The Unprecedented Freedom of Anthony Braxton

Anthony Braxton Trio
Image by Tom Marcello via Flickr

An article discusses Braxton’s 14 album Arista reissue set.

Clive Davis, recently fired by Columbia Records over a matter of suspiciously missing funds, was looking to get back in the game, parlaying a couple of decrepit labels and a lot of chutzpah into his second act, Arista Records. Anthony Braxton, once the enfant terrible of the AACM, was barely scratching out a living in Paris, not even sure there was a game. Davis figured a jazz line would spruce up his label and hired Steve Backer from Impulse! to put it together. Backer rounded up old catalogs from Savoy (home of Charlie Parker) and new material from Freedom, a French label that found itself awash in avant-gardists who could no longer find American labels. Then he invited Braxton to New York, hyping him as the new New Thing.

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AMN Podcast: George Cartwright – Send Help

Musique Machine Reviews

From Musique Machine:

Hoor Paar Kraat – A Whisper In The Sow’s Ear
This 3 inch cd finds surreal sound smiths Hoor Paar Kraat in a more horror filled droney, ritual, hypnotic and mainly field recording stripped mind set. With the 3 pieces on offer here concentrating on sinister manipulated gong, feed back and singing bowl tones.

Alex TiuniaevI Knew Her
I knew her is one long gracefully, majestic and building 40 minute track that mixers together soundtrack string soar, electronics, synthetic choir elements, ect

Various Artists – Zelphabet Vol E
This is the 5th letter volume compilation from the Zelphabet label this time as the title suggests taking in artists beginning with the letter E. We have five tracks on offer here one from each of Ed Osborn, Elliott Sharpe, Emil Beaulieau & Evil Moisture.

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All About Jazz Reviews

Bill Frisell - live at Jazz Alley, Seattle - 2...
Image via Wikipedia

From All About Jazz:

01-Jan-09 Ensemble 56
1st Meeting: Towards Sky Flight of Dragon (Not Two Records)
Reviewed by Jerry D’Souza

31-Dec-08 Jim Hall / Bill Frisell
Hemispheres (ArtistShare)
Reviewed by Mark F. Turner

31-Dec-08 Adam Niewood & His Rabble Rousers
Epic Journey, Volumes I & II (Innova Recordings)
Reviewed by Jeff Dayton-Johnson

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Jazz Listings From The New York Times

American Jazz musician and composer Mat Maneri.
Image via Wikipedia

From the Times:

GERALD CLEAVER (Tuesday) Dealing less in rhythm than in pulse, Mr. Cleaver’s drumming perfectly suits the fluid requirements of jazz’s post-everything avant-garde. He leads two strong bands here, beginning (at 8 p.m.) with Violet Hour, which features a front line of the trumpeter Jeremy Pelt and the saxophonists J. D. Allen and Andrew Bishop. The second group (at 10) is Uncle June, his more free-form-leaning outfit with the violist Mat Maneri, the saxophonist Tony Malaby and others. At the Stone, Avenue C and Second Street, East Village, thestonenyc.com; cover, $10 per set. (Chinen)

SYLVIE COURVOISIER TRIO (Sunday) The pianist Sylvie Courvoisier typically pursues a shimmering kind of tonal friction, and in this trio she has the right partners for it: John Hebert, a sensitive bassist, and Gerald Cleaver, a supple drummer. At 8 p.m., the Stone, Avenue C and Second Street, East Village, thestonenyc.com; cover, $10. (Chinen)

? BILL FRISELL, RON CARTER, PAUL MOTIAN (Tuesday through Thursday) A few years ago this all-star triumvirate released an album on Nonesuch that felt tantalizingly unfinished. Now Mr. Frisell (on guitar), Mr. Carter (on bass) and Mr. Motian (on drums) regroup for a weeklong engagement, taking long strides across a terrain that encompasses both spooky originals and heartland standards. (Through Jan. 11.) At 8 and 10:30 p.m., Blue Note, 131 West Third Street, West Village, (212) 475-8592, bluenote.net; cover, $35 at tables, $20 at the bar, with a $5 minimum. (Chinen)

? DAVE HOLLAND OCTET (Wednesday and Thursday) On “Pass It On” (Emarcy), his crisply energetic recent album, the bassist Dave Holland unveils a batch of compositions for a high-polish sextet. Here he expands to eight pieces but calls on some of the same musicians, employing the same stout resourcefulness as an arranger and composer. (Through Jan. 11.) At 8:30 and 11 p.m., Birdland, 315 West 44th Street, Clinton, (212) 581-3080, birdlandjazz.com; cover, $40 and $30, with a $10 minimum.

? NICOLE MITCHELL’S SONIC PROJECTIONS (Friday and Saturday) More than a serious and soulful flutist, Nicole Mitchell, from Chicago, organizes her music with a high degree of conceptual savvy. Here she introduces two editions of a project called Sonic Projections. The first, on Friday, includes the tenor saxophonist David Boykin, the pianist Vijay Iyer and the drummer Chad Taylor; the second, on Saturday, features the guitarist Mary Halvorson in place of Mr. Iyer. Friday at 10 p.m., Saturday at 8 p.m., the Stone, Avenue C and Second Street, East Village, thestonenyc.com; cover, $10. (Chinen)

? MARIO PAVONE (Friday and Wednesday) Mr. Pavone is a bassist and composer with a strong affinity for post-bop experimentation, and in his own music he often maps out a layered topography. On Friday he revisits the landscape of his album “Deez to Blues” (Playscape), with Steven Bernstein on trumpet and Charles Burnham on violin, among others. On Wednesday he leads his Double Tenor Quintet, featured on a more recent album, “Ancestors” (Playscape); the two tenors in question are Tony Malaby and Jimmy Greene. Friday at 9 and 10:30 p.m., Cornelia Street Café, 29 Cornelia Street, West Village, (212) 989-9319, corneliastreetcafe.com; cover, $10, with a one-drink minimum. Wednesday at 8:30 and 10:30 p.m., Iridium, 1650 Broadway, at 51st Street, (212) 582-2121, iridiumjazzclub.com; cover, $25, with a $15 minimum.

MIKE REED AND JEFF PARKER (Wednesday and Thursday) Mr. Reed, a drummer, composer and festival presenter from Chicago, released two strong records last year on the 482 Music label, each a reflection of his inclusive spirit of modernity. Here he teams up with Mr. Parker, a guitarist of similar temperament and perspective, for a blend of improvised and premeditated duets. At 10 p.m., the Stone, Avenue C and Second Street, East Village, thestonenyc.com; cover, $10. (Chinen)

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Jazzhouse Diaries: I Got The Feelin’

Our friend Lyn Horton write about music literature in I Got The Feelin’:

Pervasive in the literature whose subject is music that originates from the black experience is a stream of thought that is anti-critic, anti-criticism, anti-putting into words any interpretation of the music.

Just as one cannot begin the universe with one molecule of hydrogen, so can one not analyze, philosophize, criticize and proselytize on the music when viewing from any one position. Because the music loses something. It loses the impact with which and for which it was and is created from the beginning. The music itself is the result of assimilated experience for the musicians. Why does it need to be explained? And why does it need to be compared to anything else?