inspirational forces in her works. Lately, she has been studying ancient and new artistic forms from Japan, from Buddhist chants to Butoh dance. Her most recent interactive pieces dive into complex forms of relationships, and interweaves movement and spatialization.

http://www.janerigler.com/

Anne La Berge’s career as flutist/improviser/composer stretches across stylistic boundaries. Her performances bring together the elements on which her reputation is based: a ferocious and far-reaching virtuosity, a penchant for improvising delicately spun microtonal textures and melodies, her wholly unique array of powerfully percussive flute effects, all combined with cutting edge electronics. The last few years have seen a new addition to her work: text which slides seemlessly in and out of her compositions and improvisations. She is known for her innovative collaborations ranging from chamber music to electro-improvisations.

http://www.annelaberge.nl/

Reblog this post [with Zemanta]

AMN Podcast: Nels Cline – Coward