EQlateral Ensemble in Seattle

From the Wayward Music Series

Immerse yourself in the aural alchemy of EQlateral! Featuring sublime to frenetic strings, ethereal voxings and hypnotic rhythms enhanced by experimental/electronic soundings and of-the-moment inspiration. EQlateral’s dramatic soundscapes range from the sensual to the cosmic and back again. With John Ames (cello), Sebastian Lange (violin and laptop), Peter Toms (bass and ambient noise) and Susan Dumett (“vox vespertinus”), this unique ensemble of electro-classical musicians is not to be missed. Joining EQ is the incomparable video artistry of VJ Ephemeral.

January 31 at 8pm.

DMG Newsletter January 23rd, 2009

From DMG:

David S. Ware! Feldman/Caine/Cohen/Baron! Borah Bergman Trio. John Zorn! David S. Ware!, Matt Shipp Trio! Trio 3 Irene Schweizer! Okkyung/Evans/Beresford! Aki Takase & Rudi Mahall! King Crimson – Live in Italy!

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Stalker at RUCMA

From New York’s RUCMA:

Start: 02/04/2009 – 8:00pm
End: 02/04/2009 – 9:30pm
Timezone: Etc/GMT-4

James Keepnews’ Stalker
Wednesday, February 4 @ 8:00 pm
Yippie Café: 9 Bleecker Street, near Bowery
General Admission: $10
Students and Seniors: $7

James Keepnews, guitar
Todd Nicholson bass
Mike Golub drums

A guitar trio for the 21st century, Stalker draws on elements from free jazz, electro-acoustic improvisation, progressive rock and freakout improv, utilizing digital processing and real-time sampling to expand ensemble dynamics and orchestration to more than one breaking point. Original compositions and improvisations are featured along with pieces from the fire music tradition.

James Keepnews is a musician, writer and multimedia artist, often blurring each of these roles in his work. He has performed with dozens of bands and performing artists over the course of two decades, including Daniel Carter, George Lewis, Holland Hopson, Joe Giardullo, Linda Montano, Damian Catera and many others. He collaborated with pioneering interactive improviser — and Macarthur Foundation “genius grant” awardee — George Lewis on a software-based computer video sampler for Lewis’ performance, Following the Northstar Bugaloo.

Bassist and composer Todd Nicholson is a mainstay of the downtown New York hardjazz scene. He has performed with Billy Bang, Roy Campbell, Eddie Gale, Frank Lowe, William Parker, James Spaulding, and Steve Swell, among others. His work with the legendary violinist, Mr. Bang, is especially notable for its longevity: Nicholson has been a core member of Bang’s ensembles for the past seven years. Recent recorded appearances include “Long Hidden: The Olmec Series” by William Parker (AUM Fidelity), “First, Keep Quiet” by the Gauci Trio (CIMP Records), and a live recording by the Billy Bang Quintet entitled “Above and Beyond” (Justin Time).

Michael Golub is a drummer, guitarist, socialist, devoted husband and father of two very musical girls. He has composed music for the classic upstate ny ensemble, Kuru, who were briefly signed to Knitting Factory records, and for his current band, The Red Hook Project.

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All About Jazz Reviews

Rashied Ali
Image via Wikipedia

From All About Jazz:

27-Jan-09 Henry Grimes / Rashied Ali
Going To The Ritual (Porter Records)
Reviewed by Glenn Astarita

27-Jan-09 Jon Hassell
Jon Hassell: Last night the moon came dropping its clothes in the street (ECM Records)
Reviewed by John Kelman

27-Jan-09 Lars Horntveth
Kaleidoscopic (Smalltown Supersound)
Reviewed by John Kelman

27-Jan-09 Matthew Shipp
Harmonic Disorder (Thirsty Ear Recordings)
Reviewed by John Sharpe

26-Jan-09 Dave Douglas
Dave Douglas’ Fetish Busting Greenleaf Digital Music Experience (Greenleaf Music)
Reviewed by Mark Corroto

26-Jan-09 Flatlands Collective
Maatjes (Clean Feed Records)
Reviewed by Wilbur MacKenzie

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Free Jazz Blog Reviews

From Free Jazz:

Monday, January 26, 2009
Scott Tinkler & Simon Barker – Lost Thoughts (Kinmara, 2008) ****½

Sunday, January 25, 2009
John Butcher & Gerry Hemingway – Buffalo Pearl (Auricle Records, 2008) ****

Saturday, January 24, 2009
Buffalo Collision – Duck (Screwgun, 2008) *****

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Composers and Computers Work in Harmony at Georgia Tech

An article discusses Georgia Tech’s new computer music center.

A glove that helps you learn to play piano, a robotic marimba player that can jam with your band, a program to turn your cellphone into a portable music mixer, and an aquarium that musically accompanies the fish.

