Wet Ink in Gaudeamus Muziekweek at New Issue Project Room

From NYTimes.com:

The acoustics suited the experimental works that the Wet Ink Ensemble performed at the inaugural concert, the first installment of Gaudeamus Muziekweek New York. The series is an American version of a Dutch new-music festival that has flourished since 1945. The festival, in Utrecht, does not focus particularly on Dutch music; its scope is international, and the Brooklyn edition is following suit, with a Dutch group, Ensemble MAE, joining two American ones, Wet Ink and the International Contemporary Ensemble, in programs that are global and eclectic.

Cyclic Defrost Reviews

avant-garde pianist Matthew Shipp

Image via Wikipedia

From Cyclic Defrost:

Plaster – Platforms (Kvitnu)
Dorn – Mund und Ohr Geffesselt (Houzztek)
Vladislav Delay – Vantaa (Raster-Noton)
James Murray – Floods (Slowcraft)
Antipop Consortium with Matthew Shipp & William Parker – Knives From Heaven (Thirsty Ear)
Voices from the Lake – Voices from the Lake (Prologue)

Monsieur Délire Reviews

From Monsieur Délire:

LAWRENCE BALL / Method Music (Navona Records)
BRIAN ENO / Drums Between the Bells (Warp)
DAN JOSEPH / Tonalization (For the Afterlife) (Mutable Music)
FORTNER ANDERSON / Solitary Pleasures (&records)
HENRIK MUNKEBY NØRSTEBØ / Solo (Creative Sources)
NOAH KAPLAN QUARTET / Descendants (hatOLOGY)
WERNER KITZMÜLLER / Evasion (Valeot)
TU / TU (Pat Mastelotto/Trey Gunn)
CHRISTINA VANTZOU / N° 1 Remixes (The Numbered Series – merci à/thanks to Dense Promotion)
TETRAS / Pareidolia (Flingco Sound System – merci à/thanks to Dense Promotion)
ATOMIC ROOSTER / The Lost Broadcasts (Gonzo Multimedia)
THE BOATS / Ballads of the Research Department (12k – merci à/thanks to Dense Promotion)
PENDULUM NISUM / Pendulum Nisum (Hinterzimmer Records – merci à/thanks to Dense Promotion)
JASON URICK / I Love You (Thrill Jockey – merci à/thanks to)
THE NECKS / Mindset (ReR Megacorp)
TEHO TEARDO / Music, film. Music. (Spècula – merci à/thanks to Dense Promotion)
MIKHAIL / Xenofonia (Sub Rosa – merci à/thanks to Dense Promotion)
BOB DRAKE / Bob’s Drive-In (ReR Megacorp)

This Week at the ISSUE Project Room

From New York’s ISSUE Project Room:

02/03 @ 8:00pm
Jozef Van Wissem & Jim Jarmusch: Concerning the Entrance into Eternity (Record Release Party)

Concerning The Entrance Into Eternity is an extraordinary new collaboration between Dutch lutenist Jozef Van Wissem and American filmmaker & guitarist Jim Jarmusch. Respectful of one another’s space the pair weave layers of melody and waves of feedback while acoustic guitar and lute wrap together with a subtle depth expemplifying an austere understanding and compatibility. Jarmusch’s guitar work is metaphysical, at times sounding like a hurdy gurdy and at other time sounding as if it is responding to the calls of the lute. The final piece,He Is Hanging By His Shiny Arms, His Heart An Open Wound With Love, finds Jarmusch accompanying a solo lute composition with a reading from St. John Of The Cross. With three titles named after Christian mystic Emanuel Swedenborg’s work, this record is extraordinary, new and arcane at the same time, modern but timeless.

AMN Podcast: Forward Energy – The Awakening

The AwakeningJim Ryan, Forward Energy
“Carpenter Shop” (mp3)
from “The Awakening”
(Edgetone Records)
More On This Album

Gapplegate Music Reviews

English: Billy Bang at the Vision Festival, 20...

From Gapplegate:

Joe McPhee/Michael Zerang, Creole Gardens (A New Orleans Suite)
Ran Blake & Dominique Eade, “Whirlpool”
FAB Trio, “History of Jazz in Reverse,” Billy Bang, Joe Fonda, Barry Altschul
Andrea Centazzo, Moon in Winter, for Quintet
Mike Longo Trio + 2, “Surprise:” Hard Bopping and Burning Contemporary Jazz

This Week in Buenos Aires

From Buenos Aires,su Nueva Musica:

Sunday 29 January
Quasimodo Trío (chamber tango w/classical contemporary & jazz influences)
Daniel Ruggiero: Bandoneón y Compositions
Adrian Mastrocola: Piano
Cristian Basto: Contrabass
at cafe vinilo , gorriti 3780

Wednesday 1 February
Real Book Argentina ensamble (contemporary jazz ensemble)
Daniel “Pipi” Piazzolla (drums), Mariano Sívori (bass), Alan Plachta (guitar), Diego Schissi (piano) , Gustavo Musso (tenor sax & clarinet), Bernardo Monk (saxo alto, flute), Richard Nant (trumpet & flugel), Cirilo Fernández (keyboards), Juan “Pollo” Raffo (melodica), Nicolás Sorín (voice), Esteban Sehinkman (keyboards), Guillermo Klein y Daniel Camelo (arrangements)
at Thelonius . Salguero 1884 1er piso

Thursday 2 February
Pipi Piazzolla Trio (contemporary jazz )
Pipi Piazzolla ,drums
Luico Balduini , guitar
Damian Fogiel , tenor sax
At Thelonius . Salguero 1884 1er piso

FRIDAY 3 February
Guillermo Klein Quartet (contemporary jazz)
Guillermo Klein , piano
Richard Nant , trumpet & flugel
Matias Mendez , Bass
Sergio Verdinelli . drums
At Thelonius . Salguero 1884 1er piso

AMN Review: Daniel Levin – Inner Landscape

Daniel Levin: Inner Landscape (Clean Feed 224)

Inner Landscape is the first solo release from Daniel Levin, a cellist whose work forcefully inhabits the territory between jazz and avant garde art music. The six improvisations collected here, recorded over the course of two sessions in 2009, represent a comprehensive description of the sonic landscape of the contemporary cello.

