The night France tuned in to clank and clatter

Acousmonium at Sonic Acts XII
Image by pablosanz via Flickr

Sixty years of electroacoustic music are profiled.

This concert de bruits was a red-letter day in the annals of modern music. It was the moment when musique concrète – made from sounds recorded out in the world, rather than musical notes – came out from the laboratory and into public view. The man behind it was a quiet, intense telecommunications engineer turned composer named Pierre Schaeffer. For months he had been working in the radio station‘s studio, shaping the sounds he had recorded into a musical form.

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