You are unlikely to encounter any of those devices at a typical music school or even an elite conservatory. But they all exist at the Georgia Institute of Technology, which opened the Center for Music Technology in November. There, composers, computer programmers, and engineers are collaborating on projects to change how performers and audiences use technology to make and experience music — and perhaps to give new music a greater attraction for classically oriented ears.

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New John Zorn Book Published

John Zorn (cropped version)
Image via Wikipedia

From Indiana University Press:

John Zorn is one of the most prolific and active American composers/performers working today. He has been a fixture of New York’s “Downtown Scene” since the mid-70s as a tireless proponent of avant-garde and experimental music. Despite the acclaim and respect he has achieved in America and abroad, very little attention has been paid to Zorn by musicologists or music theorists. Author John Brackett suggests that the reason for the relative paucity of writing on Zorn’s music and musical thought has to do with the difficulties and challenges they present both for listeners and scholars. Zorn’s musical language—an amalgam of seemingly incongruous techniques, sounds, styles, and genres—creates complex and sometimes confusing listening experiences that are difficult to categorize in terms of overarching thematic or narrative design. Brackett offers a number of perspectives for understanding Zorn’s music and musical practices, while challenging certain assumptions that limit the ways in which contemporary music is typically addressed.

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DOWNTOWNMUSIC.NET Photos

From DOWNTOWNMUSIC.NET:

January 18, 2009
Poing, Norges Musikkhgskole, Oslo
Frode Haltli, Rolf-Erik Nystrom, Hakon Thelin
MOE, Sjokoladefabrikken, Oslo
Ole Jorgen Bardal, Ivar Loe Bjornstad, Guro Skumsnes Moe, Borre Molstad, Havard Skaset

All Ears 2009 festival:

January 17, 2009
Bass Solo, Fabrikkhallen, Oslo
Ingebrigt Haker Flaten
Hegre-Gross, Fabrikkhallen, Oslo
Jean-Philippe Gross, John Hegre
Pain Jerk, Fabrikkhallen, Oslo
Kohei Gomi
Skull Defekts, Fabrikkhallen, Oslo
Joachim Nordwall, Henrik Rylander
Solo, Fabrikkhallen, Oslo
Stian Westerhus

January 16, 2009
Borbetomagus, Fabrikkhallen, Oslo
Don Dietrich, Donald Miller, Jim Sauter
Duch-Beresford-Kaasboll, Fabrikkhallen, Oslo
Steve Beresford, Michael Duch, Anita Kaasboll
Fetveit-Molstad-Skaset-Hegre, Fabrikkhallen, Oslo
Harald Fetveit, John Hegre, Borre Molstad, Havard Skaset
Solo, Fabrikkhallen, Oslo
Stine Janvin Motland

January 15, 2009
Lemur, Fabrikkhallen, Oslo
Michael Duch, Lene Grenager, Bjornar Habbestad, Hild Sofie Tafjord
Maranata, Fabrikkhallen, Oslo
Dag Stiberg, Jon Wesseltoft
Solo, Fabrikkhallen, Oslo
Steve Beresford
The Ex Guitars, Fabrikkhallen, Oslo
Andy Ex, Terrie Ex

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New Releases from Tzadik

Out on Tzadik:

Borah Bergman Trio
Luminescence

Feldman / Caine / Cohen / Baron
Secrets

Jamie Saft
Black Shabbis

Ori Dakari
Entrances

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February at Ars Nova Workshop

From Philly’s Ars Nova Workshop:

Sunday, February 8 | 7:30pm
Jon Hassell + Maarifa Street
with
Jon Hassell, trumpet/keyboard
Peter Freeman, bass/laptop
Dino J.A. Deane, sampler/live sampling
Jan Bang, sampler/live sampling
Kheir-Eddine M’Kachiche, violin

World Cafe Live
3025 Walnut Street

Event Description:
25 years after his last ECM recording, the highly-influential Power Spot (recorded in 1983/84), Jon Hassell returns to the label with a new album – issued to coincide with the trumpeter’s first US performances in two decades.

The striking, almost surreally-vivid image (in Coleman Barks’ contemporary translation) seems to speak to Hassell’s aural re-imaginings. His own ‘singing’ opens up new angles of vision, as his very vocal trumpet lines are reframed in works that contrast, combine, or melt together aspects of ancient and hypermodern idioms in a musical meta-language which can embrace sounds from all the compass points, sounds of the city, sounds of the natural world. In the past Hassell’s termed his personal genre Fourth World: by any name inspirational, its implications have registered with pop and rap and jazz artists as well as classical chamber musicians and filmmakers… And purely as an instrumentalist, Hassell’s influence has been widely felt, too. Nils Petter Molvaer, Arve Henriksen and Paolo Fresu are but three ECM-associated trumpeters who acknowledge a debt to the liquid tone and weightless, floating quality of Jon Hassell’s trumpet improvisations, and to his pioneering use of electronics in tandem with his horn.