The six landscapes encompass a broad range of techniques and genre-crossing sounds, creating a complex atmosphere of mixed moods. Landscape 1, for instance, features sound clusters of dissonant tones along with abrupt phrasing and simultaneously struck and plucked notes. The third landscape creates an unstable tension through the judicious use of tritones – this is a landscape viewed from a precarious standpoint. A different kind of tension builds in Landscape 4, with its brusque chords, strings struck with the wood of the bow, and rapid tremolo. Closing out the recording, Landscape 6 moves in and out of a kind of frantic falsetto voice as Levin swoops across the cello’s upper and lower registers.

Inner Landscape is a fine showcase for Levin’s technical and emotional versatility and an important document of adventurous solo string improvisation.

http://www.cleanfeed-records.com

AMN Podcast: T.D. Skatchit & Company – Skatch Surveillance

Skatch SurveillanceT.D. Skatchit & Company, Tom Nunn, David Michalak
“Beast Of Both Worlds” (mp3)
from “Skatch Surveillance”
(Edgetone Records)
More On This Album

Classical Music Listings From The New York Times

English: Milton Babbitt in Juilliard School of...

Image via Wikipedia

From NYTimes.com:

American Composers Orchestra (Tuesday) This concert marking the 75th birthday of Philip Glass features the American premiere of his Ninth Symphony. (Fear not, superstitious types; Mr. Glass already has a 10th in the drawer.) Completing the program is Arvo Pärt’s stirring “Lamentate,” featuring the pianist Maki Namekawa. At 8 p.m., Carnegie Hall, (212) 247-7800, carnegiehall.org; $29 to $82, with limited availability. (Steve Smith)

Eve Beglarian’s RiverProject (Friday and Saturday) Prompted by the 2008 election to get back in touch with America, the composer and singer Ms. Beglarian kayaked and bicycled the length of the Mississippi River; since her return she has translated her findings into music of sophisticated rusticity. On Friday the agit-prop new-music ensemble Newspeak presents the New York premiere of “Waiting for Billy Floyd”; on Saturday Ms. Beglarian performs with the violinist Mary Rowell, the guitarist Taylor Levine and the singer Malcolm J. Merriweather. At 8 p.m., Abrons Arts Center, 466 Grand Street, at Pitt Street, Lower East Side, (866) 811-4111, abronsartscenter.org; $25, or $15 for students and seniors. (Smith)

Focus! 2012 Festival (Friday, and Monday through Thursday) The Juilliard School provides a gift to the city in this year’s installment of its venerable annual new-music festival: six concerts celebrating the 100th anniversary of the birth of John Cage. It’s a rich selection of nearly 40 works drawn from every period of Cage’s pathbreaking career, from vocal music to compositions for percussion ensemble. That the shows are all free is the icing on the cake. (The finale concert is next Friday.) Friday, and Monday through Thursday at 8 p.m., the Juilliard School, Lincoln Center, (212) 769-7406, juilliard.edu; free tickets required. (Woolfe)

Gaudeamus Muziekweek New York (Friday and Saturday) A series mounted by the prestigious Dutch new-music festival Gaudeamus Muziekweek ends with two concerts featuring Ensemble MAE, the successor to the trailblazing Maarten Altena Ensemble. On Friday the International Contemporary Ensemble pitches in for works by Yannis Kyriakides; on Saturday, Iktus Percussion shares a program that includes pieces by Ligeti, Robert Ashley, Michel van der Aa and others. At 7:30 p.m., Issue Project Room, 110 Livingston Street, downtown Brooklyn, (718) 330-0313, issueprojectroom.org; $20. (Smith)

David Lang (Friday) A founder of Bang on a Can, with Julia Wolfe and Michael Gordon, Mr. Lang writes in a colorfully accessible, energetic style. His “Little Match Girl Passion,” a wrenching setting of the Hans Christian Andersen story, won the Pulitzer Prize in 2008 and is the centerpiece of this Making Music program, which also includes the New York premiere of Mr. Lang’s “Death Speaks.” The starry cast includes Theater of Voices; Bryce Dessner and Shara Worden on guitars and vocals; the composer Nico Muhly on keyboards; and Owen Pallett on violin and vocals. At 6 p.m., Zankel Hall, Carnegie Hall, (212) 247-7800, carnegiehall.org; $30, with limited availability. (Kozinn)

Mimesis Ensemble (Saturday) This new-music group offers an appealing program of 20th- and 21st-century works, including Takemitsu’s “Entre-Temps,” Mohammed Fairouz’s “Furia,” Ned Rorem’s “Unquestioned Answer” and Kaija Saariaho’s “Terra Memoria.” At 8 p.m., Merkin Concert Hall, 129 West 67th Street, Manhattan, (212) 501-3330, kaufman-center.org; $20 in advance; $25 at the door; $15 for students and 65+. (Schweitzer)

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