Thursday, February 12 | 8pm
The Chance Trio performs Jimmy Giuffre’s Western Suite
with
Bart Miltenberger, trumpet/flugelhorn
Matt Davis, guitar
Michael Taylor, double-bass

This event will also feature a public discussion with University of Pennsylvania professor and composer Jay Reise, who began his composition studies with Jimmy Giuffre.

Philadelphia Art Alliance
251 S. 18th Street

Event Description:
“An unusual and striking trio” (Philadelphia Inquirer), The Chance Trio is a one-of-a-kind Philadelphia-based, drummerless, chamber-jazz trio. Founded in 2001 by Bart Miltenberger, Matt Davis and Michael Taylor, The Chance Trio has performed their adventurous, passionate, and humorous original compositions all over the Philadelphia area including concerts at the Kimmel Center, the Painted Bride, World Cafe Live, Ortlieb’s Jazzhaus, Tritone, and energizing showcases at the 3rd and 4th Collective Voices Festivals, and a long-standing residency at The Highwire Gallery. Influenced by jazz, blues, folk, rock, and avant-garde, The Chance Trio was a featured performer at the 2006 Festival of New Trumpet Music, curated by Dave Douglas.

Monday, February 16 | 8pm
Ethnic Heritage Ensemble
35th Anniversary Performance
with
Kahil El’Zabar, percussion
Corey Wilkes, trumpet/flugelhorn
Ernest Dawkins, alto & tenor saxophone

International House Philadelphia
3701 Chestnut Street

Event Description:
Please join Ars Nova Workshop for the 35th anniversary celebration of Chicago’s Ethnic Heritage Ensemble.

Founded by Kahil El’Zabar and Edward Wilkerson, Jr., the Ethnic Heritage Ensemble fuses contemporary Afro-American music with traditional African instrumentation and rhythms. Now featuring the remarkable Corey Wilkes, member of the Art Ensemble of Chicago and Ernest Dawkins of the New Horizons Ensemble, the trio’s “harmonically provocative and rhythmically seductive” (Chicago Tribune) performances impart an ancestral wisdom that conjures an energy rarely encountered in contemporary music.

Kahil El’Zabar is one of Chicago’s jazz treasures. A member of the AACM, El’Zabar has performed alongside a myriad of jazz greats and was a member of the bands of Stevie Wonder, Cannonball Adderley, Dizzy Gillespie and Nina Simone (who he also designed clothes for). He was also chosen to do the arranging for the stage performances of The Lion King. Rising star Corey Wilkes has shared the stage with Wynton Marsalis, Roy Hargrove, Soulive, James Moody, Meshell Ndegeocello, Von Freeman, Fred Anderson and Will Calhoun.

Thursday, February 19 | 8pm
Laubrock / Halvorson / Rainey Trio
with
Ingrid Laubrock, saxophones
Mary Halvorson, guitar
Tom Rainey, drums

The Rotunda
4012 Walnut Street
Free Admission

Event Description:
“Halvorson’s sound is immediately distinctive, viscerally powerful and, yes, intriguingly ‘anti-guitar’”. -Brian Morton, Jazz Review

“Tom Rainey is a player who swerves between avant-garde notions and a mainstream sensibility, and when he plays, the smell of invention is in the air.” -Josef Woodard, Los Angeles Times

“German-born, London-based reedist Ingrid Laubrock is a fearless composer-bandleader who relishes formidably knotty rhythms, unsettling electroacoustic episodes and bold injections of poignant melody.” -Time Out/New York

Thursday, February 26 | 7:30pm
Composer Portrait: Julius Hemphill

Warriors of the Wonderful Sound featuring Marty Ehrlich
with
Marty Ehrlich, alto saxophone
Bobby Zankel, alto saxophone
Elliott Levin, tenor saxophone
Dan Peterson, reeds
Dan Scofield, alto saxophone
Bryan Rogers, tenor saxophone
Bart Miltenberger, trumpet
Adam Hershberger, trumpet
Patrick Hughes, trumpet
Tom Madeja, trumpet
Larry Toft, trombone
Dan Blacksberg, trombone
George Barnett, French horn
Adam Lesnick, French horn
Matt Davis, el. guitar
Tom Lawton, piano
Dylan Taylor, double-bass
Craig McIver, drums

World Cafe Live
3025 Walnut Street

Event Description:
Please join Ars Nova Workshop for part two in celebrating Julius Hemphill’s unique body of work – music for big band and saxophone sextet.

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